Karen's married to Frank, a millionaire who has no morals and a hypocrite. it's alright for him to fool around but not for her. So when she has an affair and brags to him about it, he vows ... See full summary »
A young man is accused of rape and murder and placed on trial. His father doesn't believe that he is guilty, so in act of desperation he grabs the bailiff's guns and takes the whole jury ... See full summary »
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Karen's married to Frank, a millionaire who has no morals and a hypocrite. it's alright for him to fool around but not for her. So when she has an affair and brags to him about it, he vows to get back at her. When he dies after having one of his trysts, he leaves her millions of dollars but in trust, and also he has left instructions that if his wife gets involved with someone that they should be warned off. Maguire's a man who did a job for Frank but was not paid for it so he goes to Karen hoping to collect what Frank owes him. When they meet there's an attraction. And they also have to deal with Roland the man who's been assigned to keep all men away from Karen but when he learns what she has, he tries to capitalize on it. Written by
Gold Coast had definite possibilities. Based on a story by currently in vogue (not to mention accomplished) crime writer Elmore Leonard, and with a pretty decent cast in David Caruso, Marg Helgenberger and Jeff Kober, plus direction by actor turned director Peter Weller it sounded like it could be a pretty interesting little film. Unfortunately none of the above quite came off as they should have done, and while nothing on it's own was singularly poor, there was nothing that injected the film with any sort of quality either, and as such it just all came up as a very flat viewing experience.
All of the main cast have given better performances than they manage here, and while no-one gives a bad performance exactly, Helgenberger, Kober, Wanda DeJesus and even the usually intense Caruso seemed to be working pretty much on auto pilot on this one, while the supporting cast were dull at best.
In the case of Peter Weller's direction once again it seems to be a case of just going through the motions. While it was technically fine it lacked any real sense of itself, with Weller not managing to inject any excitement or suspense, or in fact anything to heighten the story. As such the film just meandered along without providing any real focus on the already somewhat lacking storyline, which in itself seemed to be both underdeveloped and even slightly convoluted due to a rather lacklustre screenplay adaption.
All in all Gold Coast came across as a rather tedious little film with very little to recommend it, not bad exactly, just somewhat boring.
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