Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
In the not-too-distant future, a less-than-perfect man wants to travel to the stars. Society has categorized Vincent Freeman as less than suitable given his genetic make-up and he has become one of the underclass of humans that are only useful for menial jobs. To move ahead, he assumes the identity of Jerome Morrow, a perfect genetic specimen who is a paraplegic as a result of a car accident. With professional advice, Vincent learns to deceive DNA and urine sample testing. Just when he is finally scheduled for a space mission, his program director is killed and the police begin an investigation, jeopardizing his secret. Written by
The letters G, A, T & C are bolded in the opening titles. See more »
In the beginning when Vincent is putting the blood into the fake thumb he puts it on his left thumb but he always uses his right hand to get tested. This is because Vincent himself is left-handed, but Jerome is right-handed so he had to make the switch when he assumed Jerome's life. See more »
You keep your work station so clean, Jerome.
It's next to godliness. Isn't that what they say?
Godliness. I reviewed your flight plan. Not one error in a million keystrokes. Phenomenal. It's right that someone like you is taking us to Titan.
Has the committee approved the mission? There's been talk of delay.
You shouldn't listen to talk. You leave in a week. You've got a substance test.
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All instances of the letters A, C, G, and T (representing the four nucleotides of DNA -- see trivia entry) are emphasized in almost all names of people and companies credited in the film. These letters appear in a different typeface from the rest of the name; also, in the opening credits they appear onscreen a little before the rest of the name, while in the closing credits they appear in blue instead of white. See more »
Gattaca is a brilliant under-rated piece of cinema that the not-too-distant future will, in retrospect, see it as one of the more outstanding movies of the nineties. It is prolific, stylish, thought-provoking, and one of the few recent science fiction movies that totally foregoes special effects and does it well.
There is nothing about Gattaca that I didn't like. It is a subtle piece of art that reminds of the writing of Ray Bradbury. Technology (the core element of science fiction) is only the backdrop for the story of a man who goes against all odds, including his brother, and overcomes those odds.
Make sure you watch it more than twice. There are many subtle details that you'll miss if you don't (ie, Gattaca's doctor asks, "Have I ever told you about my son?" not even five minutes into the movie, and childhood Vincent falls down holding a toy rocket...) and it's these small details that create a tapestry of cinematic artistry.
The soundtrack is phenomenal. The sets are noir and stylistic, and (thankfully) instead of trying to present a realistic physical future Niccol instead vies for the FEELING of the future: constrained, restricted, and patterned.
Watch it before it's cool to have watched it.
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