Queen Victoria is deeply depressed after the death of her husband, disappearing from public. Her servant Brown, who adores her, through caress and admiration brings her back to life, but ...
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A meditation on power and the metaphor of the body of state, based on the real episode of dementia experienced by George III [now suspected a victim of porphyria, a blood disorder]. As he ... See full summary »
An impoverished woman who has been forced to choose between a privileged life with her wealthy aunt and her journalist lover, befriends an American heiress. When she discovers the heiress is attracted to her own lover and is dying, she sees a chance to have both the privileged life she cannot give up and the lover she cannot live without.
Helena Bonham Carter,
Queen Victoria is deeply depressed after the death of her husband, disappearing from public. Her servant Brown, who adores her, through caress and admiration brings her back to life, but that relationship creates scandalous situation and is likely to lead to monarchy crisis. Written by
During filming, Gerard Butler saved a young boy from drowning in the river Tay and received a "Certificate Of Bravery" from The Royal Humane Society. See more »
At Osborne House, Brown is standing on the upper terrace, below the second story grand hall windows, with the Queen's white pony, ready and waiting for the Queen's call to ride. Seen at upper terrace level, he is standing on the horse's right side, as the Queen is walking through the grand hall with her daughters, she notices Brown standing and waiting through the window, and pauses at the window to observe more closely, but now Brown is standing on the horse's left side, which appears closer to the window because of the angle of the shot.. See more »
This is not, as one might think, a romantic film about a queen who falls in love with a subject -- although that's technically its story, and although it seems to aspire to the category of romantic, bittersweet drama. For that it's too harsh and cold, and my experience is that women in particular will be disappointed that at no point in the film will the central characters "succumb to their yearnings". True, this is an epic, sweeping, costume drama, but it's one that stays so true in its wish to portray history and reality correctly, that the grand love scenes are ruled out by its no-compromise attitude.
Beyond that (it's by no means a criticism), Mrs. Brown is a touching, very entertaining, extremely well acted drama. Unlike many other films set in this era, the sets aren't overdone, and the people are portrayed (as I imagine it) realistically. Despite its focus on realism, it comes off as an extremely emotional (much thanks to Billy Connolly's performance) story about personal and political conflicts.
Finally, I believe the political angle of the film will confuse some people who won't understand the issues at stake (this is how my girlfriend reacted -- she couldn't follow much of the narrative in the last hour or so); but those who do will be thrilled.
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