They shot the scene with Horse in the telephone box three times: the first with an old woman outside overhearing the conversation, the second with a gang of girls on a night out overhearing, and when neither of them worked, they reshot it with no one listening. See more »
In the funeral scene, Lomper is playing the hymn "Abide with Me" on cornet, and his fingers are clearly visible playing the notes. He plays every note correctly until the last line, where he swaps the two notes on "[ab]-ide with [me]" - he should be playing straight down the scale Bb,A,G,F and in fact plays Bb,G,A,F. See more »
Well, I just pray they're a bit more understanding about us, that's all.
Well, they're going to be looking at us like that, aren't they, Eh? I mean, what if next Friday 400 women turn 'round and say "He's too fat, he's too old and he's a pigeon-chested little tosser."? What happens then, eh?
They wouldn't say that, would they?
Why not? He's just said her tits are too big.
That's different. We're... blokes.
I think she's got nice tits, actually.
I never said owt about her ...
[...] See more »
The film shown behind the opening credits is "Sheffield...City on the move", made in 1971 for the Sheffield Publicity Department. See more »
When I first saw this movie, I absolutely loved it. With each successive viewing, I noticed the characters' emotions as they coped with the dirty hand that has been dealt to them and making the most of it. I also saw the immense bond between the men as they already shared the low-class existence and a rather bleak future but seeing nothing but an opportunity to be rich. And they were all willing to endure the humiliation in front of hundreds of people to achieve it.
Like M*A*S*H, the Full Monty shows people placed in a harrowing existence with seemingly no end in sight. Yet the laughs are sprinkled throughout nicely, and even though each man has their own personal fears to overcome, they find strength in each other, which makes the experience all the more fruitful.
The actors were absolutely top notch, particularly Robert Carlyle. I was already impressed with his performance from Trainspotting to know that he is very capable of carrying the central figure of the movie. Peter Cattaneo's direction was inspired, and he knew the right angles to use (check out the scene when the lads were auditioning new members, particularly Guy) for perfect comedic effect.
I admit that some of the sub-plots needed more fleshing out, particularly between Gaz and Nathan as well as Gerald and his wife. And as many times as I've seen the movie, I don't know much about Guy other than his love for Singing in the Rain and his obvious natural endowment that took the breath away from his mates!
The music was terrific as well. I dare anyone to deny that they had to consciously stop tapping their feet when hearing "Hot Stuff" after watching this movie.
I have been to Sheffield recently, so the movie holds even more personal meaning for me. And for all those complaining about the accents being difficult to understand, watch it again. It's in English not Chinese! The accents are part of the charm. I rate this movie a solid 8.5 out of 10 and worth seeing many times over.
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