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Directed by | |||
| Gus Van Sant | |||
Writing credits(WGA) | ||
| Matt Damon | (written by) & | |
| Ben Affleck | (written by) | |
Produced by | |||
| Su Armstrong | .... | executive producer | |
| Lawrence Bender | .... | producer | |
| Jonathan Gordon | .... | executive producer | |
| Chris Moore | .... | co-producer | |
| Scott Mosier | .... | co-executive producer | |
| Kevin Smith | .... | co-executive producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
Original Music by | |||
| Danny Elfman | |||
Cinematography by | |||
| Jean-Yves Escoffier | (director of photography) (as Jean Yves Escoffier) | ||
Film Editing by | |||
| Pietro Scalia | |||
Casting by | |||
| Kerry Barden | |||
| Billy Hopkins | |||
| Suzanne Smith | |||
Production Design by | |||
| Missy Stewart | (as Melissa Stewart) | ||
Art Direction by | |||
| James McAteer | |||
Set Decoration by | |||
| Jaro Dick | |||
Costume Design by | |||
| Beatrix Aruna Pasztor | |||
Makeup Department | |||
| James D. Brown | .... | hair stylist | |
| Jean Carney | .... | additional makeup artist: Boston | |
| Elizabeth Cecchini | .... | additional hair stylist: Boston | |
| Leslie Ann Sebert | .... | makeup artist (as Leslie Sebert) | |
Production Management | |||
| Dorothy Aufiero | .... | production supervisor: Boston | |
| Christopher Goode | .... | unit production manager: Boston | |
| Robert Hackl | .... | post-production supervisor (as Robert A. Hackl) | |
| Brent O'Connor | .... | unit production manager | |
| Pamela Winn-Barnett | .... | post-production supervisor (as Pam Winn Barnett) | |
Second Unit Director or Assistant Director | |||
| Jennifer Deathe | .... | third assistant director | |
| Lisa Janowski | .... | second assistant director: Boston | |
| Andrew Shea | .... | first assistant director | |
| David Till | .... | second assistant director | |
| Kate Weiss | .... | dgc trainee | |
| Brian A. York | .... | second second assistant director: Boston (as Brian York) | |
Art Department | |||
| Michael E. Allegretto | .... | greensman (as Michael Allegretto) | |
| Judson Bell | .... | construction foreman: Boston | |
| Vito Botticella | .... | assistant head stand-by carpenter | |
| Duncan Campbell | .... | construction foreman | |
| Manya Cetlin | .... | set dresser: Boston | |
| Jessica Chaffin | .... | art department assistant: Boston | |
| David Orin Charles | .... | on-set decorator (as David Charles) | |
| Kirk Copella | .... | head painter | |
| Marc Corriveau | .... | property master | |
| Jack Coyle | .... | carpenter: Boston | |
| Ken Doyle | .... | second man: Boston (as Kenny Doyle) | |
| Mark Duffield | .... | second assistant art director | |
| Jennifer Engel | .... | props assistant: Boston | |
| David Evans | .... | assistant property master | |
| Danielle Fleury | .... | set decoration buyer | |
| Chris Fousek | .... | set dresser: Boston (as Chris 'Curtis' Fousek) | |
| Graeme Gossage | .... | property buyer (as Graeme 'Goose' Gossage) | |
| Kenneth Hardy | .... | art director: Boston (as Kenneth A. Hardy) | |
| Wayne Jacques | .... | set dresser | |
| Chris Kaseta-Cornelius | .... | on-set scenic artist: Boston (as Christine Kaseta-Cornelius) | |
| Diane J. Laurienzo | .... | charge scenic: Boston (as Diane Laurienzo) | |
| Gordon Lebredt | .... | first assistant art director (as Gordon LeBredt) | |
| Eric Levenson | .... | scenic artist: Boston | |
| Michael Madden | .... | first assistant art director | |
| Karen Menze | .... | scenic artist: Boston | |
| Vanessa Mills | .... | scenic artist: Boston | |
| Kris Moran | .... | assistant property master: Boston (as Kristine Moran) | |
| Steven Morell | .... | set dresser: Boston | |
| Lisa Nagid | .... | art department coordinator: Boston | |
| Peter E. Nauyokas | .... | on-set dresser | |
| Mark O'Donoghue | .... | location head carpenter | |
| Eugene Pope | .... | carpenter: Boston | |
| Reet Puhm | .... | key scenic artist | |
| Paul Richards | .... | lead man: Boston | |
| John 'Butch' Rose | .... | assistant decorator | |
| Kathleen Rosen | .... | set decorator: Boston | |
| Adam Scher | .... | set designer: Boston | |
| Kurt Smith | .... | construction coordinator: Boston | |
| Aileen Sovronsky | .... | set decoration buyer: Boston | |
| Phillip Tellez | .... | construction coordinator (as Phil Tellez) | |
| Mark Tucker | .... | scenic artist: Boston | |
| Donald Wilson Jr. | .... | set dresser: Boston | |
| Bobby Anderson | .... | picture car coordinator (uncredited) | |
Sound Department | |||
| Peter Appleton | .... | adr walla editor | |
| Kelley Baker | .... | supervising sound editor | |
| Mike Boudry | .... | adr recordist (as Mike Boudrey) | |
| David A. Cohen | .... | dialogue editor | |
| Tom E. Dahl | .... | sound re-recording mixer (as Tom Dahl) | |
| Steve Fontano | .... | foley mixer | |
| Michael 'Gonzo' Gandsey | .... | sound editor (as Michael Gandsey 'Gonzo') | |
| Doc Kane | .... | adr mixer | |
| Steve Kohler | .... | sound recordist | |
| Owen Langevin | .... | sound mixer | |
| James J. Mase | .... | center boom recordist: Boston (as James Mase) | |
| Marnie Moore | .... | foley artist | |
| Richard Moore | .... | sound editor | |
| Jennifer Myers | .... | foley artist | |
| Margie O'Malley | .... | foley artist | |
| Aaron Olsen | .... | assistant sound editor (as Aaron Olson) | |
| Frank Rinella | .... | foley recordist | |
| Erika Schengili-Roberts | .... | left boom operator (as Erika Schengeli-Roberts) | |
| Leslie Shatz | .... | sound re-recording mixer | |
| Concha Solano | .... | assistant sound editor | |
| Jim Thompson | .... | right boom operator | |
| Gus Van Sant | .... | sound re-recording mixer | |
| Patrick Winters | .... | sound editor | |
Special Effects by | |||
| William 'Billy Jack' Jakielaszek | .... | special effects (as William 'Billyjack' Jakielaszek) | |
| Brian Ricci | .... | special effects coordinator | |
| Ed Ricci | .... | special effects (as Edward Ricci) | |
| Stephen R. Ricci | .... | special effects (as Stephen Ricci) | |
Visual Effects by | |||
| Brian Allan | .... | optical camera (uncredited) | |
Stunts | |||
| Jery Hewitt | .... | stunt coordinator | |
| Brian Ricci | .... | utility stunts | |
Casting Department | |||
| Mark Bennett | .... | casting assistant: New York | |
| Matt Bouldry | .... | extras casting assistant: Boston (as Matthew Bouldry) | |
| Kevin Fennessy | .... | extras casting: Boston | |
| Tina Gerussi | .... | casting: Toronto | |
| Jennifer McNamara | .... | casting associate | |
| Carolyn Pickman | .... | local casting: Boston | |
| Jane Rogers | .... | extras casting: Toronto | |
| Deborah Maxwell Dion | .... | casting associate: Los Angeles (uncredited) | |
| Jodi Purdy-Quinlan | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Susan Anderson | .... | set costumer: Boston | |
| Nancy Drinan | .... | wardrobe production assistant: Boston | |
| Gerri Gillan | .... | set costumer (as Gerri Gillian) | |
| Debbie Holbrook | .... | wardrobe supervisor: Boston | |
| Lisa Lesniak | .... | wardrobe dyer: Boston | |
| Ann Powderly | .... | set costumer: Boston | |
| Marcia Scott | .... | set costumer | |
| Dawn Testa | .... | set costumer: Boston | |
| Vanessa Vogel | .... | assistant costume designer | |
| Delphine White | .... | wardrobe supervisor | |
| Loreen Lightfoot | .... | costume cutter/stitcher (uncredited) | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| D-J | .... | assistant editor | |
| Kelley Dixon | .... | first assistant editor (as Kelley C. Dixon) | |
| Jolie Gorchov | .... | post-production coordinator | |
| Scott Patrick Green | .... | editing intern | |
| Mike Mertens | .... | color timer (as Michael Mertens) | |
| Kim Roseborough | .... | assistant editor | |
| Heidi Vogel | .... | post-production consultant | |
| Chisako Yokoyama | .... | first assistant editor | |
Music Department | |||
| Steve Bartek | .... | orchestrator | |
| Steve Bartek | .... | score producer | |
| Julian Bratolyubov | .... | music preparation | |
| Debbi Datz-Pyle | .... | music contractor | |
| Danny Elfman | .... | score producer | |
| Eric Greenspan | .... | music legal services | |
| Liz Heller | .... | executive soundtrack producer: Capitol Records | |
| Bill Jackson | .... | score recordist | |
| Artie Kane | .... | conductor | |
| Kenneth Karman | .... | music editor | |
| Jeffrey Kimball | .... | music supervisor | |
| Stephanie Lowry | .... | assistant music editor | |
| Mark McKenzie | .... | additional orchestrator | |
| Jill Meyers | .... | music clearance | |
| Bobbi Page | .... | vocal contractor | |
| Dennis S. Sands | .... | score mixer (as Dennis Sands) | |
| Dennis S. Sands | .... | score recordist (as Dennis Sands) | |
| Kari Windingstad | .... | vocal contractor | |
| Patti Zimmitti | .... | music contractor | |
| Tom Boyd | .... | musician: oboe soloist (uncredited) | |
| Stephanie Murray | .... | score stage administrator (uncredited) | |
| James Thatcher | .... | musician: french horn (uncredited) | |
Thanks | |||
| Derrick Bridgeman | .... | thanks | |
| Steve Burkow | .... | thanks | |
| John L. Burnham | .... | thanks | |
| William S. Burroughs | .... | in memory of | |
| Larry Cancro | .... | thanks | |
| Andrew Cannava | .... | thanks | |
| Robert M. Curcuro | .... | thanks (as Bobby Curcuro) | |
| Jimmy Darmody | .... | thanks | |
| Robin Dawson | .... | thanks | |
| Sam Fisher | .... | thanks | |
| Jean Flannagan | .... | thanks | |
| Richard Francis | .... | thanks | |
| Joe Garagiola | .... | thanks | |
| Alberto García | .... | thanks | |
| Peter Garrison | .... | thanks | |
| Gary Gersh | .... | thanks | |
| Allen Ginsberg | .... | in memory of | |
| Sheldon L. Glashow | .... | thanks | |
| Liz Glotzer | .... | thanks | |
| William Goldman | .... | thanks | |
| Tim Grafft | .... | thanks | |
| Kim Green | .... | thanks | |
| John Hadity | .... | thanks | |
| Kevin Hyman | .... | thanks | |
| Julie Kirkham | .... | thanks | |
| Daniel Kleitman | .... | thanks (as Daniel J. Kleitman) | |
| Barbara Koplin | .... | thanks | |
| Stephen Koplin | .... | thanks | |
| Anthony Kubiak | .... | thanks | |
| Michelle Kuznetsky | .... | thanks (as Michele Kuznetsky) | |
| Jay Lacopo | .... | thanks | |
| Jack Lechner | .... | thanks | |
| Richard Linklater | .... | thanks | |
| Terrence Malick | .... | thanks | |
| Shannon McIntosh | .... | thanks | |
| Jack McNees | .... | thanks | |
| Michael Menchel | .... | thanks | |
| Margaret Mittleman | .... | thanks | |
| Earnest Moniz | .... | thanks | |
| Gaby Morgerman | .... | thanks | |
| Chris Murphy | .... | thanks | |
| Kim Niemi | .... | thanks | |
| Mike Nylon | .... | thanks | |
| Nicole Pennington | .... | thanks | |
| David Plant | .... | thanks | |
| Meryl Poster | .... | thanks | |
| Mary Ramos | .... | thanks | |
| Rob Reiner | .... | thanks | |
| Heather Rem | .... | thanks | |
| David Riccardi | .... | thanks | |
| Cheyenne Rothman | .... | thanks | |
| Skylar Satenstein | .... | thanks | |
| Chuck Saucier | .... | thanks | |
| Michael Simpson | .... | thanks (as Mike Simpson) | |
| Amy Slotnick | .... | thanks | |
| Gerry Speca | .... | thanks | |
| Dick Stockton | .... | thanks | |
| Lee Stollman | .... | thanks | |
| Gail Thompson | .... | thanks | |
| Jenno Topping | .... | thanks | |
| Mark Tusk | .... | thanks | |
| Paul Webster | .... | thanks | |
| David F. Wheeler | .... | thanks | |
| Patrick Whitesell | .... | thanks | |
| Ann Marie Williams | .... | thanks | |
| Peter Yates | .... | thanks | |
| Donna Zuchlinsky | .... | thanks | |
| Edward Zwick | .... | thanks (as Ed Zwick) | |
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| A Beautiful Mind | House of D | The Human Stain | Mumford | The Devil Wears Prada |
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I first saw Good Will Hunting in February of '98. It blew me away. I happily disregard comments by people who say: "The probability of something like that happening..." This film is bold in that giving Will such a mind colors outside of the lines. It simply aims to tell a story. It is a beautiful story told in a magnificent manner. Robin Williams was superb in his role, his effect on Damon electric. Minnie Driver and Matt Damon's on-screen chemistry was undeniable. More films like this one are needed. And yes, the ending was predictable. That made it perfect. I wouldn't have had it any other way.