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Directed by | |||
| Gus Van Sant | |||
Writing credits(WGA) | ||
| Matt Damon | (written by) & | |
| Ben Affleck | (written by) | |
Produced by | |||
| Su Armstrong | .... | executive producer | |
| Lawrence Bender | .... | producer | |
| Jonathan Gordon | .... | executive producer | |
| Chris Moore | .... | co-producer | |
| Scott Mosier | .... | co-executive producer | |
| Kevin Smith | .... | co-executive producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
Original Music by | |||
| Danny Elfman | |||
Cinematography by | |||
| Jean-Yves Escoffier | (director of photography) (as Jean Yves Escoffier) | ||
Film Editing by | |||
| Pietro Scalia | |||
Casting by | |||
| Kerry Barden | |||
| Billy Hopkins | |||
| Suzanne Smith | |||
Production Design by | |||
| Missy Stewart | (as Melissa Stewart) | ||
Art Direction by | |||
| James McAteer | |||
Set Decoration by | |||
| Jaro Dick | |||
Costume Design by | |||
| Beatrix Aruna Pasztor | |||
Makeup Department | |||
| James D. Brown | .... | hair stylist | |
| Jean Carney | .... | additional makeup artist: Boston | |
| Elizabeth Cecchini | .... | additional hair stylist: Boston | |
| Leslie Ann Sebert | .... | makeup artist (as Leslie Sebert) | |
Production Management | |||
| Dorothy Aufiero | .... | production supervisor: Boston | |
| Christopher Goode | .... | unit production manager: Boston | |
| Robert Hackl | .... | post-production supervisor (as Robert A. Hackl) | |
| Brent O'Connor | .... | unit production manager | |
| Pamela Winn-Barnett | .... | post-production supervisor (as Pam Winn Barnett) | |
Second Unit Director or Assistant Director | |||
| Jennifer Deathe | .... | third assistant director | |
| Lisa Janowski | .... | second assistant director: Boston | |
| Andrew Shea | .... | first assistant director | |
| David Till | .... | second assistant director | |
| Kate Weiss | .... | dgc trainee | |
| Brian A. York | .... | second second assistant director: Boston (as Brian York) | |
Art Department | |||
| Michael E. Allegretto | .... | greensman (as Michael Allegretto) | |
| Judson Bell | .... | construction foreman: Boston | |
| Vito Botticella | .... | assistant head stand-by carpenter | |
| Duncan Campbell | .... | construction foreman | |
| Manya Cetlin | .... | set dresser: Boston | |
| Jessica Chaffin | .... | art department assistant: Boston | |
| David Orin Charles | .... | on-set decorator (as David Charles) | |
| Kirk Copella | .... | head painter | |
| Marc Corriveau | .... | property master | |
| Jack Coyle | .... | carpenter: Boston | |
| Ken Doyle | .... | second man: Boston (as Kenny Doyle) | |
| Mark Duffield | .... | second assistant art director | |
| Jennifer Engel | .... | props assistant: Boston | |
| David Evans | .... | assistant property master | |
| Danielle Fleury | .... | set decoration buyer | |
| Chris Fousek | .... | set dresser: Boston (as Chris 'Curtis' Fousek) | |
| Graeme Gossage | .... | property buyer (as Graeme 'Goose' Gossage) | |
| Kenneth Hardy | .... | art director: Boston (as Kenneth A. Hardy) | |
| Wayne Jacques | .... | set dresser | |
| Chris Kaseta-Cornelius | .... | on-set scenic artist: Boston (as Christine Kaseta-Cornelius) | |
| Diane J. Laurienzo | .... | charge scenic: Boston (as Diane Laurienzo) | |
| Gordon Lebredt | .... | first assistant art director (as Gordon LeBredt) | |
| Eric Levenson | .... | scenic artist: Boston | |
| Michael Madden | .... | first assistant art director | |
| Karen Menze | .... | scenic artist: Boston | |
| Vanessa Mills | .... | scenic artist: Boston | |
| Kris Moran | .... | assistant property master: Boston (as Kristine Moran) | |
| Steven Morell | .... | set dresser: Boston | |
| Lisa Nagid | .... | art department coordinator: Boston | |
| Peter E. Nauyokas | .... | on-set dresser | |
| Mark O'Donoghue | .... | location head carpenter | |
| Eugene Pope | .... | carpenter: Boston | |
| Reet Puhm | .... | key scenic artist | |
| Paul Richards | .... | lead man: Boston | |
| John 'Butch' Rose | .... | assistant decorator | |
| Kathleen Rosen | .... | set decorator: Boston | |
| Adam Scher | .... | set designer: Boston | |
| Kurt Smith | .... | construction coordinator: Boston | |
| Aileen Sovronsky | .... | set decoration buyer: Boston | |
| Phillip Tellez | .... | construction coordinator (as Phil Tellez) | |
| Mark Tucker | .... | scenic artist: Boston | |
| Donald Wilson Jr. | .... | set dresser: Boston | |
| Bobby Anderson | .... | picture car coordinator (uncredited) | |
Sound Department | |||
| Peter Appleton | .... | adr walla editor | |
| Kelley Baker | .... | supervising sound editor | |
| Mike Boudry | .... | adr recordist (as Mike Boudrey) | |
| David A. Cohen | .... | dialogue editor | |
| Tom E. Dahl | .... | sound re-recording mixer (as Tom Dahl) | |
| Steve Fontano | .... | foley mixer | |
| Michael 'Gonzo' Gandsey | .... | sound editor (as Michael Gandsey 'Gonzo') | |
| Doc Kane | .... | adr mixer | |
| Steve Kohler | .... | sound recordist | |
| Owen Langevin | .... | sound mixer | |
| James J. Mase | .... | center boom recordist: Boston (as James Mase) | |
| Marnie Moore | .... | foley artist | |
| Richard Moore | .... | sound editor | |
| Jennifer Myers | .... | foley artist | |
| Margie O'Malley | .... | foley artist | |
| Aaron Olsen | .... | assistant sound editor (as Aaron Olson) | |
| Frank Rinella | .... | foley recordist | |
| Erika Schengili-Roberts | .... | left boom operator (as Erika Schengeli-Roberts) | |
| Leslie Shatz | .... | sound re-recording mixer | |
| Concha Solano | .... | assistant sound editor | |
| Jim Thompson | .... | right boom operator | |
| Gus Van Sant | .... | sound re-recording mixer | |
| Patrick Winters | .... | sound editor | |
Special Effects by | |||
| William 'Billy Jack' Jakielaszek | .... | special effects (as William 'Billyjack' Jakielaszek) | |
| Brian Ricci | .... | special effects coordinator | |
| Ed Ricci | .... | special effects (as Edward Ricci) | |
| Stephen R. Ricci | .... | special effects (as Stephen Ricci) | |
Visual Effects by | |||
| Brian Allan | .... | optical camera (uncredited) | |
Stunts | |||
| Jery Hewitt | .... | stunt coordinator | |
| Brian Ricci | .... | utility stunts | |
Casting Department | |||
| Mark Bennett | .... | casting assistant: New York | |
| Matt Bouldry | .... | extras casting assistant: Boston (as Matthew Bouldry) | |
| Kevin Fennessy | .... | extras casting: Boston | |
| Tina Gerussi | .... | casting: Toronto | |
| Jennifer McNamara | .... | casting associate | |
| Carolyn Pickman | .... | local casting: Boston | |
| Jane Rogers | .... | extras casting: Toronto | |
| Deborah Maxwell Dion | .... | casting associate: Los Angeles (uncredited) | |
| Jodi Purdy-Quinlan | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Susan Anderson | .... | set costumer: Boston | |
| Nancy Drinan | .... | wardrobe production assistant: Boston | |
| Gerri Gillan | .... | set costumer (as Gerri Gillian) | |
| Debbie Holbrook | .... | wardrobe supervisor: Boston | |
| Lisa Lesniak | .... | wardrobe dyer: Boston | |
| Ann Powderly | .... | set costumer: Boston | |
| Marcia Scott | .... | set costumer | |
| Dawn Testa | .... | set costumer: Boston | |
| Vanessa Vogel | .... | assistant costume designer | |
| Delphine White | .... | wardrobe supervisor | |
| Loreen Lightfoot | .... | costume cutter/stitcher (uncredited) | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| D-J | .... | assistant editor | |
| Kelley Dixon | .... | first assistant editor (as Kelley C. Dixon) | |
| Jolie Gorchov | .... | post-production coordinator | |
| Scott Patrick Green | .... | editing intern | |
| Mike Mertens | .... | color timer (as Michael Mertens) | |
| Kim Roseborough | .... | assistant editor | |
| Heidi Vogel | .... | post-production consultant | |
| Chisako Yokoyama | .... | first assistant editor | |
Music Department | |||
| Steve Bartek | .... | orchestrator | |
| Steve Bartek | .... | score producer | |
| Julian Bratolyubov | .... | music preparation | |
| Debbi Datz-Pyle | .... | music contractor | |
| Danny Elfman | .... | score producer | |
| Eric Greenspan | .... | music legal services | |
| Liz Heller | .... | executive soundtrack producer: Capitol Records | |
| Bill Jackson | .... | score recordist | |
| Artie Kane | .... | conductor | |
| Kenneth Karman | .... | music editor | |
| Jeffrey Kimball | .... | music supervisor | |
| Stephanie Lowry | .... | assistant music editor | |
| Mark McKenzie | .... | additional orchestrator | |
| Jill Meyers | .... | music clearance | |
| Bobbi Page | .... | vocal contractor | |
| Dennis S. Sands | .... | score mixer (as Dennis Sands) | |
| Dennis S. Sands | .... | score recordist (as Dennis Sands) | |
| Kari Windingstad | .... | vocal contractor | |
| Patti Zimmitti | .... | music contractor | |
| Tom Boyd | .... | musician: oboe soloist (uncredited) | |
| Stephanie Murray | .... | score stage administrator (uncredited) | |
| James Thatcher | .... | musician: french horn (uncredited) | |
Thanks | |||
| Derrick Bridgeman | .... | thanks | |
| Steve Burkow | .... | thanks | |
| John L. Burnham | .... | thanks | |
| William S. Burroughs | .... | in memory of | |
| Larry Cancro | .... | thanks | |
| Andrew Cannava | .... | thanks | |
| Robert M. Curcuro | .... | thanks (as Bobby Curcuro) | |
| Jimmy Darmody | .... | thanks | |
| Robin Dawson | .... | thanks | |
| Sam Fisher | .... | thanks | |
| Jean Flannagan | .... | thanks | |
| Richard Francis | .... | thanks | |
| Joe Garagiola | .... | thanks | |
| Alberto García | .... | thanks | |
| Peter Garrison | .... | thanks | |
| Gary Gersh | .... | thanks | |
| Allen Ginsberg | .... | in memory of | |
| Sheldon L. Glashow | .... | thanks | |
| Liz Glotzer | .... | thanks | |
| William Goldman | .... | thanks | |
| Tim Grafft | .... | thanks | |
| Kim Green | .... | thanks | |
| John Hadity | .... | thanks | |
| Kevin Hyman | .... | thanks | |
| Julie Kirkham | .... | thanks | |
| Daniel Kleitman | .... | thanks (as Daniel J. Kleitman) | |
| Barbara Koplin | .... | thanks | |
| Stephen Koplin | .... | thanks | |
| Anthony Kubiak | .... | thanks | |
| Michelle Kuznetsky | .... | thanks (as Michele Kuznetsky) | |
| Jay Lacopo | .... | thanks | |
| Jack Lechner | .... | thanks | |
| Richard Linklater | .... | thanks | |
| Terrence Malick | .... | thanks | |
| Shannon McIntosh | .... | thanks | |
| Jack McNees | .... | thanks | |
| Michael Menchel | .... | thanks | |
| Margaret Mittleman | .... | thanks | |
| Earnest Moniz | .... | thanks | |
| Gaby Morgerman | .... | thanks | |
| Chris Murphy | .... | thanks | |
| Kim Niemi | .... | thanks | |
| Mike Nylon | .... | thanks | |
| Nicole Pennington | .... | thanks | |
| David Plant | .... | thanks | |
| Meryl Poster | .... | thanks | |
| Mary Ramos | .... | thanks | |
| Rob Reiner | .... | thanks | |
| Heather Rem | .... | thanks | |
| David Riccardi | .... | thanks | |
| Cheyenne Rothman | .... | thanks | |
| Skylar Satenstein | .... | thanks | |
| Chuck Saucier | .... | thanks | |
| Michael Simpson | .... | thanks (as Mike Simpson) | |
| Amy Slotnick | .... | thanks | |
| Gerry Speca | .... | thanks | |
| Dick Stockton | .... | thanks | |
| Lee Stollman | .... | thanks | |
| Gail Thompson | .... | thanks | |
| Jenno Topping | .... | thanks | |
| Mark Tusk | .... | thanks | |
| Paul Webster | .... | thanks | |
| David F. Wheeler | .... | thanks | |
| Patrick Whitesell | .... | thanks | |
| Ann Marie Williams | .... | thanks | |
| Peter Yates | .... | thanks | |
| Donna Zuchlinsky | .... | thanks | |
| Edward Zwick | .... | thanks (as Ed Zwick) | |
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| A Beautiful Mind | House of D | The Human Stain | Mumford | The Devil Wears Prada |
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| IMDb USA section |
Sure, this film's plot is fairly predictable. Sure, if you boiled it down to its essential components it wouldn't amount to much. Sure, Will Hunting's genius is profoundly unrealistic.
Yet I'm giving this one 10 out of 10.
I don't know whether Matt and Ben have ever been in therapy, but they certainly understand a lot about the human psyche, how it ducks responsibility, and pushes blame onto others, how it dismisses the real gifts it has and concentrates on running itself down. How many of us suffer from the same problems as Will? Only those who deny their own vulnerability will remain unaffected by this film.
Not only is the script powerful, but the dynamics between the characters - all of them selfish, even Skylar - is vividly and plausibly executed. The film just about manages to avoid easy answers, preferring to acknowledge (indeed, highlight) the complexity and pain of personal growth and self-realisation.
You could read a lot of self-help books, but they won't bring across to you as powerfully as this film what it's like to be scared, what it's like to experience loss, how difficult it is to shake off your old ways of thinking, how important honesty to yourself is. If this is the kind of revelation Matt and Ben are going to come up with, I look forward to their future efforts.
The first time I saw it, I felt moved as the credits rolled. On my way home from the cinema, I felt sombre. When I got home, I finally burst into tears. This film burns slowly, inside you.
As cinema, it's fair to middling. The performances are all first class. The script is a jewel. As wisdom, it's second to none. A fine achievement.