Joe's a car salesman with a problem. He has two days to sell 12 cars or he loses his job. This would be a difficult task at the best of times but Joe has to contend with his girlfriends (... See full summary »
In 1944 Poland, a Jewish shop keeper named Jakob is summoned to ghetto headquarters after being caught out near curfew. While waiting for the German Kommondant, Jakob overhears a German ... See full summary »
Hannah Taylor Gordon,
In the midst of his crumbling relationship, a radio show host begins speaking to his biggest fan, a young boy, via the telephone. But when questions about the boy's identity come up, the host's life is thrown into chaos.
Jack Lawrence is a smart aleck lawyer who is one day visited by an ex-girlfriend who tells him her kid was his. Enter Dale Putley, a depressed goofball who is also a writer, meets with the same ex-girlfriend who tells him her kid is his. One day Jack and Dale meet and discover what had happened: they've been told the same story and now there's a question of who the real father is. They learn their son is following a rock band called Sugar Ray around. So Jack and Dale hit the road to Sacramento and find their drunk, love-struck son. Soon after they bring him back to their hotel room, their son escapes and Jack and Dale must use teamwork to find him again, bring him home, and find out which one of them is the real father. Written by
Dylan Self <Robocoptng986127@aol.com>
Before appearing in this film, Robin Williams and Billy Crystal were already a well-known comedy duo, thanks to their work on HBO's Comic Relief. The original French film, on which this is based, The ComDads (1983), also features a well-known comedy team: Pierre Richard and Gérard Depardieu. Just the previous year, Williams and Crystal had appeared (though they shared no scenes) in Hamlet (1996), which also featured Depardieu. See more »
When Dale and Jack are driving slowly over the bridge, an overhead shot shows a minivan behind them in the slow lane. When the camera shot changes to inside the car, a sedan is behind them. See more »
For a movie that stars Robin Williams and Billy Crystal, you'd automatically expect this film to be laugh out loud funny, but instead, what you get is a contrived cliche after cliche film that never actually goes anywhere. The jokes really don't add up anywhere because the humor is stale. Ivan Reitman's a good director but it seems he's got to pick up better scripts. "Father's Day" suffers unnecessary length and a script that seems to dwell a little too much on dull.
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