In the twenty-third century, the universe is threatened by evil. The only hope for mankind is the Fifth Element, who comes to Earth every five thousand years to protect the humans with four stones of the four elements: fire, water, Earth and air. A Mondoshawan spacecraft is bringing The Fifth Element back to Earth but it is destroyed by the evil Mangalores. However, a team of scientists use the DNA of the remains of the Fifth Element to rebuild the perfect being called Leeloo. She escapes from the laboratory and stumbles upon the taxi driver and former elite commando Major Korben Dallas that helps her to escape from the police. Leeloo tells him that she must meet Father Vito Cornelius to accomplish her mission. Meanwhile, the Evil uses the greedy and cruel Jean-Baptiste Emanuel Zorg and a team of mercenary Mangalores to retrieve the stones and avoid the protection of Leeloo. But the skilled Korben Dallas has fallen in love with Leeloo and decides to help her to retrieve the stones. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Ruby Rhod's name is an inside joke. One of the original lasers used a ruby rod as the core element. See more »
How was it intended that Dallas or someone else would actually acquire the stones if the courier had not been so conveniently killed? Everybody only knew that the diva had the stones in her possession. Nobody was ever informed that the stones were actually inside her body. She even traveled with a chest that acted as a decoy. So, Korben, Zorg, and the Mangalores all expected to simply take the stones and not surgically or forcibly remove them from the diva's body. If there was a way to get the stones into her, there was likely a way to get them out without killing the diva, and the diva's assistant even implies as much to Leeloo, telling her she'll get the stones after the concert. Korben digging them out of the diva's body after she dies was simply an act of necessity given the circumstances. See more »
Most sci-fi films try to break new ground with special effects and visual eye candy, but The Fifth Element created a whole new concept in the genre: the art-action science fiction.
While this film has many flaws, particularly in the flow of the plot, visually, it surpasses most sci-fi films I have ever seen. Not even Planet of the Apes (2001) could compete with this film's cinematography. I firmly believe 1997 was a great year for this concept of film, considering the highly visual Alien Resurrection came out the same year. Hopefully, some of the more modern sci-fi films will encompass some of the visual ideals this film set forth.
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