Nicholas Van Orton is a very wealthy San Francisco banker, but he is an absolute loner, even spending his birthday alone. In the year of his 48th birthday (the age his father committed ...
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Nicholas Van Orton is a very wealthy San Francisco banker, but he is an absolute loner, even spending his birthday alone. In the year of his 48th birthday (the age his father committed suicide) his brother Conrad, who has gone long ago and surrendered to addictions of all kinds, suddenly returns and gives Nicholas a card giving him entry to unusual entertainment provided by something called Consumer Recreation Services (CRS). Giving in to curiosity, Nicholas visits CRS and all kinds of weird and bad things start to happen to him. Written by
Nicholas's "San Francisco" home was actually the historic Filoli Mansion, 25 miles south of San Francisco in Woodside, California. The plain gravel forecourt of the mansion was made to look more like a wrap-around driveway by the addition of the fountain, which was constructed of lightweight foam. The interior shots of the kitchen were made in the original time-worn kitchen, which is displayed on tours but no longer used. The kitchen's state of repair is not good, which partially accounts for the very dim lighting used in the kitchen scenes. The scenes in which the walls were defaced with graffiti was done by tacking up lightweight graffiti-painted foamcore boards over the wood paneling. All of the scenes at the mansion were completed in one day. See more »
While speaking to his ex-wife on the telephone, Michael Douglas makes the mistake of pronouncing the word "nuclear" as the incorrect "noo-kyoo-ler". (A mistake he also makes in The China Syndrome.) See more »
I don't tend to write reviews on IMDb, but saw this gem and was compelled to do so simply due to the fact it isn't mentioned AT ALL, by anyone. It's one of Fincher's best films and deserves to be mentioned in the same sentence as Fight Club, Se7en etc etc.
It starts by slowly showing us the world of Nicholas (Michael Douglas) and how he's alone on his 48th birthday. He receives and odd gift off of his brother which he then decides to follow up on. What follows then is sheer cinematic brilliance. It's dark, unpredictable and unrelenting. It got to a point where any single character couldn't be trusted, and it made it all the more gripping. Seeing the protagonist descend slowly into desperation made us feel empathy for him. There's not much to say other than it's a typical Fincher film. Including his long tracks, his persistent use of the tripod, and I think it really compliments the story and builds up this sense of unease.
I just needed to express my gratitude for everyone who worked on this film and obviously David Fincher himself. It's so underrated and should be classed as one of his best films - without a shadow of a doubt.
Enjoy. You won't want it to end.
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