Socially-conscious banker Thomas Dickson faces a crisis when his protégé is wrongly accused for robbing the bank, gossip of the robbery starts a bank run, and evidence suggests Dickson's wife had an affair...all in the same day.
Martin Scorsese narrates this tribute to Val Lewton, the producer of a series of memorable low-budget horror films for RKO Studios. Raised by his mother and his aunt, his films often ... See full summary »
In Peru in the eighteenth century. Camilla, the star of a theater company, hesitates between three men. The Viceroy gives her his magnificent golden coach. A young Spanish officer suggests ... See full summary »
The life and career of legendary, three-time Oscar winner Frank Capra is explored in this acclaimed documentary through clips from his films, interviews with friends, family, and co-workers, and revealing archival film including footage of Capra himself. The director started as a poor Italian immigrant and through ambition, hard work, and talent singlehandedly put Poverty Row Columbia Studios on the map with classics like "American Madness," "Lost Horizon," and "Meet John Doe," as well as Oscar winners "It Happened One Night," "Mr. Deeds Goes to Town," and "You Can't Take It with You,'' culminating with his masterpiece, "It's a Wonderful Life." Capra's professional and personal philosophy of "One man, one film predated the auteur theory by decades. Capra's wartime service and educational TV experience are detailed along with his two last features, "A Hole in the Head" and "Pocketful of Miracles," made after the collapse of the studio system resulting in the director's premature ... Written by
Solid, interesting, informative documentary on Frank Capra both the man and his improbable journey from immigrant poverty to being one of the best known directors of all time.
One of the most interesting aspects is the way the documentary shows Capra's best work was often darker and less corny or sentimentalized than it's remembered. Heroes earn any happy endings they get, and there is often pain, self-doubt and loss along the way. It makes the valid point that emotional and ultimately hopeful is far different from sentimental and corny, and Capra knew and fought for that difference.
For the most part the interviews with other directors, actors, friends and family are very effective. Although there are a few Hollywood types who's connection to Capra and his work seems tenuous at best, and sometimes analysis gives way to gushing.
While not quite deep, emotional or revelatory enough to be a great film, it is a very good one, that any film buff should certainly see.
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