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Bruce Willis and Milla Jovovich star in this wonderful sci-fi tale.
Chock full of killer performances and excellent effects.
Korben Dallas is your average ordinary New York taxi driver. Fresh out of the military, unlucky in love and this close to losing his job. One day the ultimate fare literally falls into his lap as Leeloo enters his life via the roof of his cab. Leeloo it seems was genetically manipulated to be the ultimate weapon against pure evil but her beauty and butt-kicking hide a more fragile nature that Dallas and a host of others will have to step up and help her save humanity.
This amazing sci-fi adventure from Luc (Leon) Besson has a little something for everyone. Beauty (the gorgeous Jovovich with orange hair even), action and gun-play, excellent acting, amazing visual effects, romance, creative sets and costume design, dynamic and interesting music and a mildly annoying but funny Chris Tucker. You name it this film has it in spades. 5th Element is hands down one of the best science fiction films ever.
I've seen it many times and always want more. I highly recommended it.
I think The Fifth Element is the movie I have seen the most... It is a perfect mixture of action and comedy, science-fiction, suspense and romance. Set in a not so far future, the eternal battle between good and evil is shown to us in an extravagant setting. Flying cars, aeroplanes that go at the speed of light, weird creatures and ugly aliens are only a few things that are present during this film. The story has never been seen before : Good has only one weapon to defeat evil; it is composed of four stones representing the four element (water, earth, fire and air) and a perfect creature. These five elements have to be united before the forces of evil arrive to earth. But evil has found help and the stones have disappeared. Bruce Willis (one of the best action actors of our time), Milla Jovovich, Ian Holm and Gary Oldman make the suspense even more intense. Chris Tucker is incredibly funny and ads a lot to the comic side of the film. The story is extremely imaginative and is, in my opinion, one of Luc Besson's best. I have never seen anything else like it. The costumes, designed by Jean-Paul Gaultier, are unbelievably imaginative and fun. They are a big part of the extravagance and originality of the movie. The score, by Eric Serra (one of my favourites) is simply a work of art. And last but not least, the special effects are absolutely excellent, adding to the quality of the movie. If you are looking for action and a good laugh, this is the film to see. But the actors are not the only things that make this film worth seeing. Click here
I really believe that they billed this movie wrong. Many folks came in expecting the next Star Wars and were disappointed, to say the least. It's not like Star Wars. It's kinda like a live action comic book. Visually stunning, awesome use of color that just jumps out at you, and non-stop action, lots of it done with tongue firmly in cheek. Plot? Well forget the plot, it's the weak point of the film. But hey who ever said comic books had to have strong plots? Willis, Jovovich, and the rest do a fine job. I especially like the casting of Jovovich, she exudes innocence, vulnerability, sex, exotica, intelligence, and kung fu machismo all at the same time. So turn off the cynicism sign as you watch and just enjoy the ride. Great stuff!
THE FIFTH ELEMENT is a complex film....if you WANT it to be! It offers
varying levels of analysis depending on the tools you have to dig
On the surface, a "leave your brain in the cloakroom" sci-fi yarn, you may
well find wanting! As far removed from STAR WARS as Austin Powers is from
DIAMONDS ARE FOREVER. this film is pitched uniquely at those who can laugh
at life but who have deep down an unquenchable desire for adventure and
Set on a futuristic earth, where really nothing has changed except the technology, Bruce Willis is STILL John McLane, a has-been stormtrooper reduced now to driving air-cabs for a living...same old premise for him - nothing's changed much since STRIKING DISTANCE, except maybe the yellow hair-rinse. Now, legend has it that in a time long long ago, the forces of darkness visited earth and were repelled by the unification in close proximity, of four stones representing the four elements. earth, wind, fire and water together with a fifth "element" of unknown origin.
Dear old Ian Holm is Priest Cornelius, an expert authority on the five elements and keeper of all knowledge on things magical and mysterious. Gary Oldman in arguably his most way-put role is General Zorg who has done a deal with "The Dark Side" and whose sole purpose is to take possession of the elemental stones. The scene wherein he demonstrates the new weaponry to his alien henchman (from which the one-line "summary quote" above is taken) is an absolute classic of cinema. Milla Jovovich (Married to Besson at the time of the flick) is absolutely rivetting as Leeloo, the cloned/unzipped humanised fifth element. She must have practised long and hard perfecting her ancient language dialog....it's amazing. She strikes exactly the right note as a being of purity, femininity and warrior woman. As the film progresses she assumes the identitiy of the perfect girl any man would wish for and want to protect.
The comedy angle is hysterical, the action sequences in your face, and the fx generally impressive if not mega weird at times. Color and visuals play a major role in this pro-European production, the continent where not surprisingly it was most successful. The outcome naturally is predictable and in the best traditions of "will love save the day?" as if it wasn't always going to???
So, there u have it. Watch it one-dimensionally and that's what you'll get back. let it flow, immerse yourself in IT and you couldn't fail to have a good time, unless of course you are clinically dead or devoid of any sense of fun or fantasy ....but in that case you'd be wasting your time anyway, it wasn't MADE for you!
The Fifth Element is another fine example of the filmmaking talents of Luc Besson. Luc Besson, a creative genius and the director of classic films such as The Big Blue, Nikita and Leon (The Professional) has returned to the genre that started his filmmaking career, sci-fi. In The Fifth Element Luc Besson realises his life long ambition to make a film based on a story he thought of while still at school, Zaltman Bleros. Writing and directing the film, he skillfully mixes humour with action and amazing visual effects that put The Fifth Element in a class of it's own. Stunning performances are put forward by Milla Jovovich, Bruce Willis, Ian Holm, Chris Tucker and Gary Oldman, who returns to work with Luc Besson after playing Norman Stansfield in Leon. The Fifth Element show us how well comedy, action and romance can be put together. Overlooked at the Academy Awards, Luc Besson won the Cesar for Best Director at Cannes in 1998 for The Fifth Element. Simply, an excellent film, 10/10.
This is a great movie. It isn't your typical same alien vs. human movie
where there is blood everywhere, and the humans win right before
they've thought it was the end. It is much more interesting. The story
has love vs. evil in a whole new way, and there's a lesson to be
learned through it.
Honestly, I didn't really care about the plot all that much. The imagination and creativity is awesome! I love the colors and the ideas they came up with, especially how the design of the city. The futuristic clothing is cool too. The only thing I was disappointed in was the enemy aliens. They looked a little too artificial.
My favorite thing about the whole movie was the music. It went from techno to opera to jazz, and to all over. I loved the music, partially because they used Engima and Vangelis. Many people are like, "what the heck was that?" when they hear the music, but it fits the movie perfectly and leaves you with a feeling more than a theme. I like the randomness of the music, it works well with the quirkiness of the movie.
There is so much entertainment in this movie it would be almost stupid
to write about its flaws. Especially the story is not the best thing
here, but who cares. I liked every scene, every moment in this movie.
The movie opens in Egypt, 1914, and we meet some strange creatures.
From here on we know this is not going to be a normal or very serious
sci-fi action movie. The creatures tell a priest that the stones are no
longer save on earth and they take some things. They tell the priest
they will return in 300 years, when evil arrives.
300 years later. The strange creatures return but they are attacked by other strange creatures. The only thing that survives is reconstructed and turns out to be Lee Loo (Milla Jovovich). She is the fifth element, the ultimate weapon against evil. Evil here looks like a great ball of fire. Lee Loo escapes from the authorities, and in an astonishing shot we see how a city looks like now. She jumps of a building and ends up in the flying cab of Korben Dallas (Bruce Willis). He saves her from the police, she asks for priest Vito Cornelius (Ian Holm), he brings her there.
We learn a little more about Lee Loo here. She needs four stones, the four other elements, to save the world. The stones are on a vacation resort where we meet DJ Ruby Rhod (Chris Tucker). He has some funny scenes as well. We have also met Zorg, who is played by Gary Oldman in a great way. The attack on the strange creatures early in the movie was planned by him. He wants the stones as well, he is offered a lot of money for them. How the story develops from here I will not reveal.
The story doesn't even matter. In every scene we have something to like. Beautiful settings, great visual effects, Gary Oldman, the beautiful Jovovich or the funny moments from Bruce Willis, Chris Tucker and Ian Holm. May be this movie is not for everyone but if you don't think to much you will definitely like it.
After making heavy movies like La Femme Nikita and Leon, it is somewhat
of a departure for Luc Besson to do this comic, pulp, sci-fi film The
Fifth Element. Looking at his work now, with such high-octane humor as
the Transporter series, among others, (written by Besson, but not
directed), it doesn't seem that out of place. He just must have decided
to only direct his more serious fare and leave the fun stuff to others.
However, The Fifth Element is by no means a slight film without a fan
base. As far as sci-fi goes, this is a very capable installment. With
its mythology, creatures, action, and special effects, the movie has
everything going for it. The humor that's infused just makes it better,
vaulting it through genres and making it accessible to almost everyone
who gives it a try.
Like most of its ilk, the story revolves around an evil force about to devour Earth and the rest of life itself as it increases in size and power with each influx of destruction and hate thrown at it. Every opportunity to blow it up only makes it stronger. Through a series of fortunate/ unfortunate happenings, (depending on who you are aligning with), we have the paths crossing of a priest who holds the answers for survival, an ex-military, cab driver bent on having some fun and excitement, a strange woman from another place at the center of it all, an evil mercenary out for money, and the government of the galaxy trying to save face in front of inevitable extermination. It is good versus evil traveling through space in order to either shed light or death out to the universe as victory.
In what is a nice little introduction to the myth of the fifth element that will unite with the more common four to wipe out evil, we learn of those who keep the secret of its location. We don't quite know if these aliens are good or not until later, but we do find out the impetus for their coming to the temple on display. A cut forward in time introduces us to the president of the galaxies, (played in what would seem to be horrible casting, but ends up being pretty good with Tommy "Tiny" Lister, Jr.), and our head priest in the guarding of the truth, Ian Holm. Holm explains what the dark force coming after them is and goes on the quest to find the fifth element and her four stones needed to combat it. This supreme being, played wonderfully by Milla Jovovich with a childlike glee and discovery, falls into the unwitting hands of cabbie Korben DallasBruce Willis at his sarcastic bad-ass best. Willis must join with Holm and Jovovich on a mission to recover the stones and find a way to save the world.
A lot of the success lies with the man behind it all, Luc Besson. His script is made up of a pretty solid plot line as far as the world destruction goes. Everything makes sense and is explained in a way to not bore us, but instead in tidbits culled from the numerous characters running about it this singularly unique landscape. The art direction is spectacular and for being a decade old, still has some nice special effects that stand up. I've always been a proponent for prosthetics, when able, at the expense of computer graphics. Reactions are always better from actors who have something real to play off of and the lighting and environments just become more realistic. Even so, when computers are used, the effects are more subtle than flashy and never take away from the story that is being told. No matter what spectacle is on display, the script is what is important.
All the personalities on display also lead to much of the greatness that The Fifth Element has to offer. Bruce Willis is the king of this kind of role. His quips and rapport with those around him are priceless. Other standouts are Chris Tucker, in an early role for him, and the great Gary Oldman. Tucker takes loud and obnoxious to a whole new level, but it works flawlessly. His radio DJ has no shame when it comes to working a crowd or chasing the ladies, but his utter fear of danger is hilarious. As for Oldman, I have to believe Besson just said create something fresh. This villain is a pastiche of so many crazy components. His futuristic hair, complete with plastic half shield, is plain weird; the southern accent and buck teeth look is just the right amount of hillbilly; and the disposition of greed and ambivalence is perfect for a bad guy. When he explains how destruction allows all the little machines that man created to finally have work cleaning up the mess, it's fantastic. The real beauty, though, is that no matter how many strong lead roles are here, the little guys steal scenes as well. Singer Tricky is great as Oldman's "Right Arm" and Mathieu Kassovitz partakes in one of the best scenes in the film when he attempts to mug Willis at his apartment.
Even with all its camp and fun, Besson keeps it all grounded in drama as any fantasy tale does. He has a real vision for aesthetics and has changed his scope often as he goes from film to film. From the mobster/corrupt cop world of New York, to the countryside of war with Joan of Arc, he never pigeonholes himself in a style. I am still holding out hope that his newest, Angel-A, with all its black and white, stylish noir feel, will hit the big screens here in Buffalo. It will be a real shame if the rumors are true and the completion of his children tale, Arthur and the Minimoys, will be the final work by him as a director.
Three hundred years ago, the powerful weapon of the fifth element was
removed from Earth. Three hundred years later and pure evil has stirred
in the far reaches of space and is heading straight for Earth, with
traditional weapons unable to stop it. When the Fifth Element is
returned, the ship is attacked and seemingly lost but scientists are
able to recreate the fifth element and are surprised to find it is a
beautiful young woman, Leeloo. When Leeloo escapes custody she is
helped by ex-army taxi driver Korben Dallas. Korben takes her to the
priest she names, but he finds that everyone wants her for one reason
or another then he finds that both the army and the priest need him
to go on a mission to reclaim the missing four stones and save the
Earth from evil.
I have seen this film several times and will usually come back to it if I find myself in the mood but yet I also find myself thinking of its flaws whenever anyone asks me about it. I can't understand why I do this because I really do enjoy this film even though there is much I sort of dislike about it. The plot is one of the weak points; generally it is quite good as an idea but it has many weak points that make it seem rather silly and overly busy. While this is not enough to really damage the film I know that it has put some people off in some audiences, but for me it was only a minor problem as these rather silly bits were all part of a film that had a great sense of fun running through it. Some of it didn't make much sense and at times I got the feeling that the film had more ideas than it really knew what to do with, but the majority of it worked well. The action is good but you should be prepared for the fact that, like much of the film, it is done with a certain amount of tongue in cheek humour. Suffice to say I never found it dull and it has plenty going on for the majority of the film
Visually is the area where the film is strongest and I could watch it for this alone. The effects are great and are full of imagination as well as looking very impressive. The design work of Dan Weil is very well used and compliments the effects used the film looks lavish and rich all the way through and matches the wonderful costumes from Jean-Paul Gaultier. Of course much of the praise goes to Luc Besson who has managed to pull this together really well to produce an endlessly impressive film, which manages to be a fun and exciting sci-fi.
The casting also backs this idea up and features many performances that are spot on with tongue in cheek performances that match the tone of the film perfectly. Bruce Willis delivers the same, great mocking performance that he tried in Hudson Hawk but here he does it in a film that is better structured and less silly than that one and it works a lot better. He still delivers the goods as an action lead but he puts his tongue just far enough in his cheek so as to be there without hurting the film! I don't want to overdo it (after all he is Bruce Willis!) but I thought he was very well cast here. Oldman is very hammy but this also works as it matches the humour of the piece. Jovovich had a very difficult role and it is easy to laugh at her baby talk etc but I think she made it work well and gave a good performance against the odds. Holm is pretty good and brings humour to his role as well. Tucker, sadly, fails to do the same as these and his overblown performance doesn't even fit well within this film (god knows where it WOULD fit!) and he only succeeds in being shrill and very annoying throughout not all his fault, his character is a wholly unnecessary part of the film. The support cast is roundly good and features a raft of famous faces in minor roles including Lee Evans, Brion James, Tricky, Luke Perry and Kim Chan. Generally the cast seem to be right on the same page as their director and compliment the material and tone perfectly.
Overall this is far from a perfect film and some may find the humour to be at odds with the sci-fi action; but for my money the fact that most of the film backed up this tongue in cheek tone made it all work. Some of the plot has too many ideas or unnecessary elements but most of it is really good and, combined with mostly good performances and stunning designs and effects make for a film that I will watch many times even if I cannot help but see the weaknesses that many others cannot get past.
*** This review may contain spoilers ***
This movie is excellent! Chris Tucker's "Ruby Rhod" makes the film, he
is incredible. I have never seen such controlled mania in a character.
The diva is also another excellent sequence that mixes opera, martial
arts, and rock excellently.
Mila Jovovich as "Leeloo" (Or Leeloo Dallas Multipass, as she calls herself) is excellent as the warriorish fifth element who saves the universe.
The "good" aliens at the beginning of the film and the elements of the film in general bring to mind "Brazil" or "12 monkeys".
Bruce Willis is good at negotiating (inside joke, see the film) his way though the movie.
I highly recommend this film and i guarantee you will be watching it again to see all the little parts that you missed the first time through.
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