Nicholas Van Orton is a very wealthy San Francisco banker, but he is an absolute loner, even spending his birthday alone. In the year of his 48th birthday (the age his father committed suicide) his brother Conrad, who has gone long ago and surrendered to addictions of all kinds, suddenly returns and gives Nicholas a card giving him entry to unusual entertainment provided by something called Consumer Recreation Services (CRS). Giving up to curiosity, Nicholas visits CRS and all kinds of weird and bad things start to happen to him. Written by
Nicholas's "San Francisco" home was actually the historic Filoli Mansion, 25 miles south of San Francisco in Woodside, California. The plain gravel forecourt of the mansion was made to look more like a wrap-around driveway by the addition of the fountain, which was constructed of lightweight foam. The interior shots of the kitchen were made in the original time-worn kitchen, which is displayed on tours but no longer used. The kitchen's state of repair is not good, which partially accounts for the very dim lighting used in the kitchen scenes. The scenes in which the walls were defaced with graffiti was done by tacking up lightweight graffiti-painted foamcore boards over the wood paneling. All of the scenes at the mansion were completed in one day. See more »
A man appears out of nowhere outside of Nicholas's house, giving him a good scare. In a second shot it is revealed to be Sean Penn's Conrad character, but in the first shot a different actor is used. See more »
They just fuck you and they fuck you and they fuck you, and then just when you think it's all over, that's when the real fucking starts!
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The opening credits shatter in the form of jigsaw puzzle pieces in Reference to the Film's title. See more »
After the great success, both with critics and with the public, of "Seven", Director David Fincher turned to this film. It has often been said that this movie was one he'd wanted to make for a long time and upon viewing you can really see his belief in both characters and the story- overall an excellently directed movie.
Although several people argued that "Seven" was gory, in my opinion it wasn't, for example, there is a total lack of blood in the Lust scene, something which I particularly admired- the fact that a director could make a chilling and shocking movie without resorting to piling tons of blood onto the screen. Fincher continues this streak in "The Game" by drawing the tension and shocks of the film by using psychological terror.
Unfortunately, the movie could not parallel the success of "seven" upon its release and also received mixed critical reviews, however since then it has become somewhat of a cult movie with far more success on DVD than in the box office.
Perhaps most notable about the film is the fact that (apparently) Fincher himself often seems to direct his actors in a detached way, the way one might move around chess pieces in a game. Whether this is 100% true or not his direction, the acting and just about everything else is superb.
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