This movie is foremost distinguished by the use of a subjective camera, and nearly 100 % of the time consists of close-up of the young girl's face. She is capable of changing her facial ... See full summary »
Although barely 30, Claire believes she is showing the first symptoms of Alzheimer's disease, a condition from which her mother has recently died. Her sister, Nathalie, is certain that her ... See full summary »
Bernard Le Coq
In the town of Thiers, summer of 1976, teachers and parents give their children skills, love, and attention. A teacher has his first child, a single mother hopes to meet Mr. Right, another ... See full summary »
Such an inconsequential event - the unfortunate purchase of a package of cling film - reveals the character and behavior of a small group of individuals caught up in the chaos of today's society. Though it creates arguments and inner questioning, this event - and its various consequences - also creates bonds.
They recount their impressions to the Interviewer. They met through a magazine ad, She and He. They corresponded through the Internet. He responded to her ad seeking someone to fulfil her ... See full summary »
This movie is foremost distinguished by the use of a subjective camera, and nearly 100 % of the time consists of close-up of the young girl's face. She is capable of changing her facial mimic so much that she never looks artificial or inappropriate. 39-year-old François meets 22-year-old Muriel, who is a virgin. Several times he invites her to fine restaurants. She agrees that on a certain day they will meet at a hotel and he will see her naked. He promises not to sleep with her at that occasion. He does not keep his promise. She is happy that he didn't. Both continue to be eager for sex. While waiting for the first dish on a luxury restaurant she goes to the men's room and dresses starch naked, while he follows after a few minutes. However, she eventually gets a young boyfriend. She tells him everything. He calls François's wife, who immediately demands a divorce. When François and Muriel meet accidentally in the street, it becomes clear that she feels neither any intent to harm him,... Written by
Max Scharnberg, Stockholm, Sweden
A beautiful picture. Official selection Cannes 1997. Nomination at the CESAR and Prix Romy Schneider for Isabelle Carré. 100% of joy. François is 39, married and a child. Lives confortably. Muriel is 22, single and free. They meet casually and the man tries to seduce the girl. What happens now is common place in an adultery. But the way Philippe Harel presents the story is unique. The dialogue and, most of all, the beautiful face of Isabelle casts a spell over us, the viewers. As a matter of fact we don't see anybody else than the young girl, not even her lover. All which is out of Muriel's feelings is left aside and, in his way to explore the intimacy of the human beeing, without unkindness nor complaisance, Harel reinvented the strategy of seduction, like it used to be 200 years ago, but introducing the erotism which was then concealed. I couldn't help thinking in the masterpiece of Paul Geraldy in 1913 " TOI et MOI" ( You and Me), a pure marvel.
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