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Funny Games (1997)

 -  Crime | Drama | Thriller  -  11 March 1998 (USA)
7.6
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Ratings: 7.6/10 from 35,951 users   Metascore: 69/100
Reviews: 292 user | 121 critic | 10 from Metacritic.com

Two psychotic young men take a mother, father, and son hostage in their vacation cabin and force them to play sadistic "games" with one another for their own amusement.

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Title: Funny Games (1997)

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Cast

Complete credited cast:
...
...
Arno Frisch ...
Frank Giering ...
Stefan Clapczynski ...
Doris Kunstmann ...
Christoph Bantzer ...
Wolfgang Glück ...
Susanne Meneghel ...
Monika Zallinger ...
Eva
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Storyline

Two seemingly well-educated young men, who call each other Paul and Peter among other names, approach a family on vacation. They are, apparently, friends of the neighbors, and, at the beginning, their true intentions are not known. But soon, the family is imprisoned and tortured in its own house violently, which the viewers are forced mostly to imagine and to share a certain complicity with the criminals. It might be some kind of game with the lives of husband, wife, son, and dog, but why are they doing it? Written by Luis Canau <luis.canau@mail.EUnet.pt>

Plot Summary | Add Synopsis

Plot Keywords:

game | vacation | violence | kitchen | dog | See All (92) »

Taglines:

Ein Alptraum. See more »

Genres:

Crime | Drama | Thriller

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

11 March 1998 (USA)  »

Also Known As:

Brincadeiras Perigosas  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

According to director Michael Haneke, star Susanne Lothar would often have to force herself to cry for nearly 20 minutes before her takes. He said the scene in which she is forced to pray required 28 takes and Lothar was tremendously drained by the ordeal. It was the weakened reaction that Haneke wanted from her for the scene. See more »

Goofs

When Anna and Georg are driving in their car, a reflection of a microphone between the front seats can be seen on the window. See more »

Quotes

[first lines]
[subtitled version]
Anna: Björling... Suliotis?
Georg: Almost. Björling is easy.
See more »

Connections

Featured in The Last Days of the Board (1999) See more »

Soundtracks

Tu Qui Santuzza
from Cavalleria Rusticana
Music by Pietro Mascagni
Published by Historical Decca 425985-3
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Two realities put into one
24 February 2008 | by (Greece) – See all my reviews

Mr Haneke seems to love observing family member characters dealing with extreme situations. On one hand we have a typical family which one could call civilized, and on the other hand two young violent sadists. The two worlds are opposed to each other, but then in reality they meet everyday in every part of the world. Their difference is the difference of classical music and black metal (both musical styles can be listened in this movie)...But yet, what is the difference of a normal humorous pretty bomber pilot with Paul and Fatty? They both guarantee a fatal sadistic without hope end. Maybe some people have these realities inside them too. Yet Mr Haneke did not present the beauty of violence as Hollywood movies would (mainstream or Tarantino), nor he directed an hymn to violence as it is clearly seen in "Clockwork orange". The "normal" watcher sympathizes the normal family. On the contrary in real life situation, maybe reading through a newspaper or watching TV, he would feel sympathy for them for 5 minutes. The power of "evil" is presented unquestionable. No hope can survive, even time rewinds and cannot beat the violent (re)actions of these young monsters. The personalities of Paul and Fatty are very interesting as in the end they express some questionable pseydophilosophies. What's their difference again with Nazis and current aggressive wars? Maybe this is a reference to Chaplin's "Monsieur Verdoux"... The movie can also be seen through the "shocking effect" theory. We question the strength of the family especially father’s protectiveness, but we miss the point that in reality people with normal lifes become easily victims, one can say they are conformists. The shock is less intense for a person who lives an abnormal life and is ready to protest against violence... The actors perform excellently. One must be ready for a "disturbing" movie no happy end, no cheap Hollywood violin music, no Deus ex machina, but as it was written above this is an every day incident...We cannot expect from people who are hypnotized all their lifes by "happy endings and superheroes" to credit this movie.


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