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Hard Eight (1996)

Sydney (original title)
Professional gambler Sydney teaches John the tricks of the trade. John does well until he falls for cocktail waitress Clementine.
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2 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
Hostage
...
Young Craps Player (as Phillip Seymour Hoffman)
Nathanael Cooper ...
Restroom Attendant
Wynn White ...
Waitress
Robert Ridgely ...
Keno Bar Manager
Kathleen Campbell ...
Keno Girl
Michael J. Rowe ...
Pit Boss
Peter D'Allesandro ...
Bartender
Steve Blane ...
Stickman
Xaleese ...
Cocktail Waitress
...
Jimmy's Girl
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Storyline

John has lost all his money. He sits outside a diner in the desert when Sydney happens along, buys him coffee, then takes him to Reno and shows him how to get a free room without losing much money. Under Sydney's fatherly tutelage, John becomes a successful small-time professional gambler, and all is well, until he falls for Clementine, a cocktail waitress and sometimes hooker. Written by Jon Reeves <jreeves@imdb.com>

Plot Summary | Add Synopsis

Taglines:

If you stay in the game long enough, you'll see everything, win everything, and lose everything. See more »

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong language, some violence and sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

28 February 1997 (USA)  »

Also Known As:

Hard Eight  »

Filming Locations:

 »

Box Office

Budget:

$3,000,000 (estimated)

Opening Weekend:

$69,486 (USA) (28 February 1997)

Gross:

$142,356 (USA) (7 March 1997)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Paul Thomas Anderson's original title for this film was "Sydney". Since it was his first film, and he had basically no control over it (much less final cut, like he's had on his other features since), the studio, Rysher Entertainment, re-cut the film and retitled it "Hard Eight". This obviously enraged Anderson, and through many talks and deals, he convinced the studio to let him release his cut, but with the new title "Hard Eight". Anderson later said this experience taught him that doing your best to make the best possible movie was only "half the job" when being a director. The other half was dealing with all the egos involved. See more »

Goofs

In the motel room, Sydney leans over to see if the hostage is breathing, and places his right hand on the bed headboard, after he has already wiped the room for fingerprints. See more »

Quotes

Sydney: [at the cocktail lounge] Tell me something. Are you required to flirt, to behave as you do toward that table of men over there? Maybe... it's some part of your job?
Clementine: Uh, they don't say to do it.
Sydney: But if you don't?
Clementine: Well, then I get questioned, like: "Why were so rude to them?", and, I mean, I can't talk back. I can't tell them to fuck off and leave me alone.
Sydney: As a rule?
Clementine: I'd also lose the tip.
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Connections

References Midnight Run (1988) See more »

Soundtracks

Christmas Medley
(The First Noel / O Little Town of Bethlehem / Silent Night)
Written by traditional / Phillips Brooks and Lewis H. Redner / Franz Gruber and Joseph Mohr
Performed by Frankie Avalon
Courtesy of Chancellor Records, Inc.
By Arrangement with Celebrity Licensing Inc.
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User Reviews

 
Beautiful!
26 August 2002 | by (NYC) – See all my reviews

Philip Baker Hall's Sidney kept me riveted from the first scene to the last. He play the mesmerizing, enigmatic title character with rare mastery and grace. The supporting characters are no slouches either. John C. Reilly is marvelous as Sidney's sweet, if somewhat slow witted protege. Samuel Jackson could have easily coasted on this one, simply repeating a performance from any of a number of previous tough guy types. Instead he creates an entirely new character, one with a reptilian quality not seen in his usual thugs. Even Gwenyth Paltrow is unusually strong as Clem, the waitress who wants it understood that, even if she sometimes sleeps with men for money, she is definitely NOT a prostitute.

I've been a fan of PT Anderson for a while now, and this film gave me new insight into why it is I like him so much. Anderson is that great rarity in modern filmmaking, an actor's director. He gathers terrific actors and inspires them to career-topping performances. There's no fiendishly complex plot here, no nailbiting suspense, no big payoff at the end. Just marvelous actors making the most of an excellent script.


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