7.9/10
21,502
113 user 109 critic

Fireworks (1997)

Hana-bi (original title)
Nishi leaves the police in the face of harrowing personal and professional difficulties. Spiraling into depression, he makes questionable decisions.

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22 wins & 18 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Yoshitaka Nishi (as 'Beat' Takeshi)
Kayoko Kishimoto ...
Miyuki, Nishi's wife
Ren Ohsugi ...
Horibe (as Ren Ôsugi)
Susumu Terajima ...
Nakamura
Tetsu Watanabe ...
Tesuka
Hakuryû ...
Yakuza Hitman
Yasuei Yakushiji ...
Criminal
Tarô Itsumi ...
Kudo
Ken'ichi Yajima ...
Doctor
Makoto Ashikawa ...
Tanaka
...
Tanaka's widow
Tsumami Edamame ...
Businessman Throwing Rocks
Yûrei Yanagi ...
Chef #1
Sujitarô Tamabukuro ...
Chef #2
Tokio Seki ...
Old Hick
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Storyline

Nishi is a cop whose wife is slowly dying of leukemia. One of his partners gets shot on the job, which results in him being confined to a wheelchair for the rest of his life and becoming suicidal. Nishi, feeling guilty of his partner's accident, tries to help him in any way he can. At the same time, Nishi leaves the police to spend more time with his dying wife. However, in order to do the right things for those he loves, Nishi must do something wrong, which has tragic consequences. Written by Anonymous

Plot Summary | Add Synopsis


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Details

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Release Date:

20 March 1998 (USA)  »

Also Known As:

Fireworks  »

Box Office

Opening Weekend:

$59,508 (USA) (20 March 1998)

Gross:

$233,986 (USA) (10 April 1998)
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Company Credits

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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. See more »

Quotes

Yoshitaka Nishi: Next time, I'll kill you.
See more »

Connections

Referenced in Jam session - Kikujiro no natsu koshiki kaizokuban (1999) See more »

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User Reviews

A masterpiece!
6 July 2002 | by (Perth, Australia) – See all my reviews

'Hana-bi' is one of the most impressive movies I've seen in the last ten years. Writer/director/star Beat Takeshi (Takeshi Kitano) is best known in Japan as a comedian and TV personality, so this movie is even more astonishing to outsiders like myself. Takeshi has a very laconic and charismatic screen presence, and is no slouch as a director either. It's difficult to describe the feel of this movie, and its poetic use of violence. Peckinpah's brilliant and misunderstood 'Bring Me The Head Of Alfredo Garcia' comes to mind, as does Cassavetes' 'The Killing Of A Chinese Bookie', Ferrara's 'King Of New York' and 'Bad Lieutenant'. 'Hana-bi' reminds me of those movies but Takeshi adds his own unique voice to the material. I was knocked out by it, and I cannot recommend it highly enough to movie fans who are fascinated by the relationship between art and violence. I don't think calling this movie a masterpiece is an exaggeration. Absolutely essential viewing!


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