Queen Victoria is deeply depressed after the death of her husband, disappearing from public. Her servant Brown, who adores her, through caress and admiration brings her back to life, but ... See full summary »
A meditation on power and the metaphor of the body of state, based on the real episode of dementia experienced by George III [now suspected a victim of porphyria, a blood disorder]. As he ... See full summary »
An impoverished woman who has been forced to choose between a privileged life with her wealthy aunt and her journalist lover, befriends an American heiress. When she discovers the heiress is attracted to her own lover and is dying, she sees a chance to have both the privileged life she cannot give up and the lover she cannot live without.
Helena Bonham Carter,
An aspiring young physician, Robert Merivel found himself in the service of King Charles II and saves the life of a spaniel dear to the King. Merivel joins the King's court and lives the ... See full summary »
Robert Downey Jr.,
A reformed young man with a steady job, Benny, returns to the city of his youth to find the girl he's been in love with since childhood and that's home to his four petty criminal friends, Jacko, Zac, Bisto and Flea.
Queen Victoria is deeply depressed after the death of her husband, disappearing from public. Her servant Brown, who adores her, through caress and admiration brings her back to life, but that relationship creates scandalous situation and is likely to lead to monarchy crisis. Written by
The scene in Parliament, preceded immediately by the on screen prompt "1867," where the speaker raises the question of the "Disestablishment of the Irish Church" did not happen under the government of Benjamin Disraeli, as depicted, nor did it happen in 1867 at all. Known officially as The Irish Church Act 1869, was an Act of the Parliament of the United Kingdom passed during William Ewart Gladstone's administration, which was after Disraeli's first ministership (which ended on December 1, 1868) and before his second ministership (which began on February 20, 1874). See more »
You could buy that lot for garden ornaments and still see change from ten guineas.
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This film is a fantastic love story. You'll note that I didn't say "sex story," because there is absolutely no sex in this film. And yet most people equate "love story" with sex, or at least a beautifully shot kiss at the end, complete with a cheesy song penned by Brian Adams. This, my friends, is a love story with a difference.
It is the story of a servant's love for his queen; it is the story of a woman's love for the man who has given her life meaning; it is a story of two best friends, who ignore social circumstances and care deeply for one another. The story is nearly flawless, combining the historical situation and circumstances with intense and riveting emotion.
The acting is outstanding. Both of the central actors convey exactly what their character is feeling, even if no words are spoken. Billy Connolly lets John Brown's humanity shine through his rough exterior, and he has a naturalness that is quite inspired. And Dame Judi Dench gives a masterful performance, worthy of the Oscar (like that's never been said before). Her portrayal of a queen tortured by her feelings and her position in society is the best of the year by any actor, male or female.
Hands down the best British film of the year. 9/10.
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