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The Full Monty (1997)

7.2
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Ratings: 7.2/10 from 74,071 users   Metascore: 75/100
Reviews: 170 user | 123 critic | 31 from Metacritic.com

Six unemployed steel workers form a male striptease act. The women cheer them on to go for "the full monty" - total nudity.

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Title: The Full Monty (1997)

The Full Monty (1997) on IMDb 7.2/10

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Won 1 Oscar. Another 34 wins & 28 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Gaz
...
David 'Dave'
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Steve Huison ...
...
...
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Guy
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Jean
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Mandy
Deirdre Costello ...
Linda
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Barry
Dave Hill ...
Alan
Bruce Jones ...
Reg
Andrew Livingston ...
Terry (as Andrew Livingstone)
Vinny Dhillon ...
Sharon
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Storyline

Six unemployed steel workers, inspired by the Chippendale's dancers, form a male striptease act. The women cheer them on to go for "the full monty" - total nudity. Written by Jon Reeves (from press kit) <jreeves@imdb.com>

Plot Summary | Add Synopsis

Taglines:

Six men. With nothing to lose. Who dare to go.... See more »

Genres:

Comedy | Drama | Music

Motion Picture Rating (MPAA)

Rated R for language and some nudity | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

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Release Date:

19 September 1997 (USA)  »

Also Known As:

Todo o nada  »

Box Office

Budget:

$3,500,000 (estimated)

Opening Weekend:

£523,961 (UK) (2 January 1998)

Gross:

$45,857,453 (USA) (24 April 1998)
 »

Company Credits

Show detailed on  »

Technical Specs

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Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The six leads did in fact perform a full-frontal strip-tease in front of 400 extras. Director Peter Cattaneo described it as "a one-take deal." See more »

Goofs

At no stage do they perform what they have rehearsed, or rehearse what they eventually perform. This "goof" is common in many backstage musicals, where the numbers shown being rehearsed rarely match the final product. See more »

Quotes

Dave: We want to know about dancing that's all.
Gerald Arthur Cooper: Dancers have coordination, skill, timing, fitness, and grace. Take a long, hard look in the mirror.
See more »

Crazy Credits

The film shown behind the opening credits is "Sheffield...City on the move", made in 1971 for the Sheffield Publicity Department. See more »

Connections

Referenced in Heyy Babyy (2007) See more »

Soundtracks

Flashdance (What a Feeling) '95
(1983)
Music by Giorgio Moroder
Lyrics by Irene Cara and Keith Forsey
Recorded by Irene Cara
© Intersong USA Inc./Famous Music Corp./Georgio Moroder Publishing Company
Courtesy of Ocean Deep Limited
Licensed by kind permission of Warner/Chappell Music Limited and from the PolyGram Commercial Marketing Division
See more »

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User Reviews

A seductive, playful piece of comic gumption
28 December 1998 | by (West Bend, WI) – See all my reviews

The Full Monty offers a seductive, playful piece of comic gumption: Six unemployed steel workers become amateur male strippers, baring themselves as an antidote to the dole. The title is British slang for "buck naked," but the film isn't about nudity, or lust, exactly. It takes as its subject the free-falling sense of desperation provoked by unemployment. As these flaccid bodies strive to exude "sexiness," director Peter Cattaneo turns their struggle into a blue-collared survival reflex, which yields a thin yet agreeable amount of emotional weight.

Robert Carlyle plays a bitter but devoted divorced father trying to meet his support payments so his son will trust him, and Mark Addy just wants to provide for his nurturing wife, who worries about the secret G-string buried in her flabby husband's underwear drawer.

Suffering ritual-humiliation for the sake of loved ones, these men pawn their dignity for economic survival. Cattaneo allows the script to hint at the social and fiscal conditions endured by the working-class under Thatcher, but mostly he avoids politicizing the material. Instead, he aims for rowdy, laugh-out-loud passages about awkward pseudo-debauchery. Perhaps The Full Monty settles for rather broad, coarse humor, but it has intensely pleasing charms and Cattaneo gives it an unexpected deadpan consistency. He exposes the comedy of shame, and then the comedy of shamelessness.

ERIC BELTMANN


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Who would you ogle if you'd been in the audience?? suethecat
Do Americans like this film???? Dave_Gill
Why do the English worry about accents? tbrandt-1
Little things that made you laugh. by_candlelight
They've changed bits! crchadwick
Best Scene? jesy-1
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