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Fools Rush In (1997)

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After a one night stand with Alex, Isabel realizes that she is pregnant and they decide to get married. However, along with the marriage comes compromise of one's own cultural traditions.

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(story), (story) | 1 more credit »
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2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Jeff
...
Chuy (as Carlos Gomez)
...
Tomas Fuentes
...
Lanie (as Siobhan Fallon)
...
Richard Whitman
...
Judd Marshall
...
Cathy Stewart
...
Amalia
...
Nan Whitman
Angelina Torres ...
Great Grandma (as Angelina Calderon Torres)
Debby Shively ...
Donna, Construction Secretary
...
Juan Fuentes
Annie Combs ...
Dr. Lisa Barnes, OBGYN
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Storyline

Sparks fly and cultures collide in this romantic comedy about a casual night of passion that turns into the love of a lifetime. Alex Whitman is a New Yorker sent to Las Vegas to oversee a construction project. There he meets Isabel Fuentes, and some serious chemistry brings them together for one night. But Alex doesn't see Isabel again until three months later, when he learns she is pregnant. On a whim and prayer, he proposes. However, there's more to marriage than a Vegas chapel and an Elvis impersonator, as Alex and Isabel soon learn. Written by Robert Lynch <docrlynch@yahoo.com>

Plot Summary | Add Synopsis

Taglines:

What if finding the love of your life meant changing the life that you loved? See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for sensuality and brief language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

14 February 1997 (USA)  »

Also Known As:

Un impulsivo y loco amor  »

Box Office

Gross:

$29,291,566 (USA) (11 July 1997)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Carlos Gomez, who plays Chuy, is in the episode of Friends, The One with all the jealousy from 1997. He plays Julio, the poet/diner waiter who dates Monica. See more »

Goofs

In the scene on the boat where Alex's and Isabel's parents are arguing, in Alex's mothers sunglasses you can clearly see the camera, at least 10 crew members, and the softbox, multiple times. See more »

Quotes

Alex Whitman: Isabel, don't jump.
Isabel Fuentes: I'm not going to kill myself, stupid. But if you come any closer, I'll throw your ass over.
See more »

Connections

References Star Wars: Episode IV - A New Hope (1977) See more »

Soundtracks

Joy to the World
(uncredited)
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User Reviews

 
Now this is what I call a `romantic comedy'
14 February 2004 | by (La Rioja, Spain) – See all my reviews



Sometimes the mood one is in at a given moment is just right for the film you are about to see. This, obviously, has its setbacks. One night you are just not in the mood, and you write a film off as trash; another night, in a more favourable frame of mind, you lap up a film just loving it. This is of course pre-emptive and subjective: but we are all human. We all have our foibles and manias. So if you forgive me for dismissing out of hand all those delightfully dreadful romantic comedies with Richard Gere or Hugh Grant, whoever the delicious young lady may be playing with them, without forgetting Tom Hanks and Meg Ryan, as being pure unadulterated slush, we might meet on level terms and wade in where fools fear to tread.

I just love Salma Hayek.

She is not only superbly gorgeous to look at - those deep Mexican-Lebanese eyes just keep you enchanted throughout - but she is also pretty good at acting. That, together with a nicely-told story with intelligent directing and dialogues which do not fall flat on their face helps make `Fools Rush in' stand out above the rest of the ilk. Firstly the film does not try to be sickly funny. It does not make ireful bile rise into your throat. Perhaps Matthew Perry is not the exact partner for the role, but the chemistry between him and Salma Hayek seems to hold together fairly well. The story is also an indictment into situations which must be arising daily: especially in the United States of America where racial intolerance can become highly murky. A white New-Yorker falls in love with a Mexican girl. Well, if they are all like Salma Hayek, I would not be at all surprised. I would, too. But sociological barriers - in the Mexican family also, with a wonderful interpretation here by Angelina Calderón Torres - produce the logical but hypocritical obstacles which still persist in what for me should be classified as erstwhile societies.

A film I shall see again, which for me must be unique among films called romantic comedies. But there is just that something in the petite thirty-year-old Salma Hayek which lifts me heart and soul into clouds of surrealistic fantasy, that has me fascinated, enchanted.

Therefore any objective commenting on this film is out of the question for me. Tut, tut, my lad.


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