| Photos (See all 90 | slideshow) | Videos (see all 4) |
| Ethan Hawke | ... | Vincent Freeman | |
| Uma Thurman | ... | Irene Cassini | |
| Gore Vidal | ... | Director Josef | |
| Xander Berkeley | ... | Dr. Lamar | |
| Jayne Brook | ... | Marie Freeman | |
| Elias Koteas | ... | Antonio Freeman | |
| Maya Rudolph | ... | Delivery Nurse | |
| Una Damon | ... | Head Nurse | |
| Elizabeth Dennehy | ... | Preschool Teacher | |
| Blair Underwood | ... | Geneticist | |
| Mason Gamble | ... | Vincent Freeman - Boy | |
| Vincent Nielson | ... | Anton Freeman - Boy | |
| Chad Christ | ... | Vincent Freeman - Teen | |
| William Lee Scott | ... | Anton Freeman - Teen | |
| Clarence Graham | ... | Personnel Officer | |
| Ernest Borgnine | ... | Caesar | |
| Tony Shalhoub | ... | German | |
| Jude Law | ... | Jerome Eugene Morrow | |
| Alan Arkin | ... | Det. Hugo | |
| Carlton Bembry | ... | Gattaca Hoover (as Carlton Benbry) | |
| Grace Sullivan | ... | Sequencing Customer | |
| Ken Marino | ... | Sequencing Technician | |
| Cynthia Martells | ... | Cavendish | |
| Loren Dean | ... | Anton Freeman | |
| Gabrielle Reece | ... | Gattaca Trainer | |
| Ryan Dorin | ... | Twelve-Fingered Pianist | |
| Dean Norris | ... | Cop on the Beat | |
| Russell Milton | ... | Gattaca Detective | |
| George Marshall Ruge | ... | Beaten Detective | |
| Steve Bessen | ... | Blood Test Detective | |
| Lindsey Ginter | ... | Mission Commander (as Lindsey Lee Ginter) | |
| rest of cast listed alphabetically: | |||
| Dan Griffin | ... | Classmate (uncredited) | |
| Beverly Griffith | ... | Anatomy Teacher (uncredited) | |
| David LeBell | ... | Invalid (uncredited) | |
Directed by | |||
| Andrew Niccol | |||
Writing credits(WGA) | ||
| Andrew Niccol | (written by) | |
Produced by | |||
| Danny DeVito | .... | producer | |
| Georgia Kacandes | .... | associate producer | |
| Joshua Levinson | .... | associate producer | |
| Gail Lyon | .... | co-producer | |
| Michael Shamberg | .... | producer | |
| Stacey Sher | .... | producer | |
Original Music by | |||
| Michael Nyman | |||
Cinematography by | |||
| Slawomir Idziak | (director of photography) | ||
Film Editing by | |||
| Lisa Zeno Churgin | |||
Casting by | |||
| Francine Maisler | |||
Production Design by | |||
| Jan Roelfs | |||
Art Direction by | |||
| Sarah Knowles | |||
Set Decoration by | |||
| Nancy Nye | |||
Costume Design by | |||
| Colleen Atwood | |||
Makeup Department | |||
| Bette Iverson | .... | key hair stylist (as Bette L. Iverson) | |
| Ve Neill | .... | makeup supervisor | |
| Brian Penikas | .... | prosthetic makeup artist | |
| Jill Rockow | .... | makeup artist | |
| Alicia M. Tripi | .... | department head hair stylist: second unit | |
| Toni-Ann Walker | .... | hair stylist | |
| Lizbeth Williamson | .... | makeup artist: Ms. Thurman | |
| Shawn Finch | .... | additional hair stylist (uncredited) | |
Production Management | |||
| Bradley Cramp | .... | production supervisor | |
| Georgia Kacandes | .... | unit production manager | |
| Tim Swan | .... | production supervisor (as Tim Leary Swan) | |
| Tim Swan | .... | unit manager | |
| Lisa Yesko | .... | post-production supervisor | |
Art Department | |||
| Stephen Alesch | .... | set designer (as Stephen T. Alesch) | |
| R. Scott Doran | .... | lead man | |
| Don Elliott | .... | swing gang | |
| Emily Ferry | .... | property master (as Emily Katherine Ferry) | |
| Otniel Gonzalez | .... | assistant property master | |
| Marc Meisels | .... | key set dressing fixtures | |
| Jim Ondrejko | .... | construction coordinator (as James Ondrejko) | |
| Joy Taylor | .... | assistant property master | |
| Randall D. Wilkins | .... | set designer (as Randall Wilkins) | |
| Todd Bennett | .... | plasterer (uncredited) | |
| Chris Buchinsky | .... | storyboard artist (uncredited) | |
| Burpo | .... | illustrator (uncredited) | |
| Burpo | .... | storyboard artist (uncredited) | |
| Daragh Byrne | .... | carpenter (uncredited) | |
| Donna Cihak | .... | set dresser (uncredited) | |
| Shannon Curfman | .... | on-set dresser: reshoots (uncredited) | |
| Donald Goodman | .... | drapery (uncredited) | |
| Glen Kennedy | .... | on set dresser (uncredited) | |
| Natalie Richards | .... | assistant art director (uncredited) | |
| Victor M. Shannon | .... | plasterer (uncredited) | |
| Louis Zamora | .... | labor foreman (uncredited) | |
| Neal W. Zoromski | .... | set dresser (uncredited) | |
Sound Department | |||
| Noah Blough | .... | dialogue editor | |
| Catherine Calleson | .... | assistant sound editor | |
| Lawrence L. Commans | .... | boom operator | |
| Nerses Gezalyan | .... | foley mixer | |
| Cynthia Haagens | .... | assistant sound editor | |
| Dick Hansen | .... | cable person | |
| Gary A. Hecker | .... | foley artist (as Gary Hecker) | |
| Doug Hemphill | .... | sound re-recording mixer | |
| Richard King | .... | supervising sound editor | |
| Cliff Latimer | .... | adr supervisor | |
| Paul Massey | .... | sound re-recording mixer | |
| James Matheny | .... | dialogue editor (as Jim Matheny) | |
| Jeffrey R. Payne | .... | foley editor (as Jeff Payne) | |
| Steven Ticknor | .... | sound effects editor (as Steve Ticknor) | |
| Scott A. Tinsley | .... | foley editor (as Scot Tinsley) | |
| Stephan von Hase | .... | production sound mixer (as Stephan von Hase-Mihalik) | |
| Jeffrey Wilhoit | .... | foley artist | |
| Howard London | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Philip Bartko | .... | special effects foreman | |
| Carole Cowley | .... | special effects associate producer | |
| Gary D'Amico | .... | special effects coordinator | |
| Tony Bohorquez | .... | model maker (uncredited) | |
| Ian O'Connor | .... | miniature pyrotechnics supervisor (uncredited) | |
Visual Effects by | |||
| Daniele Colajacomo | .... | visual effects supervisor: 3DSite | |
| Carole Cowley | .... | visual effects production coordinator: Cinesite | |
| Ken Dackermann | .... | digital compositor | |
| Steve Dellerson | .... | visual effects coordinator | |
| Scott Dougherty | .... | digital effects producer: Cinesite | |
| Joe Dubs | .... | digital paint supervisor | |
| Gil Gagnon | .... | digital effects | |
| Dan Levitan | .... | compositor | |
| Mario Peixoto | .... | digital effects | |
| Jerry Pooler | .... | digital effects | |
| Jerry Pooler | .... | visual effects supervisor | |
| Janek Sirrs | .... | visual effects | |
| Chris Watts | .... | visual effects supervisor | |
| Matti Asgarian | .... | digital effects production assistant (uncredited) | |
| Cheryl Bainum | .... | computer graphics/design producer: Buzz F/X (uncredited) | |
| Travis Baumann | .... | digital compositor (uncredited) | |
| Deak Ferrand | .... | digital artist/designer: Buzz F/X (uncredited) | |
| Shannon Blake Gans | .... | visual effects executive producer: Hunter/Gratzner Industries Inc. (uncredited) | |
| Bill Gilman | .... | digital compositor (uncredited) (Cinesite Hollywood) | |
| Vincent Lavares | .... | tape operator: Cinesite Hollywood (uncredited) | |
| Mark Alan Loso | .... | compositor (uncredited) | |
| Mindy Minkow | .... | optical camera operator (uncredited) | |
| Scott Pourroy | .... | miniature effects producer (uncredited) | |
| Anne Putnam | .... | visual effects producer: post production (uncredited) | |
| James Waterhouse | .... | effects production assistant (uncredited) | |
Stunts | |||
| Michael Cassidy | .... | stunt coordinator (as Mike Cassidy) | |
| Tyson Dexter | .... | stunt double | |
| Norman Howell | .... | stunt coordinator | |
| Mike Smith | .... | stunts | |
| Hubie Kerns Jr. | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Jonathan Brown | .... | camera operator (as Jonathan W. Brown) | |
| John T. Connor | .... | first assistant camera | |
| Michael J. Hogan | .... | video assist operator | |
| Robert Jason | .... | chief lighting technician | |
| Michael M. Krevitt | .... | key grip | |
| Darren Michaels | .... | still photographer | |
| David Morton | .... | rigging gaffer | |
| Matthew Nelson | .... | second assistant camera | |
| Evan A. Nesbitt | .... | first assistant camera: VistaVision camera | |
| Rod Robertson | .... | assistant chief lighting technician | |
| Jeff Smith | .... | dolly grip (as Jeffrey S. Smith) | |
| Thomas D. Wazney | .... | best boy grip (as Thomas Wazney) | |
| Brennan L. Price | .... | rigging gaffer: re-shoots (uncredited) | |
| Larissa Supplitt | .... | assistant camera: additional photography (uncredited) | |
Casting Department | |||
| Beau Bonneau | .... | extras casting | |
| Brennan Dufresne | .... | casting assistant | |
| Kathryn Eisenstein | .... | casting associate | |
| Terri Douglas | .... | adr voice casting (uncredited) | |
Costume and Wardrobe Department | |||
| Jennifer Lax | .... | key costumer (as Jenny Lax) | |
| Robert Q. Mathews | .... | costume supervisor | |
| Barry Kellogg | .... | costumer (uncredited) | |
| Valerie Laven-Cooper | .... | costumer (uncredited) | |
Editorial Department | |||
| Phillip J. Bartell | .... | apprentice editor | |
| Helen Hand | .... | second assistant editor | |
| Mo Henry | .... | negative cutter | |
| Bob Putynkowski | .... | color timer | |
| Michael Riley | .... | editor: end montage | |
| John Spence | .... | first assistant editor | |
| Angela Barton | .... | assistant editor (uncredited) | |
Music Department | |||
| Bunny Andrews | .... | music editor | |
| Dondi Bastone | .... | music consultant | |
| Cynthia Biamon | .... | music coordinator | |
| Frank Macchia | .... | music preparation | |
| David Robbins | .... | additional music arranger | |
| David Robbins | .... | additional music producer | |
| Michael Nyman | .... | conductor (uncredited) | |
Transportation Department | |||
| Joshua Hancock | .... | picture car coordinator | |
| David Jernigan | .... | transportation co-captain (as David T. Jernigan) | |
| James C. Taylor | .... | transportation captain (as James Taylor) | |
| Kelly Aldrich | .... | driver: construction department (uncredited) | |
Thanks | |||
| Stacy Weinstein | .... | special thanks | |
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| The Best of Youth | The Witnesses | The Road | Biutiful | 21 Grams |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Gattaca is in many ways the best film I have seen about prejudice. Just as people have been judged for centuries by the color of their skin, Gattaca predicts that in the future there will be a more subtle discrimination. It being a science fiction film helps make it more effective by allowing us to feel the emotions of the characters with little of our own history getting in the way. A haunting musical score goes well with the feeling of the film.
Ethan Hawke as Vincent does a fine job showing the pain of someone whose life is limited before he even tries. But just as interesting were the supposedly superior characters; Vincent's girlfriend, brother and double who suffer from the lie that genetics can perfectly predict a person's life.
The film that Gattaca most reminds me of is Blade Runner. They are both about genetic engineering gone very wrong but Gattaca takes a very different approach. The problems are more subtle in Gattaca involving our own desires for success for ourselves and through our children. Amazingly, Gattaca is a good science fiction film with a small budget, few special effects and mostly filmed in existing modern buildings.
After seeing this film for a second time I liked it even better as the plot seemed more plausible. If you would like to see a sci-fi film that is based on interesting characters and situations and not explosions or special effects, try Gattaca.