Two British best friends and in-laws Dawn and Jackie work together at a factory. When Dawn is diagnosed with a brain tumor Jackie shares $100,000 she's got from her secret lover with Dawn ...
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Muriel finds life in Porpoise Spit, Australia dull and spends her days alone in her room listening to Abba music and dreaming of her wedding day. Slight problem, Muriel has never had a date... See full summary »
A domestic farce exposes the eccentricities of a "typical" middle class, suburban family who find their lives thrown into a crisis with the unexpected arrival of one of the wife's old ... See full summary »
Gerald is a yuppie-like transvestite in his thirties. His wife arrives home earlier than expected and discovers female attire spread over their apartment. Not knowing anything about his ... See full summary »
Harold Guppy moves into the Beasley household as a lodger. Before long Mrs. Beasley falls for him and eventually ends up in his bed. Her 13-year old daughter Joyce is aware of what is ... See full summary »
Two British best friends and in-laws Dawn and Jackie work together at a factory. When Dawn is diagnosed with a brain tumor Jackie shares $100,000 she's got from her secret lover with Dawn to fulfil her dream - a visit to Las Vegas. They buy two tickets and fly there.. Written by
Originally made in 1997 and intended to be shown only on ITV in the UK. However it was subsequently decided to release it worldwide as a cinema film. It was first shown on ITV on 14 April 1999, after its cinema release. See more »
Northern accents and wide-eyed astonishment at Las Vegas aside, you could be forgiven that this was a Hollywood weepie rather than the working-class British drama it pretends to be. Brenda Blethyn's and (particularly) Julie Walters' performances are detailed and superb, but the cloying sentimentality (including some sick-making talk of angels) is heaped on to the extent that the film becomes tedious rather than sympathetic.
The first half of Girls' Night is enjoyable for its sheer joie de vivre in the face of serious illness, but after around 45 minutes this is lost in a sea of half-baked ideas, repetitive emotional 'scenes' and irritating semi-fairytale romances which upset the previously realistic atmosphere of the piece.
Other than the performances, something of a shapeless disappointment.
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