When her surrogate father who owns the casino she works in gets murdered, Modesty Blaise takes on those that killed him and are now at the casino to rob it. It turns out she is more than just a modest worker.
A man gets out of prison after 15 years for stabbing his wife to death, and his social worker becomes convinced he was innocent. As she researches his case, and interviews other people who ... See full summary »
Gabriella, a Colombian immigrant, is obsessed with understanding violent crime. The current string of murders by "The Blue Blood Killer" of affluent Miami socialites provides her with ... See full summary »
Zed has only just arrived in the beautiful Paris and already he's up to no good. Having just slept with a call girl, he spends a night on the town with his dangerous friends. They all ... See full summary »
A martial artist/doctor steals from the corrupt authorities as a masked thief to give to the poor while another martial artist/doctor is forced to hunt him down. But a major threat unites them as a powerful and traitorous shaolin monk takes over the authorities.
In the 1940s in the small town of Jupiter Hollow, two sets of identical twins are born in the same hospital on the same night. One set to a poor local family and the other to a rich family ... See full summary »
Letting Go of God is a humorous monologue by Julia Sweeney chronicling her search for God. She begins in the Catholic church, the religion her family raised her in, and takes a Bible study ... See full summary »
Now, we were especially concerned about this because my sister, Meg, lives in Tokushima, Japan and Tokushima is only forty miles from Kobe, which was the earthquake's epicenter. Meg's lived there for seven years and she has a Japanese boyfriend there whose name is Yamamoto and he's a sweet potato farmer and she calls him Yam for short and he doesn't speak any English so he doesn't know how funny that is."
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Julia Sweeney's filmed version of her one-woman show is absolutely wonderful.
I first saw it with my husband when he was ill with Stage 4 cancer. I re-viewed it last night, over a year after my husband passed away. Both my husband I loved it when we first saw it (and continued to use the line, "I love my shunt!" until he died), and I loved it just as much, but for different reasons, upon seeing it again.
I found Ms. Sweeney's material to be truly amazing; she managed to capture the horror of the nightmarish "cancer experience" while keeping in touch with the parallel (and often surreal) experience that life does, in fact, go on: Cats still need to be fed, garbage still needs to be taken out, and small incidents do not become less irritating or hilarious just because there's terminal illness in the house.
The fact that Ms. Sweeney is able to find, articulate and share the humor inherent in a horrible, emotionally draining experience is a gift to everyone who sees the show. Her great intelligence and sensitivity toward the subject matter prevents her from descending into sentiment (or worse) -- there are no banal observations or advice about how to deal with terminal illness, no facile, semi-spiritual conclusions about life and death. I think she understands that this kind of bunk (all too common in books and film these days) is at best insulting to anyone who has lived through this kind of experience. Instead, her emphasis on the small, human aspects of living with someone who is terminally ill makes the experience all the more real, and all the more valuable. I know that every time my husband and I had to face a particularly difficult medical procedure, we'd swap lines from Ms. Sweeney's show, and somehow it made it easier to get through it.
And setting aside the subject matter, there's the simple fact that Ms. Sweeney's timing is terrific -- she really knows how to set up a joke and deliver it. These are not bust-your-gut guffaw jokes and anecdotes; these are the kind that manage to get you crying and laughing at the same time. What could be better?
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