Mourning his dead child, a haunted Vietnam vet attempts to discover his past while suffering from a severe case of disassociation. To do so, he must decipher reality and life from his own dreams, delusion, and perception of death.
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
Nicholas Van Orton is a very wealthy San Francisco banker, but he is an absolute loner, even spending his birthday alone. In the year of his 48th birthday (the age his father committed suicide) his brother Conrad, who has gone long ago and surrendered to addictions of all kinds, suddenly returns and gives Nicholas a card giving him entry to unusual entertainment provided by something called Consumer Recreation Services (CRS). Giving up to curiosity, Nicholas visits CRS and all kinds of weird and bad things start to happen to him. Written by
Nicholas's "San Francisco" home was actually the historic Filoli Mansion, 25 miles south of San Francisco in Woodside, California. The plain gravel forecourt of the mansion was made to look more like a wrap-around driveway by the addition of the fountain, which was constructed of lightweight foam. The interior shots of the kitchen were made in the original time-worn kitchen, which is displayed on tours but no longer used. The kitchen's state of repair is not good, which partially accounts for the very dim lighting used in the kitchen scenes. The scenes in which the walls were defaced with graffiti was done by tacking up lightweight graffiti-painted foamcore boards over the wood paneling. All of the scenes at the mansion were completed in one day. See more »
While speaking to his ex-wife on the telephone, Michael Douglas makes the mistake of pronouncing the word "nuclear" as the incorrect "noo-kyoo-ler". (A mistake he also makes in The China Syndrome (1979).) See more »
My favorite movie of all times and not for the obvious reasons.
I first saw this on VHS tape when it first came out. It was not in theaters long enough for word of mouth to drive a wave of references. This was the only movie I ever had to immediately rewind, gather the family and watch it again that night. Do not watch on TV where it is has been cut for time. What I liked about this film is that every frame and every scene was important to the story. There are no puppy in the window filler shots. I applaud the writing and the directing for such an intricate weaving of "The Game" concept. Not a film for those with no patience or interest in covert operations. I now enjoy watching others watch this film as they start to recognize things and try to figure out what is going on, only to be wrong several times. I see something new every time I watch it. Brilliant concept and execution of the concept on film.
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