A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out ... See full summary »
Harry Dean Stanton,
Xenia, Ohio, is a small poor and boring city that never fully recovered after a tornado in the 1970s. Teenager Solomon and his slightly older friend Tummler, have nothing to do but kill time, buying glue to sniff and get high. Written by
The houses that were filmed in were left untreated. See more »
During the scene when the two young 'cowboys' are breaking stuff, they break a car window but in the next shot the car window is intact. See more »
Xenia, Ohio. Xenia, Ohio. A few years ago, a tornado hit this place. It killed the people, left and right. Dogs died. Cats died. Houses were split open, and you could see necklaces hanging from branches of trees. People's legs and neck bones were sticking out. Oliver found a leg on his roof. A lot of people's fathers died, and were killed by the great tornado. I saw a girl fly through the sky, and I looked up her skirt. Her skull was smashed. And some kids died. My ...
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Don't let anyone tell you you're close-minded if you hated this movie. This movie was, beyond an inkling of a flicker of a shadow of a doubt, egregiously awful. There are always going to be wannabe artsy types out there who claim to see things other people don't; they "get" movies like Gummo, or at least they pretend to, so they can act as if they're in on something the rest of the world just isn't smart enough to understand. The truth is, though, that there is absolutely nothing to get. This movie is not innovative, nor intriguing, nor even interesting in the least. There's no underlying meaning to it at all (writer/director Harmony Korine admitted as much in an interview). It's just a loosely continuous assembly of vignettes depicting random scenes of filth, squalor, and depravity.
The movie is not a social commentary, as some have argued. It offers no insight into the lives of the people it exploits. The entire backstory-the tornado-serves only as an excuse for the rest of the thing, as if it mattered. It goes like this: first, we get to watch a shirtless boy in a bunny hood spit and urinate off an overpass; next, we meet two teenagers who ride their bikes around the desolate and dilapidated town, looking for cats they can kill and sell to a local restaurant owner; then, we're introduced to three bleach-blonde sisters who don't seem to have any parents and who busy themselves with such activities as ripping electrical tape off their bare nipples. These are the only recurring characters to speak of. Nothing they do is even remotely interesting or entertaining, though. And every other character is memorable only for the few minutes it takes the viewer to rid himself of the feeling of disgust, only to be disgusted again and again by characters he should be feeling sympathy for.
And that's really why this movie is so awful. Don't get me wrong, it'd be awful no matter what, but it wouldn't be entirely without merit if we could actually feel anything other than disdain for the characters. But these are not real people, everything is actually scripted, and none of it is believable at all.
The shock value is negligible; it's not really shocking, but even if it were, there are better movies to watch if that's what you're after. It's not innovative, either-it's actually almost a blatant rip-off of some other, more noteworthy films. It's quite obvious that the only purpose here was to be pretentious. Of course, it probably wasn't meant to be so obvious.
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