Lawyer Rick Magruder has a one-night-stand affair with caterer Mallory Doss. He becomes hooked on her, and when he learns her nut-case father Dixon is threatening her, he puts the weight of...
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Robert Altman's jazz-scored film explores themes of love, crime, race, and politics in 1930s Kansas City. When Blondie O'Hara's husband, a petty thief, is captured by Seldom Seen and held ... See full summary »
Jennifer Jason Leigh,
Dr. Sullivan Travis "Dr. T." is a wealthy Dallas gynecologist for some of the wealthiest women in Texas who finds his idealist life beginning to fall apart starting when his wife, Kate, ... See full summary »
This is an insane and fast-paced romantic comedy about a bizarre dinner date among Bruce (Goldblum) and Prudence (Hagerty), and their lunatic therapists, and Bruce's jealous, gun-wielding ... See full summary »
Los Angeles advertisement director Max visits his friend, artist Charlie, who was diagnosed with A.I.D.S. in New York. There he meets Karen, they are attracted to each other and after they ... See full summary »
A parody and satire of the U.S. political scene of the time, HealtH is set at a health food convention at a Florida luxury hotel, where a powerful political organization is deciding on a new president.
Lawyer Rick Magruder has a one-night-stand affair with caterer Mallory Doss. He becomes hooked on her, and when he learns her nut-case father Dixon is threatening her, he puts the weight of his law firm behind Mallory, has Dixon arrested and subpoenas her ex-husband Pete to testify against Dixon in court. Dixon is sent to an asylum, but escapes from there and the lives of many people are in danger. Written by
The screenplay is credited to "Al Hayes". This pseudonym covers for John Grisham who objected to the foul language that Altman added to his original screenplay. See more »
At the party early in the movie, Rick and Lois are talking head-to-head on the sofa. Mallory walks behind them and you can hear Lois talking, but we see their heads at opposite ends of the sofa and they aren't talking. The camera immediately cuts back to them sitting close and talking like before. See more »
This is a wonderful Film Noir thriller, liked by the critics but hated by the public (as often with Altman). One of the reason people don't get it might be because they don't know film noir well enough and therefore miss the wonderful homage Altman makes in this film.
I have also seen people complain that it is too slow to be a thriller. Well, I like my thrillers that way. Enough time to get to know the characters and the setting, and a slow built up tension. It does not harm that the film is also well acted and has a beautiful cinematography.
This is one of Robert Altman's most underrated film, along with Popeye (1980). We can only hope that time will correct the harsh judgment this small gem got from the public. Who knows, maybe the rising star of Robert Downey Jr. might help to get a little re-appreciation of The Gingerbread Man.
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