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Kenneth Branagh to Be Feted at Camerimage; ‘Orient Express’ Opens Festival

Kenneth Branagh to Be Feted at Camerimage; ‘Orient Express’ Opens Festival
British actor-director Kenneth Branagh will be feted at Camerimage, a festival that celebrates the art of cinematography. “Murder on the Orient Express,” the latest adaptation of the classic Agatha Christie whodunit, which Branagh both directed and stars in, will screen after the opening ceremony Nov. 11.

Branagh will receive two awards at the event: the Krzysztof Kieslowski Award, presented to “versatile actors and actresses who contribute to the art of filmmaking,” according to the fest; and the Cinematographer-Director Duo Award, alongside long-time collaborator Haris Zambarloukos.

Branagh has been nominated for five Oscars, including as director and lead actor in “Henry V,” and for adapted screenplay for “Hamlet.” His most recent nomination was for his supporting role in “My Week With Marilyn.”

As an actor, his roles span war dramas like Bryan Singer’s “Valkyrie” and Christopher Nolan’s “Dunkirk,” fantasy epics like “Harry Potter and the Chamber of Secrets,” horror films like “Mary Shelley’s Frankenstein,” which he also
See full article at Variety - Film News »

Julian Fellowes webchat – your questions answered on The Wind in the Willows, Downton Abbey, winning an Oscar – and Nando's

The Downton Abbey creator answered your questions on his new TV show The Gilded Age, Gosford Park – and whether he has a butler

2.17pm BST

Thank you for the questions - I'm flattered that you're interested. It's a nice feeling - not just that people are enjoying the show but also that they want to know more about the people who made it.

2.15pm BST

DonRodrigo asks:

Do you put milk first in your tea or last? And do you take sugar?

Last. And I never take sugar in tea.

2.14pm BST

Peely1 asks:

Have you ever been to Nando’s?

Yes! There's an excellent one in Dorchester, right next to the cinema.

2.12pm BST

DonRodrigo asks:

How tall are you?

5ft 10in

2.11pm BST

Pagey asks:

Are you planning to write anything in a contemporary setting, outside of your direct experience? I believe there is too much reverence for
See full article at The Guardian - TV News »

Another Adaptation of John Grisham’s ‘The Rainmaker’ in the Works at CBS

Another Adaptation of John Grisham’s ‘The Rainmaker’ in the Works at CBS
The 1990s was a good time to be a John Grisham fan. For a decade or so, the author had many of his novels successfully adapted. From The Client, A Time to Kill, The Firm, to even Robert Altman’s shaggy but atmospheric The Gingerbread Man, Hollywood was making some good dramas with Grisham’s material, and […]

The post Another Adaptation of John Grisham’s ‘The Rainmaker’ in the Works at CBS appeared first on /Film.
See full article at Slash Film »

First look at Sa apocalyptic thriller Cargo

  • IF.com.au
The first production still has been released from Cargo, starring Sherlock.s Martin Freeman.

Currently shooting in South Australia, the film is based on Yolanda Ramke and Ben Howling.s 2013 Tropfest short. Ramke wrote the script, and tshe and Howling are making their feature directorial debuts.

Causeway Films producers Samantha Jennings (The Pretend One) and Kristina Ceyton (The Babadook) are working alongside Addictive Pictures. Russell Ackerman (Hellboy II) and John Schoenfelder, with Mark Patterson attached as South Australian producer.

Cargo follows an infected man stranded in rural Australia in the aftermath of a violent pandemic. He desperately seeks a new guardian for his infant child, and a means to protect her from his burgeoning zombification.

Salvation may lie with an isolated Aboriginal tribe, but to gain access he must first earn the allegiance of a young Indigenous girl on a tragic quest of her own.

Freeman stars alongside David Gulpilil (Charlie.s Country,
See full article at IF.com.au »

Kino Lorber picks up Us rights to 'The Daughter'

  • ScreenDaily
Kino Lorber picks up Us rights to 'The Daughter'
Kino Lorber has acquired Us rights from Mongrel international to Simon Stone’s drama starring Geoffrey Rush, Ewen Leslie, Paul Schneider, Miranda Otto, Anna Torv, Odessa Young and Sam Neill.

Jan Chapman and Nicole O’Donohue produced The Daughter and principal investor Screen Australia financed in association with Screen Nsw, Roadshow Films, Kazstar and The Gingerbread Man.

The film is scheduled for national theatrical release this winter and follows a man’s fateful return to his family home for his father’s wedding.

The Daughter debuted in competition at the 2015 Sydney Film Festival and was the closing night film at Venice Days and a Special Presentation slot at Tiff last year.

Mongrel International has licensed to more than 45 territories and Village Roadshow distributed in Australia.
See full article at ScreenDaily »

The Daughter snapped up by Kino Lorber for Us release

The Daughter.

Us distributor Kino Lorber has acquired the rights to Simon Stone's The Daughter. Per Deadline, the film, starring Geoffrey Rush, Ewan Leslie, Miranda Otto and Sam Neill, is set for a winter theatre release in the States. The Daughter,.which premiered at the Sydney Film Festival last year, is inspired by Stone.s adaptation of Henrik Ibsen.s The Wild Duck, which was first performed at Sydney's Belvoir.

The film was produced Jan Chapman (The Piano, Lantana) and Nicole O.Donohue, and financed by principal investor Screen Australia in association with Screen Nsw, Roadshow Films, Kazstar and The Gingerbread Man.

Mongrel International brokered the deal.
See full article at IF.com.au »

Us Briefs: Voltage signs exclusive production deal with Alissa Phillips

  • ScreenDaily
Plus: Kino Lorber acquires The Daughter; Aspen Film appoints industry trio for flagship events; and more…

Voltage Pictures CEO Nicolas Chartier announced on Wednesday that the company has entered into an exclusive arrangement with Alissa Phillips to make features, TV series and mini-series.

Phillips will work alongside the Voltage production team of partner and president of Voltage Productions Craig Flores, Voltage Pictures president of production Zev Foreman, and senior vice-president Dom Rustam.

Prior to Voltage Phillips was a producer with Michael De Luca where she produced Moneyball, Dracula Untold and Butter. She is serving as executive producer on the Focus Features film On The Brinks.

“We are incredibly excited to have Alissa work with us. Her studio experience and multi layered production experience will be a great compliment to our existing team,” said Chartier (pictured).

“I’m delighted to join the Voltage team,” said Philips. “I’ve admired Nicolas’ award-winning work from afar for some time and
See full article at ScreenDaily »

National release for Shock Room

An Australian feature-length documentary which turns a light on the dark side of human behaviour and challenges audiences on what they would do if ordered to inflict pain on another person will get a national release. Writer-director Kathryn Millard.s Shock Room combines dramatisations, animation, archival film and interviews with psychologists to debunk Yale University psychologist Stanley Milgram.s infamous 1960s .Obedience to Authority. experiment. Believing they were participating in a study on memory and learning, participants were asked to inflict apparently lethal shocks on a fellow human. Milgram later famously claimed that 65 per cent of us will blindly follow orders. Extensive research from Millard, who is Professor of Screen and Creative Arts at Macquarie University, reveals that Milgram ran more than 25 versions of his experiment but filmed only one. And that, overall, the majority of people actually resisted. Shock Room will screen at the Antenna Documentary Film Festival in
See full article at IF.com.au »

Find Your Voice producers launch crowd-funding campaign

Keisha Castle-Hughes and Adam Saunders have finished shooting Find Your Voice, an Australian-New Zealand film about a young Sydney Maori and musician who returns home after winning the lottery.

Now the producers aim to raise $30,000 via Indiegogo by December 24 to complete the film (formerly known as Million Dollar Mate), including editing, colour grade and sound design.

It.s the feature directing debut of Chris Herd, who developed the script with Saunders. The actor, whose credits include Blue Water High and Home and Away, plays Elvis .E. Pineaha, who has lost sight of who he is and what really counts. After winning the lottery, he returns to New Zealand on a journey of self-discovery.

In Auckland E meets the captivating Grace (Game of Thrones. Castle-Hughes), but she is initially put off by his brash manner. Soon, however, sparks fly.

The cast includes Tama Lundon of reggae group Herbs, Cold Chisel.s Ian Moss and Danielle Hayes,
See full article at IF.com.au »

Robert Downey Jr: "Robert Duvall doesn't remember working with me"

Robert Downey Jr:
Robert Downey Jr has revealed that his The Judge co-star Robert Duvall did not remember that the pair had worked together before.

Downey Jr was speaking to Jimmy Fallon on The Tonight Show about his new film, when he told the host that Duvall "doesn't really recall" working on the same films as him.

They appeared in 1989's The Gingerbread Man and 2007's Lucky You together, making The Judge their third shared project.

He added: "I've also gone up to him at restaurants and went, 'Mr Duvall, I just want to...' and he's like, 'What?' and then he didn't know who I was.

"He also said that his favourite movie of mine is Chaplin, even though he hasn't seen it!"

He joked: "When you're Robert Duvall you can say that sort of stuff!"

The Judge stars Downey Jr as Hank, a successful lawyer who moves back home after his mother dies.
See full article at Digital Spy - Movie News »

Robert Downey Jr. Reveals the Hilarious Way Robert Duvall Totally Burned Him

Robert Downey Jr. Reveals the Hilarious Way Robert Duvall Totally Burned Him
If you're as respected as Robert Duvall, you can pretty much get away with anything — including totally burning Robert Downey Jr. Downey told Jimmy Fallon that his The Judge co-star didn't remember the two previous times they'd been in the same film (1989's The Gingerbread Man and 2007's Lucky You), and that when he used to see Duvall out on the town, he'd attempt to pay homage — only to be politely rebuffed. Read more Robert Downey Jr. Teases His 'Iron Man' Future "His favorite movie of mine is Chaplin, even though he hasn't seen it," Downey

read more
See full article at The Hollywood Reporter - Movie News »

David Cameron is right: the last 10 minutes of Shrek 2 is cinematic genius

The prime minister named the final part of the movie as one of his favourite film moments. Is he just trying to be edgy and populist, or is he on to something?

David Cameron is something of a renegade. He walks his own path, dances to the beat of his own rhythms. That's why, when the Daily Mail asked him for his five favourite films, he listed five classics (including Lawrence of Arabia, Casablanca and Schindler's List) before adding "and the last 10 minutes of Shrek 2".

While Cameron's inclusion of Shrek 2 might simply be a misjudged stab at tedious zoinks-a-lummy political faux-populism, perhaps he's on to something. Perhaps the last 10 minutes of Shrek 2 really do constitute the sixth-best film of all time. Let's take a closer look at it – completely out of context, because if the rest of the film isn't good enough for David Cameron, it's not
See full article at The Guardian - Film News »

9 Really Pathetic Horror Movie Villains

The strength of the horror movie to a large extent depends on the quality of its villain. Freddie Kruger – scary. Michael Myers – frightening. Leatherface – bloody terrifying.

The films below all lost the ability to scare people through having ‘villains’ that were seriously sub par. And to top it off, they were just plain old bad movies – shoddy acting, poor direction, laughable dialogue, corny special effects. These factors, combined with stupid villains, produced works of considerable ignominy. Despite this, some of these films have considerable cult classics, but they do have lame villains. Really, really pathetic ones.

9. Gingerdead Man (2005)

First of all, it rips off the plot of Child’s Play – a evil murderer’s spirit gets locked into a gingerbread man and comes alive (comparable with a killer’s murderous spirit getting into the doll and animating Chucky as a vessel for his crimes). Secondly, you can laugh for all
See full article at Obsessed with Film »

Robert Altman: The Hollywood Interview

Director Robert Altman.

Robert Altman: Eclectic Maverick

By

Alex Simon

Editor’s note: This article originally appeared in the April 1999 issue of Venice Magazine.

It's the Fall of 1977 and I'm a bored and rebellious ten year old in search of a new movie to occupy my underworked and creativity-starved brain, feeling far too mature for previous favorites Wily Wonka and the Chocolate Factory (1971) and Return of the Pink Panther (1975), and wanting something more up-to-date and edgy than Chaplin's City Lights (1931). I needed a movie to call my favorite that would be symbolic of my own new-found manhood (and something that would really piss off my parents and teachers). Mom and Dad were going out for the evening, leaving me with whatever unfortunate baby-sitter happened to need the $10 badly enough to play mother hen to an obnoxiously precocious only child like myself. I scanned the TV Guide for what
See full article at The Hollywood Interview »

Mark Wahlberg Joins The Partner

Back in the 1990s, you could hardly move for John Grisham adaptations. In the space of five years there were films of The Firm, The Pelican Brief, The Client, A Time To Kill, The Chamber, The Rainmaker and The Gingerbread Man (an original Grisham screenplay), often attracting hugely impressive casts, and directors of the calibre of Francis Coppola and Robert Altman. That hot streak may have burned out, but now Mark Wahlberg has belatedly jumped on the bandwagon. He's planning to produce and star in The Partner.The Partner was written in 1997, towards the end of that Grisham heyday, perhaps explaining how it missed being picked up before. This one's about a lawyer - of course - who's become disgruntled with his lot, and sets about embezzling a fortune from his firm and faking his own death. It works for a while, but his perfect crime eventually ends up not quite going according to plan,
See full article at EmpireOnline »

My First Job: Oscar Nominee Kenneth Branagh

My First Job: Oscar Nominee Kenneth Branagh
Everett Kenneth Branagh in “The Gingerbread Man” (1988)

Although he’s been nominated five times by the Academy of Motion Picture Arts and Sciences, most recently for his portrayal of Sir Laurence Olivier in “My Week With Marilyn,” Kenneth Branagh has yet to take home an Oscar. But we’re getting ahead of ourselves.

Long before Branagh was dreaming of golden statues, Shakespeare or Norse mythology, he was just a boy in Northern Ireland with a paper route.

“I was 11. My
See full article at Speakeasy/Wall Street Journal »

Puss In Boots Review

After being milked as second banana to a farting ogre in what seems like umpteen "Shrek" movies, Antonio Banderas' popular Puss in Boots has strayed into a movie of his own. Considering how that franchise has supposedly come to a close, this spin-off is, yes, a crassly commercial method of Dreamworks Animation continuing to generate green from green. But there's a good reason the cat came back to the silver screen in a film all his own as opposed to, say, The Gingerbread Man, Donkey, or Princess Fiona....
See full article at Screen Anarchy »

Kenneth Branagh as Laurence Olivier: My Week With Marilyn

Kenneth Branagh as Laurence Olivier, My Week with Marilyn Once upon a time, Kenneth Branagh was hailed as the new Laurence Olivier. Back in early 1990, Branagh was nominated for two Academy Awards for directing and starring in Henry V, an adaptation of William Shakespeare's play that back in early 1947 had earned Olivier a Best Actor nomination and an Honorary Award for "his outstanding achievement as actor, producer and director in bringing Henry V to the screen." More Olivier comparisons followed as Branagh went on to tackle Much Ado About Nothing (1993), Othello (1995), and Hamlet (1996). The latter two had served as prestigious Olivier vehicles: Best Picture Oscar winner Hamlet (1948) earned Olivier a Best Actor Oscar and a Best Director nomination; the originally made-for-television Othello (1965) received several special big-screen showings and ended up earning Olivier his seventh Best Actor Oscar nod. (Note: Olivier had the title role in Othello; Branagh played Iago
See full article at Alt Film Guide »

Robert Downey, Jr. To Be Honored With 25th American Cinematheque Award October 14, 2011

Hollywood – The 25th American Cinematheque Award will be presented to two-time Academy Award® nominee Robert Downey, Jr. at the Cinematheque’s annual benefit gala, American Cinematheque Board chairman Rick Nicita announced today. The presentation takes place Friday, October 14, 2011 at the Beverly Hilton Hotel’s International Ballroom in Beverly Hills.

“The American Cinematheque is extremely pleased to honor Robert Downey, Jr. as the 25th recipient of the American Cinematheque award at our celebration this year,” said Rick Nicita. “The pleasure that we receive from his charismatic and nuanced performances is matched only by the respect that he has earned for his personal and professional journey. The wide range of his talent has kept us enthralled in movies from a biopic like “Chaplin” to outrageous comedies like “Tropic Thunder” to franchises like “Sherlock Holmes” and, of course, “Iron Man.” While we have been enjoying him for years, it seems that he’s
See full article at WeAreMovieGeeks.com »

Legal movies like The Lincoln Lawyer kill cinema and ruin directors

The case: courtroom movies are a crime against cinema. The accused? Matthew McConaughey's latest. Judge John Patterson will see you now

The arrival of handsome-super-lawyer flick The Lincoln Lawyer reminds me of an old bugbear: we need to crack down on courtroom movies and legal thrillers, and especially courtroom-showdown climaxes in otherwise non-legal movies. Getting the law involved just kills a movie stone dead every time.

In that last category alone there are dozens of movies that simply throw in the storytelling towel in the last act and allow their narratives to become enmeshed in the courtroom Sargasso of legal back-and-forth, declamatory utterances by the attorneys and whatever character-acting old geezer is today manning the bench. Films as diverse as Eureka, They Drive By Night and White Squall were all roaring along nicely until they screeched to a halt in courtrooms 20 minutes before their actual running-times expired.

Now, there
See full article at The Guardian - Film News »
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