In Paris, a young American who works as a Michael Jackson lookalike meets Marilyn Monroe, who invites him to her commune in Scotland, where she lives with Charlie Chaplin and her daughter, Shirley Temple.
An experimental film originally shown as an art installation in Manhattan by Harmony Korine. It involved left-over footage from his directorial debut "Gummo", projected on three separate ... See full summary »
Xenia, Ohio, is a small poor and boring city that never fully recovered after a tornado in the 1970s. Teenager Solomon and his slightly older friend Tummler, have nothing to do but kill time, buying glue to sniff and get high. Written by
In the scene where Solomon's eating spagetti in the bath, there's a piece of bacon taped to the wall behind him. Says Werner Herzog: "When I saw a piece of fried bacon fixed to the bathroom wall in Gummo, it knocked me off my chair. [Korine's] a very clear voice of a generation of filmmakers that is taking a new position. It's not going to dominate world cinema, but so what?" See more »
During the arm wrestling scene, the number of bottles on the table changes between shots. See more »
Xenia, Ohio. Xenia, Ohio. A few years ago, a tornado hit this place. It killed the people, left and right. Dogs died. Cats died. Houses were split open, and you could see necklaces hanging from branches of trees. People's legs and neck bones were sticking out. Oliver found a leg on his roof. A lot of people's fathers died, and were killed by the great tornado. I saw a girl fly through the sky, and I looked up her skirt. Her skull was smashed. And some kids died. My ...
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Set in Xenia, Ohio, Gummo feels like a deliberate riposte to Hollywood by its creator, Harmony Korine, whose penchant for subversion was already evident in his screen writing debut for Larry Clark's Kids (1995). Eschewing linear narrative, Korine explores, through the use of vignettes and bizarre episodes, the cat-killing escapades of its two protagonists and weaves this quest around a set of unrelated but bizarre events taking place in Xenia. There is no sense of a story, only a mood, and that mood fluctuates wildly from revulsion to surprise. By giving voice to those marginalized from society, Korine paints a startling portrait of landlocked America, one at odds with the Hollywood cliché of its inhabitants. There are many unforgettable scenes and yet it's not an enjoyable film, but it challenges, provokes and pushes the margins - and that in itself is worthy.
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