Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
In the not-too-distant future, a less-than-perfect man wants to travel to the stars. Society has categorized Vincent Freeman as less than suitable given his genetic make-up and he has become one of the underclass of humans that are only useful for menial jobs. To move ahead, he assumes the identity of Jerome Morrow, a perfect genetic specimen who is a paraplegic as a result of a car accident. With professional advice, Vincent learns to deceive DNA and urine sample testing. Just when he is finally scheduled for a space mission, his program director is killed and the police begin an investigation, jeopardizing his secret. Written by
Although SpaceX didn't exist when the movie was made, the Gattaca corporation now bears a strong resemblance to the ultimate business plan that SpaceX aspires to. See more »
Because they are occurring some distance away, the numerous rocket launches shown should not be audible until a several seconds after liftoff. See more »
You keep your work station so clean, Jerome.
It's next to godliness. Isn't that what they say?
Godliness. I reviewed your flight plan. Not one error in a million keystrokes. Phenomenal. It's right that someone like you is taking us to Titan.
Has the committee approved the mission? There's been talk of delay.
You shouldn't listen to talk. You leave in a week. You've got a substance test.
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All instances of the letters A, C, G, and T (representing the four nucleotides of DNA -- see trivia entry) are emphasized in almost all names of people and companies credited in the film. These letters appear in a different typeface from the rest of the name; also, in the opening credits they appear onscreen a little before the rest of the name, while in the closing credits they appear in blue instead of white. See more »
Director Andrew Niccol's Gattaca, in my humble opinion, is at the pinnacle of the motion picture art form. All aspects of the production serve the story spectacularly. The retro-style art direction, script, acting, music, and lighting all brought to life, much too chillingly, a cold and soulless world where the content of your genes counted for everything while the content of your character counted for nothing. Watching Ethan Hawke's (Great Expectations, Hamlet) Vincent evade the relentless pursuit of the authorities while pining to be on the Titan mission, romancing Irene (Uma Thurman), and micro-managing his samples from Jerome (Jude Law in a very impressive supporting turn) made for some the most riveting viewing ever. This story highlights the negative side of pursuing the eugenic ideal, an ideal that is not an unworthy pursuit, but one that must be approached with the utmost caution since its seekers hope to master a realm once the sole domain of the Divine.
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