| Photos (See all 67 | slideshow) | Videos (see all 2) |
| Demi Moore | ... | Jordan O'Neill | |
| Viggo Mortensen | ... | Master Chief John James Urgayle | |
| Anne Bancroft | ... | Lillian DeHaven | |
| Jason Beghe | ... | Royce | |
| Daniel von Bargen | ... | Theodore Hayes (as Daniel Von Bargen) | |
| John Michael Higgins | ... | Chief of Staff | |
| Kevin Gage | ... | Instructor Pyro | |
| David Warshofsky | ... | Instructor Johns | |
| David Vadim | ... | Cortez | |
| Morris Chestnut | ... | McCool | |
| Josh Hopkins | ... | Flea | |
| Jim Caviezel | ... | Slovnik | |
| Boyd Kestner | ... | Wickwire | |
| Angel David | ... | Newberry | |
| Stephen Ramsey | ... | Stamm | |
| Gregg Bello | ... | Miller | |
| Scott Wilson | ... | C.O. Salem | |
| Lucinda Jenney | ... | Blondell | |
| Ted Sutton | ... | Flag Officer | |
| Gary Wheeler | ... | Flag Officer | |
| Donn Swaby | ... | Yeoman Davis | |
| Jack Gwaltney | ... | Goldstein | |
| Neal Jones | ... | Duty Officer | |
| Rhonda Overby | ... | Civilian Secretary | |
| Stephen Mendillo | ... | Admiral O'Connor | |
| Dan DePaola | ... | Cook Compliments (as Dan De Paola) | |
| Susan Aston | ... | Civilian Girl | |
| John Seitz | ... | J.A.G. | |
| Kent Lindsey | ... | J.A.G. | |
| Bob Moore | ... | WNM Reporter | |
| Harry Humphries | ... | Artillery Instructor | |
| Michael Currie | ... | Commission Speaker | |
| Steve Gonzales | ... | Press Hound | |
| Arthur Max | ... | Barber | |
| Billy Dowd | ... | Photographer | |
| Duffy Gaver | ... | Instructor | |
| Scott Helvenston | ... | Instructor | |
| Phil Neilson | ... | Hostile Rat | |
| Dimitri Diatchenko | ... | Trainee | |
| David Bruce | ... | Trainee | |
| David Overton | ... | Trainee | |
| Hashem Shaalan | ... | Trainee | |
| Chris Soule | ... | Trainee | |
| Joseph Makkar | ... | Libyan Sentry (as Joseph Merzak Makkar) | |
| rest of cast listed alphabetically: | |||
| Rick Cramer | ... | Scorpion Leader (uncredited) | |
| Dani Englander | ... | DeHaven Aide (uncredited) | |
| Joseph Epinette | ... | Commando (uncredited) | |
| Lee Eskey | ... | Treasury Lawyer (uncredited) | |
| Rocky Essex | ... | Humvee Vehicle Operator (uncredited) | |
| Larry Guardino | ... | Older Soldier (uncredited) | |
| Rodney J. Hobbs | ... | C-SPAN Technician (uncredited) | |
| Raymond H. Johnson | ... | Senator (uncredited) | |
| Diandra Newlin | ... | Jane's Neighbor (uncredited) | |
| Jim Pearson | ... | SEAL Instructor (uncredited) | |
| Thomas Reid | ... | DC Police Officer (uncredited) | |
| Courtney Talbot | ... | Bar Tender (uncredited) | |
| Michael Wayne Thomas | ... | C-SPAN Reporter (uncredited) | |
| Scott Welchons | ... | Military Extra (uncredited) | |
| Irene Ziegler | ... | DeHaven's Aide (uncredited) | |
Directed by | |||
| Ridley Scott | |||
Writing credits(WGA) | ||
| Danielle Alexandra | (story) | |
| David Twohy | (screenplay) and | |
| Danielle Alexandra | (screenplay) | |
Original Music by | |||
| Trevor Jones | |||
Cinematography by | |||
| Hugh Johnson | (director of photography) | ||
Film Editing by | |||
| Pietro Scalia | |||
Casting by | |||
| Louis DiGiaimo | (as Louis Di Giaimo) | ||
| Brett Goldstein | |||
Production Design by | |||
| Arthur Max | |||
Art Direction by | |||
| William Hiney | (supervising art director) (as Bill Hiney) | ||
| Richard L. Johnson | (as Richard Johnson) | ||
Set Decoration by | |||
| Cindy Carr | |||
Costume Design by | |||
| Marilyn Vance | |||
Makeup Department | |||
| Diana Acrey | .... | key hair stylist: California | |
| Enzo Angileri | .... | hair stylist: Ms. Moore | |
| Kylie Bell | .... | assistant makeup artist | |
| Dorothy D. Fox | .... | chief hair stylist (as Dorothy Fox) | |
| Joanne Gair | .... | makeup artist: Ms. Moore | |
| Rodger Jacobs | .... | makeup artist | |
| Barbara Lacy | .... | makeup artist | |
| Cheryl Markowitz | .... | key makeup artist: California (as Cheryl Ann Markowitz) | |
| Cheri Minns | .... | chief makeup artist | |
| Brad Wilder | .... | makeup artist | |
| Sherri Bramlett | .... | hair stylist (uncredited) | |
| Jane Alexandra Foster | .... | makeup artist: end credits sequence (uncredited) | |
| Stephen Robinette | .... | hair stylist (uncredited) | |
Production Management | |||
| Daneen Lagrone Conroy | .... | production supervisor (as Daneen Conroy) | |
| Donald Heitzer | .... | production manager: California (as Don Heitzer) | |
| Michele Imperato | .... | unit production manager | |
| Pat Rand | .... | post-production manager: Caravan Pictures | |
| Michael Solinger | .... | post-production supervisor | |
| Nigel Wooll | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| J. David Brightbill | .... | second second assistant director (as David Brightbill) | |
| Hugh Johnson | .... | second unit director: Washington D.C. | |
| Terry Needham | .... | first assistant director | |
| Darin Rivetti | .... | second assistant director | |
| Adam Somner | .... | second assistant director | |
| Christopher Surgent | .... | second second assistant director (as Chris Surgent) | |
Sound Department | |||
| Campbell Askew | .... | supervising sound editor | |
| Jeremy Child | .... | sound editor | |
| John Cochrane | .... | dialogue editor | |
| Sarah Dane | .... | assistant sound editor (as Sara Dane) | |
| Graham Daniel | .... | sound re-recording mixer | |
| Robert Gavin | .... | adr editor | |
| John Ireland | .... | foley editor | |
| Derek Lomas | .... | assistant sound editor | |
| Ray Merrin | .... | sound re-recording mixer | |
| Randy Nielsen | .... | utility sound technician (as Randy L. Nielsen) | |
| David M. Ronne | .... | sound mixer: California (as David Ronne) | |
| Timothy P. Salmon | .... | boom operator | |
| Jules Strasser | .... | boom operator: California | |
| Adrian Trent | .... | assistant sound editor | |
| Keith A. Wester | .... | production sound mixer | |
| Laura Evans | .... | assistant sound editor (uncredited) | |
Special Effects by | |||
| Philip Beck Jr. | .... | special effects | |
| Chris Brenczewski | .... | special effects | |
| Jeff Frink | .... | special effects | |
| Steve Galich | .... | special effects coordinator | |
| Ken Gorrell | .... | special effects | |
| Morgan Guynes | .... | special effects | |
| Allen Peppy Richardson | .... | special effects | |
| Jeff Sparks | .... | special effects | |
| Ray Svedin | .... | special effects | |
| Joe Barden | .... | special effects (uncredited) | |
| Don Dalstra | .... | special effects crew (uncredited) | |
| David Fletcher | .... | special effects foreman (uncredited) | |
| Mike Gerzevitz | .... | underwater effects rigger (uncredited) | |
| Michael J. Hudson | .... | special effects technician (uncredited) | |
| Scott Mobley | .... | special effects propmaker (uncredited) | |
| Scott Mobley | .... | special effects technician (uncredited) | |
| Howard Allen Richardson | .... | special effects (uncredited) | |
Visual Effects by | |||
| David Sewell | .... | visual effects artist (uncredited) | |
Stunts | |||
| Steve Bolan | .... | utility stunts | |
| Duffy Gaver | .... | utility stunts | |
| Scott Helvenston | .... | utility stunts | |
| Leigh Hennessy | .... | stunt double: Demi Moore | |
| G. Peter King | .... | utility stunts (as Peter King) | |
| Mark Lonsdale | .... | utility stunts | |
| Phil Neilson | .... | stunt coordinator | |
| Keith Woulard | .... | co-stunt coordinator | |
| Matthew R. Anderson | .... | safety diver (uncredited) | |
| Brian Finn | .... | stunts (uncredited) | |
| Allen Gerbino | .... | stunt pilot (uncredited) | |
| Charles Grisham | .... | stunts (uncredited) | |
| Cinda-Lin James | .... | stunt double (uncredited) | |
| Jim Pearson | .... | boat stunts (uncredited) | |
| Darrin Prescott | .... | stunts (uncredited) | |
| Hash Shallan | .... | stunts (uncredited) | |
| Keith Woulard | .... | stunt double: Morris Chestnut (uncredited) | |
Casting Department | |||
| Billy Dowd | .... | extras casting | |
| John Strawbridge | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Nancy Cone | .... | costumer: Ms. Moore | |
| Ed Fincher | .... | costume supervisor: California | |
| Joe McCloskey | .... | key costumer | |
| David Rawley | .... | costume supervisor | |
| Anthony J. Lipin | .... | costumer (uncredited) | |
| Tony Lipin | .... | costumer (uncredited) | |
| Annalisa Strickland | .... | set costumer: California (uncredited) | |
| John M. 'Jack' Wright | .... | set costumer (uncredited) | |
Editorial Department | |||
| John Bickford | .... | laboratory liaison: Technicolor, US | |
| Paul Elman | .... | assistant editor | |
| John Ensby | .... | laboratory liaison: Technicolor, UK | |
| Paul Ensby | .... | color timer | |
| Chris Innis | .... | associate editor | |
| Marisa Johnston | .... | post-production coordinator: Caravan Pictures | |
| Tristan Mullane | .... | assistant editor | |
| Pamela Power | .... | additional editor (as Pam Power) | |
| Mark Sale | .... | assistant editor | |
| Lee 'Flea' Shulman | .... | post-production intern (as Lee Shulman) | |
| Fulvio Valsangiacomo | .... | apprentice editor | |
| Jason Wheeler | .... | negative cutter | |
| Chisako Yokoyama | .... | assistant editor | |
| John Marston | .... | assistant editor: Washington D.C. (uncredited) | |
Music Department | |||
| Geoff Alexander | .... | orchestrator | |
| Giles Baker | .... | assistant music editor | |
| Paul Clarvis | .... | musician: ethnic percussion | |
| Clem Clempson | .... | musician: guitar | |
| Peter Cobbin | .... | additional music recordist | |
| Andrew Glen | .... | music editor | |
| Isobel Griffiths | .... | orchestral contractor | |
| Nick Ingman | .... | orchestrator | |
| Trevor Jones | .... | orchestrator | |
| Julian Kershaw | .... | orchestrator | |
| Alex Marcou | .... | music editing engineer | |
| Jill Meyers | .... | music business affairs | |
| Charlie Morgan | .... | musician: drum kit | |
| Kathy Nelson | .... | music supervisor | |
| Simon Rhodes | .... | music recording mixer | |
| Victoria Seale | .... | music coordinator | |
| Belinda Sykes | .... | orchestral voice | |
| Phil Todd | .... | musician: ewi solo | |
| Kirsty Whalley | .... | synthesizer programmer | |
| Gavyn Wright | .... | orchestra leader (as Gavin Wright) | |
Transportation Department | |||
| Lee Garibaldi | .... | transportation captain | |
| Gene Johnson | .... | transportation coordinator: Virginia | |
| Russell McEntyre | .... | transportation coordinator: California (as Russ McEntyre) | |
| Danny Mortenson | .... | transportation captain: Florida/South Carolina (as Daniel Mortenson Jr.) | |
| Robert W. Simpson | .... | transportation captain: Virginia (as Rob Simpson) | |
| Tommy Tancharoen | .... | transportation coordinator | |
| Doug Wilson | .... | driver | |
| Gilbert Young | .... | transportation captain: Washington D.C. | |
| Don Baer | .... | driver (uncredited) | |
| Robert aaron Brown | .... | driver (uncredited) | |
| Richard Curry | .... | driver: Ms. Moore (uncredited) | |
| Bo Falck | .... | transportation captain (uncredited) | |
| William Hogue | .... | driver (uncredited) | |
| Anthony J. Mignano | .... | driver (uncredited) | |
| Ron Parsell | .... | talent driver (uncredited) | |
| Jerry Sidwell | .... | driver (uncredited) | |
| John H. Stephens | .... | driver (uncredited) | |
| Robert Van Apeldoorn | .... | transportation (uncredited) | |
Thanks | |||
| Isabel Hill | .... | thanks: The South Carolina Film Commission | |
| Jeff Monks | .... | thanks: The South Carolina Film Commission | |
| Susan Simms | .... | thanks: Florida Entertainment Commission | |
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| Captain America: The First Avenger | Green Lantern | Navy Seals | Courage Under Fire | The General's Daughter |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
OK this is going to be a bit long... but it will be good food for discussions.
Yes, this movie is "Hollywood". The Plot line is predictable, but it is the concepts that the director explores along the way that make it interesting an thought-provoking, assuming you pay attention and didn't just rent it for the bang-bang, or a chance to see Demi in a wet T-shirt. Ridley make some mistakes, but he does some really good things too. Let me comment on what some other people have said, and talk about what I think Ridley does well with this film.
I think Mr. Scott gets a really excellent performance from Demi. I feel this is her best film, but I haven't seen to many, because she usually gets on my nerves. However, she is believable in the role of a woman who just wants to prove to herself that she can do this. I believe her when she says she doesn't want to be a poster child for women's rights... and the Commander is right in telling her that she's gonna have to wear that hat anyway.
Viggo is great too. I don't think too many people knew who he was when this movie came out, but he was even billed above Anne Bancroft. Someone said he looks embarrassed in every scene... hogwash. He looks like a very tough character in a very difficult situation. He knows that the issue is not whether a woman can make it, many can. This isn't about women's rights... this is about how men, mainly YOUNG men, relate to women in stressful situations. If all soldiers were in their late thirties, emotionally and psychologically, then the issue would be much smaller. Most of these guys are young, dumb and full of... you know the rhyme. I was there too, once upon a time. Viggo is excellent, he reacts the way many military instructors would... trying to stop the inevitable, fighting against politicians way over his head who have never been in the crap, but think they know better. Pay attention, you can just see that he respects LT O'Neil. But he believes he has to make an example out of her. Ms. Bancroft is excellent as well, some people say over the top, they obviously haven't had to deal with high level politics before. Perhaps she is a bit rough for reality, but remember, it is a movie, making a point, and being entertaining, things have to be gritty... and Senate will always be more vicious than any military training. I find her performance fun and a joy to watch.
I don't know if Mr. Scott has any military training, but he does a better job of conveying the realities of it to the screen than most. Yes, the SERE segment goes farther than real SERE training would go... but not by much. Talk to someone who's been through it. It would not have been the same group of instructors... it's a very specialized field and the instructors have extensive psychological screening and training. However, I'll give that one to Ridley, he's trying not to complicate the plot, and he needs the scene with Master Chief Urgayle. BTW Women do go through SERE sometimes... and the instructors do use them against the men's emotions.
As for other Militray stuff, much of the language, feelings about chain of command, frustration with training constraints and political a**-covering was /On The Spot/. I speak from 6 years of experience as an Army officer (some of the stuff you see on active duty is amazing, but in the end it all balances out and the US Armed Forces are still the best in the world). Even the way Ridley has to frig with the plot to put the trainees in a an actual firefight was plausible... not possible, but plausible. Remember, it is a movie, he's got to have a real combat situation to entertain the dumber audience who just came to see the boom. But Ridley even goes far enough to give the Master Chief a chance to back out. It is a group of Navy SEAL trainees, deep into their training cycle, with a buttload of prior experience (IF you pay attention you will note that one of the trainees is a US Army Ranger, one a Marine, probably from RECON, these are guys who know the job already, and this is true to reality). You are also talking about a straight forward mission facilitating extraction of US Army Rangers from the deep inland mission. Ridley even has that right, this would be a Ranger mission, and the Spec-ops community may do a joint op where the SEALS secure the sea-side extraction point.
Quite frankly... the movie is better than most people could have done. Matter of fact, I think it was a tough challenge for Mr. Scott and don't think anyone could have done much better. One bad point I agree with is that artistically, the movie is shot entirely too dark.. that's about the worst thing I can say about it though. As for plot predictability... how often do you REALLY see an original plotline?
One last comment. I was at the Army Officer's Advance Course when this movie came out. There was a group of Officer's that were gong to see this movie, ostensibly to have a good laugh. These were Ranger-qualified Infantry guys, a Marine officer from RECON, a couple guys going to or coming from SF training... all Type A's. The next day they weren't laughing... they just said "you know what, that wasn't half bad." That don't sound like much, but it's high praise from that group.
Probably why this has such a poor rating is because it isn't Hollywood enough for the lowest-common-denominator crowd.
Enjoy the film.