Mourning his dead child, a haunted Vietnam vet attempts to discover his past while suffering from a severe case of disassociation. To do so, he must decipher reality and life from his own dreams, delusion, and perception of death.
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
Nicholas Van Orton is a very wealthy San Francisco banker, but he is an absolute loner, even spending his birthday alone. In the year of his 48th birthday (the age his father committed suicide) his brother Conrad, who has gone long ago and surrendered to addictions of all kinds, suddenly returns and gives Nicholas a card giving him entry to unusual entertainment provided by something called Consumer Recreation Services (CRS). Giving up to curiosity, Nicholas visits CRS and all kinds of weird and bad things start to happen to him. Written by
Jodie Foster was originally signed to play Michael Douglas's sibling in the film. However, Foster changed her mind and wanted to appear as Douglas's daughter instead. Douglas and director David Fincher were very opposed to this change so the part went to Sean Penn instead. Foster promptly sued PolyGram to the tune of $54.5 million - even though her Egg Pictures was one of the film's production companies. The matter was fortunately settled out of court. Douglas - who is a personal friend of Foster - said that it didn't seem right for him to play Foster's father, given that there is only 17 years age difference between the two. Ironically, Douglas HAS already played Foster's father - he did so in the Disney film Napoleon and Samantha (1972) at the start of both of their careers. See more »
Christine's lips are not moving when she delivers one of her lines as she discusses the possible consequences of the "Game" with Nicholas in the car. See more »
My favorite movie of all times and not for the obvious reasons.
I first saw this on VHS tape when it first came out. It was not in theaters long enough for word of mouth to drive a wave of references. This was the only movie I ever had to immediately rewind, gather the family and watch it again that night. Do not watch on TV where it is has been cut for time. What I liked about this film is that every frame and every scene was important to the story. There are no puppy in the window filler shots. I applaud the writing and the directing for such an intricate weaving of "The Game" concept. Not a film for those with no patience or interest in covert operations. I now enjoy watching others watch this film as they start to recognize things and try to figure out what is going on, only to be wrong several times. I see something new every time I watch it. Brilliant concept and execution of the concept on film.
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