Xena, a mighty Warrior Princess with a dark past, sets out to redeem herself. She is joined by small town bard, Gabrielle. Together they journey the ancient world and fight for the greater good against ruthless Warlords and Gods.
This a prequel to the popular television series. In it a young Hercules, wanting to impress Zeus tries to recover something that his half-brother Ares stole from Zeus. But when his friend ... See full summary »
An exotic dancer, cryogenically frozen in the year 2001, is accidentally thawed out in 2525 by two female warriors who are fighting against evil robots which have taken over the world. The ... See full summary »
Paula, (Renee O'Connor) an inspector for the Historic Trust, wraps up a successful and important project in the upper Midwest. On her way home to Chicago, she gets a call from her office ... See full summary »
Larry Joe Campbell,
Grant R. Krause
Hercules is finally a happy family man with his wife Deianeira, two young sons Aeson and Clonus, daughter Ilea and in-living centaur Nessus. When a trickster lures men to fight -using a ... See full summary »
Mighty Zeus brings Hercules' mother, Alcmene, to Mount Olympus, and Hercules, believing she has been kidnapped, leads a rescue mission to save her. Zeus' jealous wife, Hera, decides that it should now be her time to rule the universe. Hera steals the Chronos Stone, source of the God's power, and unleashes the four Titans from their eons of imprisonment. With these angry behemoths on the loose, only the combined forces of Hercules and Xena, together with their trusty sidekicks Iolaus and Gabrielle, can save Mount Olympus. Written by
David Mullich <firstname.lastname@example.org>
Forget "He-Man" comparisons - even "Young Samson" tops this.
I'm not saying it's devoid of good points - the original cast members furnish their characters' voices; it's only 76 minutes long; and lots of Joseph LoDuca's unoriginal but rousing music from the two shows is tracked in as underscore.
But that's it.
John Loy's script completely misses the spirit of the live-action shows (tellingly, he never wrote for either "Hercules: The Legendary Journeys" or "Xena: Warrior Princess"); the inclusion of three (bad) songs is pointless and irritating, especially the one sung by the Titans; and the animation is, quite simply, appalling - from the giant sea creature that keeps changing colour during the opening battle with Hercules to draughtsmanship that achieves the remarkable feat of making Gabrielle look ugly (when she hasn't been turned into an eagle... poor Renee O'Connor. Then again, she gets the least dialogue in the bad script), this is cheap animation without any of the charm that other cheapskate cartoons can have.
Not that the Disney version of "Hercules" didn't have any flaws of its own, but it's streets ahead of this one in all respects; if the parent shows were as bad as this one (and some people say they are), they would have been about as successful as "The Adventures of Sinbad."
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