| Thomas Brandise | ... | Mikey | |
| Tom Malloy | ... | Chicken | |
| Michael Parducci | ... | Ray | |
| Tony Tucci | ... | Zane | |
| Sean Quinn | ... | Mark | |
| Carmel Altomare | ... | Zane's Mother | |
| Teresa Spinelli | ... | Zane's Grandmother | |
| Glen Sparer | ... | Tow Truck Driver | |
| Macky Aquilino | ... | Jo-Jo the Junkie | |
| Yoni Berkovits | ... | Junkie | |
| David Auerbach | ... | Tony | |
| Miranda Devin | ... | Mary | |
| Dora Irizzary | ... | Mary's Mother | |
| Ray Picirillo | ... | Mary's New Boyfriend / Extra Street Punk | |
| Maurice Carr | ... | Terence | |
| Jinn S. Kim | ... | Korean Clerk | |
| Frits Zernike | ... | Annoying Customer | |
| Gil Machucha | ... | Mexican Store Owner | |
| Gregg Bello | ... | Cop | |
| Kaves | ... | Dispatcher Voice (as Mike Kaves) | |
| Megan Gray | ... | Disc Jockey (voice) | |
| Armando J. Cerabino | ... | Mikey's Father | |
| Kira Burke | ... | Father's Girlfriend | |
| Anne Rollins | ... | Mikey's Sister | |
| Wayne Milan | ... | Extra Street Punk | |
| Sebe Cavallo | ... | Extra Street Punk | |
| Vincent Aquilino | ... | Joe Joe The Junkie | |
| Craig Keene | ... | Extra Street Punk (as Craige Keene) | |
| Richie Scofield | ... | Extra Street Punk | |
| Irphan Koche | ... | Extra Street Punk | |
| Anthony Strazullo | ... | Extra Street Punk | |
| Alfred Macaluso | ... | Extra Street Punk | |
| Alex Temperino | ... | Extra Street Punk | |
| Chris Bait | ... | Extra Street Punk | |
| Ambrose Fabbro | ... | Extra Street Punk | |
| Angelo | ... | Extra Street Punk | |
| Roger Califano | ... | Extra Street Punk | |
| Rocco Castelano | ... | Extra Street Punk | |
| Evano Longo | ... | Extra Street Punk | |
| rest of cast listed alphabetically: | |||
| Vincent Aquilino | ... | Street thug | |
| Karen Razzano | ... | Jo-Jo's daughter | |
Directed by | |||
| Salvatore Stabile | |||
Writing credits(in alphabetical order) | ||
| Salvatore Stabile | written by | |
Produced by | |||
| Daniel Edelman | .... | executive producer | |
| Mark Ross | .... | executive producer | |
| Toni Ross | .... | executive producer | |
| Salvatore Stabile | .... | producer | |
Original Music by | |||
| Bill Laswell | |||
Cinematography by | |||
| Joseph Dell'Olio | |||
Film Editing by | |||
| Miranda Devin | |||
| Salvatore Stabile | |||
Casting by | |||
| Harriet Bass | |||
Second Unit Director or Assistant Director | |||
| Chris Marazzo | .... | assistant director | |
Camera and Electrical Department | |||
| Khamise | .... | grip | |
Editorial Department | |||
| George Carlston | .... | colorist: dailies | |
| Peter Devin | .... | assistant editor | |
| Jack Haigis | .... | additional editor | |
| Joshua Kravitz | .... | assistant editor | |
| Stephen Stabile | .... | assistant editor | |
Music Department | |||
| Tanja Crouch | .... | music licensing | |
| Robert Musso | .... | music mixer | |
Other crew | |||
| Macky Aquilino | .... | location manager | |
| Hitomi Koike | .... | production assistant | |
| Elisa Prainito | .... | production assistant | |
| Recent Posts (updated daily) | User |
|---|---|
| i loved this movie | wildcathollow |
| gritty, depressing, macbre, and good. | mega-17 |
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| Deuces Wild | A Guide to Recognizing Your Saints | Freeway | Hurricane | Surveillance |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
Gravesend takes place in a beaten down Brooklyn neighborhood near Coney Island. Immediately, it is clear that the young writer/director of this film takes all his energy and inspiration for his characters out of the streets for this film, and does so convincingly. Much of this films' buzz centered around the fact that the director was young and made the film at a very low-budget, adding to this films rough urban flavor. Many critics deplored the film because of its' repeatative non-stop pointless fights among the friends, however I believe they were an essential part of the film. We learn to dislike most of the characters, often glad that their lives aren't ours, and at times the dialog can be suprisingly humorous given the cynical nature of this film. Tony Tucci alone is reason enough to see this movie, playing a violent, rough, worthless twenty-something who is neither a good friend, good person, and more or less continually fails at what he does throughout the coarse of the night. With a better written plot and storyline, this film could have done what Mean Streets did for Martin Scorecese for this young director, but unfortunately falls short. However, to anyone interested in film and film making, highly recommended.