| Photos (See all 22 | slideshow) | Videos (see all 2) |
| Matthew Perry | ... | Alex Whitman | |
| Salma Hayek | ... | Isabel Fuentes Whitman | |
| Jon Tenney | ... | Jeff | |
| Carlos Gómez | ... | Chuy (as Carlos Gomez) | |
| Tomas Milian | ... | Tomas Fuentes | |
| Siobhan Fallon | ... | Lanie | |
| John Bennett Perry | ... | Richard Whitman | |
| Stanley DeSantis | ... | Judd Marshall | |
| Suzanne Snyder | ... | Cathy Stewart | |
| Anne Betancourt | ... | Amalia | |
| Jill Clayburgh | ... | Nan Whitman | |
| Angelina Torres | ... | Great Grandma (as Angelina Calderon Torres) | |
| Debby Shively | ... | Donna, Construction Secretary | |
| Mark Adair-Rios | ... | Juan Fuentes | |
| Annie Combs | ... | Dr. Lisa Barnes, OBGYN | |
| Shelley Morrison | ... | Aunt Carmen | |
| María Cellario | ... | Aunt Yolanda | |
| Irene Hernández | ... | Aunt Rosa | |
| Josh Cruze | ... | Antonio Fuentes | |
| Angela Lanza | ... | Petra | |
| Randy Sutton | ... | Dam Policeman Delivering Baby | |
| Christopher Michael | ... | Dam Policeman Delivering Baby | |
| Angel Valdez | ... | Carlos | |
| César Santana | ... | Enrique | |
| Garret Davis | ... | Stanley, OSHA Rep | |
| Chris O'Neill | ... | Priest on Street | |
| John Tripp | ... | Man in Lobby | |
| Andrew Hill Newman | ... | Assorted Cheeses | |
| Chris Bauer | ... | Phil | |
| Douglas Weston | ... | Hank | |
| Rupert Baca | ... | Porter | |
| Jan Austell | ... | Bruce Stewart | |
| Cydney Arther | ... | Deane Stewart | |
| Leslie Silva | ... | Divorce Papers Process Server | |
| Maryann Plunkett | ... | Heleport Mother with Little Isabel | |
| Juel Mendel | ... | Dr. Barnes' Receptionist | |
| Eddie Powers | ... | Elvis at Wedding Chappel | |
| Salvador Saldaña | ... | Mariachi Singer | |
| rest of cast listed alphabetically: | |||
| Roger Anthony | ... | Taxi Driver (uncredited) | |
| Robert Arevalo | ... | Miguel Fuentes (uncredited) | |
| Beth Broderick | ... | Tracey Verna (uncredited) | |
| Veronica Grey | ... | Office Mate (uncredited) | |
| Gilda Longoria | ... | Relative at Party (uncredited) | |
| Marshall Dancing Elk Lucas | ... | Office Worker (uncredited) | |
| Bob Pepper | ... | Construction Worker (uncredited) | |
| Maridean Mansfield Shepard | ... | Christmas Shopper (uncredited) | |
| Jay So | ... | Clubgoer (uncredited) | |
| Sheila Surkes Scotti | ... | Aunt Josie (uncredited) | |
| Jeff Yesko | ... | Walla group (uncredited) | |
Directed by | |||
| Andy Tennant | |||
Writing credits(WGA) | ||
| Joan Taylor | (story) and | |
| Katherine Reback | (story) | |
| Katherine Reback | (screenplay) | |
Produced by | |||
| Anna Maria Davis | .... | co-producer | |
| Doug Draizin | .... | producer | |
| Michael McDonnell | .... | executive producer | |
| Steven P. Saeta | .... | associate producer | |
Original Music by | |||
| Alan Silvestri | |||
Cinematography by | |||
| Robbie Greenberg | |||
Film Editing by | |||
| Roger Bondelli | |||
Casting by | |||
| Juel Bestrop | |||
Production Design by | |||
| Edward Pisoni | |||
Art Direction by | |||
| David Crank | |||
Set Decoration by | |||
| Leslie Morales | |||
Costume Design by | |||
| Kimberly A. Tillman | |||
Makeup Department | |||
| Karen Blynder | .... | makeup artist | |
| Ermahn Ospina | .... | hair stylist | |
| D.J. Plumb | .... | hair stylist | |
| Robin Siegel | .... | makeup department head | |
Production Management | |||
| Charles Miller | .... | unit production manager: New York | |
| Steven P. Saeta | .... | production manager | |
| Lisa Yesko | .... | post-production supervisor | |
Art Department | |||
| Evelyn Barbier | .... | set designer | |
| Jonathan Bobbitt | .... | lead man | |
| Michael Courville | .... | property master | |
| Jim Falkenstein | .... | assistant property master | |
| Alun Vick | .... | construction coordinator | |
| Bob Warner | .... | head painter | |
| Michael McCombe | .... | head greensman (uncredited) | |
| Glenn H. Roberts | .... | on-set dresser (uncredited) | |
Sound Department | |||
| Mary Andrews | .... | adr editor | |
| Richard Burton | .... | sound editor | |
| Ali Derakhshan | .... | assistant sound editor | |
| Peter J. Devlin | .... | production sound mixer | |
| Jim Fitzpatrick | .... | sound re-recording mixer | |
| George Flores | .... | cable person | |
| Tricia Linklater | .... | first assistant sound editor | |
| Kimberly Ellen Lowe | .... | sound editor (as Kimberly Lowe Voight) | |
| Michael Magill | .... | sound editor | |
| Scott Millan | .... | sound re-recording mixer | |
| John Morris | .... | supervising sound editor | |
| Bob Newlan | .... | adr supervisor | |
| Mark Pappas | .... | foley supervisor | |
| Brad Sherman | .... | sound re-recording mixer | |
| Alicia Stevenson | .... | foley artist | |
| Scott Warren | .... | boom operator (as Scott Paul Warren) | |
| Hugo Weng | .... | sound editor | |
| Dennis C. Salcedo | .... | boom operator (uncredited) | |
Special Effects by | |||
| Dennis Dion | .... | special effects | |
| David J. Barker | .... | special effects: rattle snakes rigger (uncredited) | |
| Geoffrey C. Martin | .... | special effects supervisor: N.M. Filming (uncredited) | |
Visual Effects by | |||
| Mindy Minkow | .... | optical camera operator (uncredited) | |
Stunts | |||
| Robert Jauregui | .... | stunt coordinator (as Bob Jauregui) | |
| Colleen Ann Brah | .... | precision driver (uncredited) | |
Camera and Electrical Department | |||
| Rick A. Benedetto | .... | rigging gaffer (as Rick Benedetto) | |
| Philip L. Brown | .... | best boy grip (as Phil Brown) | |
| Billy Clevenger | .... | first assistant camera | |
| David Fay | .... | dolly grip | |
| Ron Goodman | .... | camera operator: SpaceCam | |
| Chris Hayes | .... | camera operator | |
| Karl Linde | .... | second assistant camera | |
| Frank Masi | .... | still photographer | |
| Melton Maxwell | .... | chief lighting technician (as Melton C. Maxwell) | |
| Tim Ryan | .... | key grip | |
| Chuck Sharp | .... | assistant chief lighting technician (as Charles W. Sharp) | |
| Michael Carmine | .... | cinematographer: second unit (uncredited) | |
| Chuck Sharp | .... | best boy electric (uncredited) | |
Casting Department | |||
| Marilee Lear | .... | casting: Las Vegas | |
| Teresa Neptune | .... | location casting: New Mexico (uncredited) | |
Costume and Wardrobe Department | |||
| Virginia Burton | .... | costumer | |
| Cathy Crandall | .... | costumer | |
| Luellyn Harper | .... | costume supervisor | |
| Monique Long | .... | costumer (uncredited) | |
Music Department | |||
| Andrew Silver | .... | music editor | |
| Chuck Southcott | .... | music consultant | |
| Tom Boyd | .... | musician: oboe soloist (uncredited) | |
| Sandy DeCrescent | .... | orchestra contractor (uncredited) | |
| Denise Okimoto | .... | music editor (uncredited) | |
| Conrad Pope | .... | orchestrator (uncredited) | |
| Jacqueline Tager | .... | assistant music editor (uncredited) | |
| James Thatcher | .... | musician: french horn (uncredited) | |
Transportation Department | |||
| Dan Brizendine | .... | transportation co-captain | |
| Dusty Saunders | .... | transportation captain | |
| Buddy Hunter | .... | transportation location captain (uncredited) | |
| Roger Wooge | .... | driver (uncredited) | |
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| Before Sunrise | Gone with the Wind | Saved! | Blue Valentine | Broken Flowers |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
'Fools Rush In' is one of my favorite romantic comedies. Though, I know that many will dislike it but I'd take it anyday over any Julia Roberts rom-com. It's sweet without having too much sugar. It's one I have repeatedly watched and never got bored of. Director Andy Tenant deserves credit for putting it all together.
It has the unusual pairing of Matthew Perry and Salma Hayek (which really works). Both share a great chemistry and look good together. While Perry's Alex is a little similar to Chandler Bing (except with a much bigger problem to deal with), the actor knows how to make the audience like him. Hayek as the vibrant, stubborn, mean but adorable Isabel is simply brilliant. The rest of the cast provide adequate support.
The movie is full of light and delightful moments. Though there are certain aspects of culture clash, it is all presented in a humorous manner. Supporting the movie is a wonderful soundtrack, some fine location shots and the funny screenplay itself (which is predictable but doesn't spoil the fun on the way).