A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out ... See full summary »
Harry Dean Stanton,
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
Xenia, Ohio, is a small poor and boring city that never fully recovered after a tornado in the 1970s. Teenager Solomon and his slightly older friend Tummler, have nothing to do but kill time, buying glue to sniff and get high. Written by
In the scene where Solomon's eating spagetti in the bath, there's a piece of bacon taped to the wall behind him. Says Werner Herzog: "When I saw a piece of fried bacon fixed to the bathroom wall in Gummo, it knocked me off my chair. [Korine's] a very clear voice of a generation of filmmakers that is taking a new position. It's not going to dominate world cinema, but so what?" See more »
During the arm wrestling scene, the number of bottles on the table changes between shots. See more »
Xenia, Ohio. Xenia, Ohio. A few years ago, a tornado hit this place. It killed the people, left and right. Dogs died. Cats died. Houses were split open, and you could see necklaces hanging from branches of trees. People's legs and neck bones were sticking out. Oliver found a leg on his roof. A lot of people's fathers died, and were killed by the great tornado. I saw a girl fly through the sky, and I looked up her skirt. Her skull was smashed. And some kids died. My ...
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Extremely disturbing film, kind of like a documentary without any narrative. Takes place in the town of Xenia, Ohio in the aftermath of a tornado. The characters are all extremely bizarre, which makes the viewer wonder how realistic things are. The settings, including messy houses and barren streets, are profoundly depressing. Still, there is a sensitivity behind the darkness that lends the film a strangely warm feeling. As well, one feels for the "main characters" (though these characters don't inhabit the film in a traditional sense) despite their misguided acts. Worth seeing for open-minded, patient audiences who don't mind abstract plots and off-topic segues.
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