Neo and the rebel leaders estimate that they have 72 hours until 250,000 probes discover Zion and destroy it and its inhabitants. During this, Neo must decide how he can save Trinity from a dark fate in his dreams.
In the twenty-third century, the universe is threatened by evil. The only hope for mankind is the Fifth Element, who comes to Earth every five thousand years to protect the humans with four stones of the four elements: fire, water, Earth and air. A Mondoshawan spacecraft is bringing The Fifth Element back to Earth but it is destroyed by the evil Mangalores. However, a team of scientists use the DNA of the remains of the Fifth Element to rebuild the perfect being called Leeloo. She escapes from the laboratory and stumbles upon the taxi driver and former elite commando major Korben Dallas that helps her to escape from the police. Leeloo tells him that she must meet Father Vito Cornelius to accomplish her mission. Meanwhile, the Evil uses the greedy and cruel Jean-Baptiste Emanuel Zorg and a team of mercenary Mangalores to retrieve the stones and avoid the protection of Leeloo. But the skilled Korben Dallas has fallen in love with Leeloo and decides to help her to retrieve the stones. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
As Korben and Leeloo approach an intersection in his cab the camera whips forward to reveal to the audience that six police cars are waiting for him ahead. In the far background, behind the police cars, is a chase between a police car and a long black car complete with muzzle flashes to represent gun fire between the two cars. Ever an eye for detail, Luc Besson noticed the embellishment the first time the visual effects shot was reviewed, thought that it was funny and it remains in the final film. See more »
When Korben gets into the cab and he opens the "garage door" you can see a grilled light being held by a crewman's hand. See more »
Most sci-fi films try to break new ground with special effects and visual eye candy, but The Fifth Element created a whole new concept in the genre: the art-action science fiction.
While this film has many flaws, particularly in the flow of the plot, visually, it surpasses most sci-fi films I have ever seen. Not even Planet of the Apes (2001) could compete with this film's cinematography. I firmly believe 1997 was a great year for this concept of film, considering the highly visual Alien Resurrection came out the same year. Hopefully, some of the more modern sci-fi films will encompass some of the visual ideals this film set forth.
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