A member of the English upper class dies, leaving his estate and his business to an American, whom he thinks is his son who was lost as a baby and then found again. An Englishman who thinks... See full summary »
A massive corporate conglomerate, Octopus Inc., run by a shrewd and cruel tycoon named Rod McCain, purchases a UK-based leisure company, and also the failing London Marwood Zoo. To bring more business to the zoo, Octopus hires a new manager, Rollo Lee, who promptly comes up with a way to increase profits-do away with all the animals except for the ferocious ones. This new Fierce Creatures Policy shocks the Marwood zookeepers, led by the unendingly talkative Adrian "Bugsy" Malone. Eventually, Rod McCain's son Vince, along with the up-and-coming business executive Willa Weston, take control of the zoo and revoke the Fierce Creatures Policy. Vince instead comes up with many under-handed and vicious schemes to attract customers-unauthorized celebrity endorsements, shoddy, overpriced zoo merchandise, and using robotic animals instead of real ones. However, Vince is also stealing from the zoo's funds, and when his father finds out, he rears to turn the zoo into a Japanese-owned golf course.... Written by
Josh Martin <email@example.com>
Apart from featuring many of the same cast and crew, the official movie poster from 'Fierce Creatures' carefully mirrors the one from A Fish Called Wanda (1988): Michael Palin stands on the left, Kevin Kline on the right with his legs slightly spread; John Cleese is standing at the back, with Jamie Lee Curtis sitting on a chair in the middle with her right leg over the left, while holding an animal. The four actors are even credited in the same order. See more »
When Willa tells Vince she had an extraordinary experience with the gorilla, we hear her say "yesterday", but she is obviously saying "this morning". See more »
Let me take it out of my system first. There never will be another A Fish Called Wanda. That comedy was one and only, perfect, brilliant, mean, witty, the best film about culture clashes, the best backstabbing comedy, the best - everything. For me, Wanda is a Citizen Kane of the comedy. Period. What makes is outstanding, are the four partners in crime as written by John Cleese and played by Cleese himself, Jamie Lee Curtis, Michael Palin, and Kevin Kline that were simply incredible, and, let's face it, despite being criminals and back-stabbers, you would love them all. I know I did.
When Fierce Creatures was released 12 years ago, I ran to see it and I was bitterly disappointed. I expected Wanda, Part 2 - which is impossible because ...see the first paragraph. Last night I caught FC on TV and I have to admit that it IS a good and funny film. It knows that it is a follow up to A Fish Called Wanda. It references to the perfect predecessor, makes you laugh, and lets you meet again with the fabulous four and many supporting players from Wanda. Fierce Creatures has gained Cult Status with years, and I am now a part of its following. The script was written by John Cleese and the plot is convoluted and silly at the same time. The best, the funniest moments play off mistaken assuming that John Cleese's character Rollo, ex-cop appointed the London Marwood Zoo Director, is a sexy beast for whom one woman is not enough. The scenes between Cleese (Rollo Lee) and Willa Weston, an American business-woman (Jamie Lee Curtis) are the funniest. The weakest links in the movie are IMO Michael Palin who unlike his character Ken in AFCW can talk and he just would never shut up. His character became boring and annoying very soon. The same sadly should be said about Kevin Kline playing two roles, the Australian billionaire Ron McClain, ruthless, obnoxious, and vulgar, and his weakling loser son Vince whom his father despises. Needless to say there is not much love lost between an arrogant father and his estranged son. The film has so many hilarious jokes and witty references not only to A Fish Called Wanda but to Monty Python series that by the time of the conclusion, I had enough fun and laughs to tolerate and forgive the loud and messy final act.
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