In the late 1960s/early 1970s, a San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac Killer, an unidentified individual who terrorizes Northern California with a killing spree.
Robert Downey Jr.,
Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the co-founder who was later squeezed out of the business.
Nicholas Van Orton is a very wealthy San Francisco banker, but he is an absolute loner, even spending his birthday alone. In the year of his 48th birthday (the age his father committed suicide) his brother Conrad, who has gone long ago and surrendered to addictions of all kinds, suddenly returns and gives Nicholas a card giving him entry to unusual entertainment provided by something called Consumer Recreation Services (CRS). Giving in to curiosity, Nicholas visits CRS and all kinds of weird and bad things start to happen to him. Written by
When Nicolas is watching the film strip, he gets fed up and stands. He looks back and clearly is standing in the way of the film's projection onto the screen, but when the screen is shown there is no shadow. See more »
[In the stopped elevator]
I'll give you a boost.
This isn't an attempt to be gallant. If I don't lift you, how are you going to get there?
You pull me up.
It's much easier this way. Come on, step up...
I'm not wearing underwear. Okay? There, I said it. Satisfied?
[Looks at her skirt]
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The opening credits shatter in the form of jigsaw puzzle pieces in Reference to the Film's title. See more »
I don't tend to write reviews on IMDb, but saw this gem and was compelled to do so simply due to the fact it isn't mentioned AT ALL, by anyone. It's one of Fincher's best films and deserves to be mentioned in the same sentence as Fight Club, Se7en etc etc.
It starts by slowly showing us the world of Nicholas (Michael Douglas) and how he's alone on his 48th birthday. He receives and odd gift off of his brother which he then decides to follow up on. What follows then is sheer cinematic brilliance. It's dark, unpredictable and unrelenting. It got to a point where any single character couldn't be trusted, and it made it all the more gripping. Seeing the protagonist descend slowly into desperation made us feel empathy for him. There's not much to say other than it's a typical Fincher film. Including his long tracks, his persistent use of the tripod, and I think it really compliments the story and builds up this sense of unease.
I just needed to express my gratitude for everyone who worked on this film and obviously David Fincher himself. It's so underrated and should be classed as one of his best films - without a shadow of a doubt.
Enjoy. You won't want it to end.
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