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Directed by | |||
| Gus Van Sant | |||
Writing credits(WGA) | ||
| Matt Damon | (written by) & | |
| Ben Affleck | (written by) | |
Produced by | |||
| Su Armstrong | .... | executive producer | |
| Lawrence Bender | .... | producer | |
| Jonathan Gordon | .... | executive producer | |
| Chris Moore | .... | co-producer | |
| Scott Mosier | .... | co-executive producer | |
| Kevin Smith | .... | co-executive producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
Original Music by | |||
| Danny Elfman | |||
Cinematography by | |||
| Jean-Yves Escoffier | (director of photography) (as Jean Yves Escoffier) | ||
Film Editing by | |||
| Pietro Scalia | |||
Casting by | |||
| Kerry Barden | |||
| Billy Hopkins | |||
| Suzanne Smith | |||
Production Design by | |||
| Missy Stewart | (as Melissa Stewart) | ||
Art Direction by | |||
| James McAteer | |||
Set Decoration by | |||
| Jaro Dick | |||
Costume Design by | |||
| Beatrix Aruna Pasztor | |||
Makeup Department | |||
| James D. Brown | .... | hair stylist | |
| Jean Carney | .... | additional makeup artist: Boston | |
| Elizabeth Cecchini | .... | additional hair stylist: Boston | |
| Leslie Ann Sebert | .... | makeup artist (as Leslie Sebert) | |
Production Management | |||
| Dorothy Aufiero | .... | production supervisor: Boston | |
| Christopher Goode | .... | unit production manager: Boston | |
| Robert Hackl | .... | post-production supervisor (as Robert A. Hackl) | |
| Brent O'Connor | .... | unit production manager | |
| Pamela Winn-Barnett | .... | post-production supervisor (as Pam Winn Barnett) | |
Second Unit Director or Assistant Director | |||
| Jennifer Deathe | .... | third assistant director | |
| Lisa Janowski | .... | second assistant director: Boston | |
| Andrew Shea | .... | first assistant director | |
| David Till | .... | second assistant director | |
| Kate Weiss | .... | dgc trainee | |
| Brian A. York | .... | second second assistant director: Boston (as Brian York) | |
Art Department | |||
| Michael E. Allegretto | .... | greensman (as Michael Allegretto) | |
| Judson Bell | .... | construction foreman: Boston | |
| Vito Botticella | .... | assistant head stand-by carpenter | |
| Duncan Campbell | .... | construction foreman | |
| Manya Cetlin | .... | set dresser: Boston | |
| Jessica Chaffin | .... | art department assistant: Boston | |
| David Orin Charles | .... | on-set decorator (as David Charles) | |
| Kirk Copella | .... | head painter | |
| Marc Corriveau | .... | property master | |
| Jack Coyle | .... | carpenter: Boston | |
| Ken Doyle | .... | second man: Boston (as Kenny Doyle) | |
| Mark Duffield | .... | second assistant art director | |
| Jennifer Engel | .... | props assistant: Boston | |
| David Evans | .... | assistant property master | |
| Danielle Fleury | .... | set decoration buyer | |
| Chris Fousek | .... | set dresser: Boston (as Chris 'Curtis' Fousek) | |
| Graeme Gossage | .... | property buyer (as Graeme 'Goose' Gossage) | |
| Kenneth Hardy | .... | art director: Boston (as Kenneth A. Hardy) | |
| Wayne Jacques | .... | set dresser | |
| Chris Kaseta-Cornelius | .... | on-set scenic artist: Boston (as Christine Kaseta-Cornelius) | |
| Diane J. Laurienzo | .... | charge scenic: Boston (as Diane Laurienzo) | |
| Gordon Lebredt | .... | first assistant art director (as Gordon LeBredt) | |
| Eric Levenson | .... | scenic artist: Boston | |
| Michael Madden | .... | first assistant art director | |
| Karen Menze | .... | scenic artist: Boston | |
| Vanessa Mills | .... | scenic artist: Boston | |
| Kris Moran | .... | assistant property master: Boston (as Kristine Moran) | |
| Steven Morell | .... | set dresser: Boston | |
| Lisa Nagid | .... | art department coordinator: Boston | |
| Peter E. Nauyokas | .... | on-set dresser | |
| Mark O'Donoghue | .... | location head carpenter | |
| Eugene Pope | .... | carpenter: Boston | |
| Reet Puhm | .... | key scenic artist | |
| Paul Richards | .... | lead man: Boston | |
| John 'Butch' Rose | .... | assistant decorator | |
| Kathleen Rosen | .... | set decorator: Boston | |
| Adam Scher | .... | set designer: Boston | |
| Kurt Smith | .... | construction coordinator: Boston | |
| Aileen Sovronsky | .... | set decoration buyer: Boston | |
| Phillip Tellez | .... | construction coordinator (as Phil Tellez) | |
| Mark Tucker | .... | scenic artist: Boston | |
| Donald Wilson Jr. | .... | set dresser: Boston | |
| Bobby Anderson | .... | picture car coordinator (uncredited) | |
Sound Department | |||
| Peter Appleton | .... | adr walla editor | |
| Kelley Baker | .... | supervising sound editor | |
| Mike Boudry | .... | adr recordist (as Mike Boudrey) | |
| David A. Cohen | .... | dialogue editor | |
| Tom E. Dahl | .... | sound re-recording mixer (as Tom Dahl) | |
| Steve Fontano | .... | foley mixer | |
| Michael 'Gonzo' Gandsey | .... | sound editor (as Michael Gandsey 'Gonzo') | |
| Doc Kane | .... | adr mixer | |
| Steve Kohler | .... | sound recordist | |
| Owen Langevin | .... | sound mixer | |
| James J. Mase | .... | center boom recordist: Boston (as James Mase) | |
| Marnie Moore | .... | foley artist | |
| Richard Moore | .... | sound editor | |
| Jennifer Myers | .... | foley artist | |
| Margie O'Malley | .... | foley artist | |
| Aaron Olsen | .... | assistant sound editor (as Aaron Olson) | |
| Frank Rinella | .... | foley recordist | |
| Erika Schengili-Roberts | .... | left boom operator (as Erika Schengeli-Roberts) | |
| Leslie Shatz | .... | sound re-recording mixer | |
| Concha Solano | .... | assistant sound editor | |
| Jim Thompson | .... | right boom operator | |
| Gus Van Sant | .... | sound re-recording mixer | |
| Patrick Winters | .... | sound editor | |
Special Effects by | |||
| William 'Billy Jack' Jakielaszek | .... | special effects (as William 'Billyjack' Jakielaszek) | |
| Brian Ricci | .... | special effects coordinator | |
| Ed Ricci | .... | special effects (as Edward Ricci) | |
| Stephen R. Ricci | .... | special effects (as Stephen Ricci) | |
Visual Effects by | |||
| Brian Allan | .... | optical camera (uncredited) | |
Stunts | |||
| Jery Hewitt | .... | stunt coordinator | |
| Brian Ricci | .... | utility stunts | |
Casting Department | |||
| Mark Bennett | .... | casting assistant: New York | |
| Matt Bouldry | .... | extras casting assistant: Boston (as Matthew Bouldry) | |
| Kevin Fennessy | .... | extras casting: Boston | |
| Tina Gerussi | .... | casting: Toronto | |
| Jennifer McNamara | .... | casting associate | |
| Carolyn Pickman | .... | local casting: Boston | |
| Jane Rogers | .... | extras casting: Toronto | |
| Deborah Maxwell Dion | .... | casting associate: Los Angeles (uncredited) | |
| Jodi Purdy-Quinlan | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Susan Anderson | .... | set costumer: Boston | |
| Nancy Drinan | .... | wardrobe production assistant: Boston | |
| Gerri Gillan | .... | set costumer (as Gerri Gillian) | |
| Debbie Holbrook | .... | wardrobe supervisor: Boston | |
| Lisa Lesniak | .... | wardrobe dyer: Boston | |
| Ann Powderly | .... | set costumer: Boston | |
| Marcia Scott | .... | set costumer | |
| Dawn Testa | .... | set costumer: Boston | |
| Vanessa Vogel | .... | assistant costume designer | |
| Delphine White | .... | wardrobe supervisor | |
| Loreen Lightfoot | .... | costume cutter/stitcher (uncredited) | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| D-J | .... | assistant editor | |
| Kelley Dixon | .... | first assistant editor (as Kelley C. Dixon) | |
| Jolie Gorchov | .... | post-production coordinator | |
| Scott Patrick Green | .... | editing intern | |
| Mike Mertens | .... | color timer (as Michael Mertens) | |
| Kim Roseborough | .... | assistant editor | |
| Heidi Vogel | .... | post-production consultant | |
| Chisako Yokoyama | .... | first assistant editor | |
Music Department | |||
| Steve Bartek | .... | orchestrator | |
| Steve Bartek | .... | score producer | |
| Julian Bratolyubov | .... | music preparation | |
| Debbi Datz-Pyle | .... | music contractor | |
| Danny Elfman | .... | score producer | |
| Eric Greenspan | .... | music legal services | |
| Liz Heller | .... | executive soundtrack producer: Capitol Records | |
| Bill Jackson | .... | score recordist | |
| Artie Kane | .... | conductor | |
| Kenneth Karman | .... | music editor | |
| Jeffrey Kimball | .... | music supervisor | |
| Stephanie Lowry | .... | assistant music editor | |
| Mark McKenzie | .... | additional orchestrator | |
| Jill Meyers | .... | music clearance | |
| Bobbi Page | .... | vocal contractor | |
| Dennis S. Sands | .... | score mixer (as Dennis Sands) | |
| Dennis S. Sands | .... | score recordist (as Dennis Sands) | |
| Kari Windingstad | .... | vocal contractor | |
| Patti Zimmitti | .... | music contractor | |
| Tom Boyd | .... | musician: oboe soloist (uncredited) | |
| Stephanie Murray | .... | score stage administrator (uncredited) | |
| James Thatcher | .... | musician: french horn (uncredited) | |
Thanks | |||
| Derrick Bridgeman | .... | thanks | |
| Steve Burkow | .... | thanks | |
| John L. Burnham | .... | thanks | |
| William S. Burroughs | .... | in memory of | |
| Larry Cancro | .... | thanks | |
| Andrew Cannava | .... | thanks | |
| Robert M. Curcuro | .... | thanks (as Bobby Curcuro) | |
| Jimmy Darmody | .... | thanks | |
| Robin Dawson | .... | thanks | |
| Sam Fisher | .... | thanks | |
| Jean Flannagan | .... | thanks | |
| Richard Francis | .... | thanks | |
| Joe Garagiola | .... | thanks | |
| Alberto García | .... | thanks | |
| Peter Garrison | .... | thanks | |
| Gary Gersh | .... | thanks | |
| Allen Ginsberg | .... | in memory of | |
| Sheldon L. Glashow | .... | thanks | |
| Liz Glotzer | .... | thanks | |
| William Goldman | .... | thanks | |
| Tim Grafft | .... | thanks | |
| Kim Green | .... | thanks | |
| John Hadity | .... | thanks | |
| Kevin Hyman | .... | thanks | |
| Julie Kirkham | .... | thanks | |
| Daniel Kleitman | .... | thanks (as Daniel J. Kleitman) | |
| Barbara Koplin | .... | thanks | |
| Stephen Koplin | .... | thanks | |
| Anthony Kubiak | .... | thanks | |
| Michelle Kuznetsky | .... | thanks (as Michele Kuznetsky) | |
| Jay Lacopo | .... | thanks | |
| Jack Lechner | .... | thanks | |
| Richard Linklater | .... | thanks | |
| Terrence Malick | .... | thanks | |
| Shannon McIntosh | .... | thanks | |
| Jack McNees | .... | thanks | |
| Michael Menchel | .... | thanks | |
| Margaret Mittleman | .... | thanks | |
| Earnest Moniz | .... | thanks | |
| Gaby Morgerman | .... | thanks | |
| Chris Murphy | .... | thanks | |
| Kim Niemi | .... | thanks | |
| Mike Nylon | .... | thanks | |
| Nicole Pennington | .... | thanks | |
| David Plant | .... | thanks | |
| Meryl Poster | .... | thanks | |
| Mary Ramos | .... | thanks | |
| Rob Reiner | .... | thanks | |
| Heather Rem | .... | thanks | |
| David Riccardi | .... | thanks | |
| Cheyenne Rothman | .... | thanks | |
| Skylar Satenstein | .... | thanks | |
| Chuck Saucier | .... | thanks | |
| Michael Simpson | .... | thanks (as Mike Simpson) | |
| Amy Slotnick | .... | thanks | |
| Gerry Speca | .... | thanks | |
| Dick Stockton | .... | thanks | |
| Lee Stollman | .... | thanks | |
| Gail Thompson | .... | thanks | |
| Jenno Topping | .... | thanks | |
| Mark Tusk | .... | thanks | |
| Paul Webster | .... | thanks | |
| David F. Wheeler | .... | thanks | |
| Patrick Whitesell | .... | thanks | |
| Ann Marie Williams | .... | thanks | |
| Peter Yates | .... | thanks | |
| Donna Zuchlinsky | .... | thanks | |
| Edward Zwick | .... | thanks (as Ed Zwick) | |
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| A Beautiful Mind | House of D | The Human Stain | Mumford | The Devil Wears Prada |
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There's one thing about Hollywood - you can't stop the hype. I think it was the hype that gave this movie the bad reviews by some IMDB users, as let's face it, it can totally ruin a movie for some people.
In "Good Will Hunting", you have to look past the hype and Oscars and see that it really is a gorgeous film written by two very talented young men, and acted out by proficient actors such as Robin Williams and Stellan Skarsgard. Personally, I thought the plot was an excellent idea - maybe someone else could have thought of it, but could they have provided the great script? And as for the profanity - yes, there was a lot, but I don't give a damn! This is real life! People swear! Deal with it!
Anyway, what I really enjoyed about "Good Will Hunting" was the psychological aspect - very believable. Here you have this "typical" 21 - year - old, drinking with his friends, getting into fights, etc etc, but you look below the surface and there's a lot more to him. I think this really tells us a lot about the people around us and makes a point about looking below the surface. This aspect of the movie also revealed a lot of sociological issues - yes, it IS believable that there is a genius in a rough suburb of Boston, repressed by his upbringing. (Hey, my mum even says so, and she teaches sociology!)
I enjoyed the acting a lot, especially by Robin Williams - I had been too used to seeing him in cutesy films, so this was definitely a refreshing change. I feel he plunged right into the part and relished it, although something told me his accent wasn't quite right! Will's relationships with the people around him are wonderful to watch, especially with Skylar (Minnie Driver) - there was real chemistry between them. I also liked to watch how Will behaved around his buddies; the four guys really seemed as if they had known each other all their lives.
Overall, I thought this movie was believable and touching, without your typical ending. Matt Damon and Ben Affleck really have done themselves proud. My advice: Forget the Oscar nominations, the rave reviews, the famous faces, and sit down to watch this movie with a completely impartial attitude. You will see that it really is beautiful.
By the way, I very VERY rarely cry at movies. But if there's any scene that will have me in tears, it's the one where Will finally breaks down and starts to cry. That's saying something!