Nicholas Van Orton is a very wealthy San Francisco banker, but he is an absolute loner, even spending his birthday alone. In the year of his 48th birthday (the age his father committed suicide) his brother Conrad, who has gone long ago and surrendered to addictions of all kinds, suddenly returns and gives Nicholas a card giving him entry to unusual entertainment provided by something called Consumer Recreation Services (CRS). Giving up to curiosity, Nicholas visits CRS and all kinds of weird and bad things start to happen to him. Written by
Jodie Foster was originally signed to play Michael Douglas's sibling in the film. However, Foster changed her mind and wanted to appear as Douglas's daughter instead. Douglas and director David Fincher were very opposed to this change so the part went to Sean Penn instead. Foster promptly sued PolyGram to the tune of $54.5 million - even though her Egg Pictures was one of the film's production companies. The matter was fortunately settled out of court. Douglas - who is a personal friend of Foster - said that it didn't seem right for him to play Foster's father, given that there is only 17 years age difference between the two. Ironically, Douglas HAS already played Foster's father - he did so in the Disney film Napoleon and Samantha (1972) at the start of both of their careers. See more »
When Nicholas is at work, the secretary walks in to tell him his ex-wife is on the phone. The secretary then wishes him a happy birthday. We can assume she is calling to wish him the same. But later that night when his ex calls again, Nicholas says to her "You almost missed [my birthday] this year!" See more »
The game is tailored specifically to each participant. Think of it as a great vacation, except you don't go to it, it comes to you.
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The opening credits shatter in the form of jigsaw puzzle pieces in Reference to the Film's title. See more »
This has to be one of the more interesting psychological thrillers made recently. Just when you think you got ahold of the plot it changes! Playing with "the implicit viewer" this movie has a tendency to constantly surprise and redefine itself in relation to the "expectancy horizon". What a wonderful positive redefinition of "Seven", culminating in a refinement of the human nature and at the same time leaving the viewer with a subtle taste of the "rosicrucian initiation" in the mouth.
Definitly worth a view!
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