7.4/10
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The River (1997)

He liu (original title)
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1:24 | Trailer

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In Taiwan, Xiao-kang, a young man in his early 20s, lives with his parents in near silence. He is plagued by severe neck pain. His father is bedeviled by water first leaking into his ... See full summary »

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6 wins & 7 nominations. See more awards »

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Cast

Complete credited cast:
Tien Miao ...
Father
...
Yi-Ching Lu ...
Mother (as Hsiao-Ling Lu)
...
Director (as Anne Hui)
Shiang-chyi Chen ...
Girl
Chao-jung Chen ...
Anonymous Man
Shiao-Lin Lu ...
Mother's lover (as Long Chang)
Kuei-Mei Yang ...
Girl in Hotel
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Storyline

In Taiwan, Xiao-kang, a young man in his early 20s, lives with his parents in near silence. He is plagued by severe neck pain. His father is bedeviled by water first leaking into his bedroom and then flooding the apartment; rain is incessant. Xiao-kang's mother is overcome by sexual longing for her son, sometimes making seemingly incestuous overtures. They try virtually every intervention for Xiao-kang's neck: Western medicine, a chiropractor, acupuncture, an herbal doctor, and a faith healer, Master Liu. Are the family's silent dynamics and Xiao-kang's neck pain connected? And what about the body floating in the Tamsui River: is everything dead? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

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Details

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Release Date:

7 August 1997 (Taiwan)  »

Also Known As:

The River  »

Filming Locations:


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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The director of the movie in which Xiao-Keng floats in the river is played by real-life Hong Kong director Ann Hui. See more »

Quotes

Girl: Hsiao-kang, I want to go pee. Could you turn off the lights?
[Hsiao-kang turns off the lights]
Girl: The curtains, too.
See more »

Connections

Follows Rebels of the Neon God (1992) See more »

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User Reviews

A Film of Shocking Power
11 May 2000 | by (England) – See all my reviews

Although the first thing that strikes you about 'The River' is its measured pace and relaxed narrative style, you will soon feel yourself giving up the rein to this film that demands respect.

It is a film that documents social decline in the modern world, a kind of alienation and dysfunction that has become a staple of arthouse cinema, and yet treats it with such originality and audacity that it seems brand new all over again. It is the kind of film I like: the kind of film that uses 'dead time', the type pioneered by Antonioni, that establishes the film within a natural context and long takes that never disrupt the time-truth of the images, resulting in film that hardly ever manipulates or patronizes the audience. It relies instead on the understanding that the audience will accept (or possibly relish in) the films distinctly alternative themes and form. Indeed, the film has its flaws, as all films must, but I feel that it is the measured pace that will test most- don't let it! After-all, it is only 114 minutes long.

A film laced with a quite understatement that explodes towards the end in a finale that is, in my viewing experience, un-equaled in its shocking power. Recommended.


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