Henry Roth is a man afraid of commitment up until he meets the beautiful Lucy. They hit it off and Henry think he's finally found the girl of his dreams, until he discovers she has short-term memory loss and forgets him the very next day.
A rich businessman, Dylan McDermott, mistakenly believes that Matthew Perry, who is bidding on a $90 million restoration contract, is gay and asks him to keep tabs on his mistress, Neve ... See full summary »
After a single, career-minded woman is left on her own to give to birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile the point-of-view of the newborn boy is narrated through voice over.
Jack Lawrence is a smart allec lawyer who is one day visited by an ex-girlfriend who tells him her kid was his. Enter Dale Putley, a depressed goofball who is also a writer, meets with the same ex-girlfriend who tells him her kid is his. One day Jack and Dale meet and discover what had happened: they've been told the same story and now there's a question of who the real father is. They learn their son is following a rock band called Sugar Ray around. So Jack and Dale hit the road to Sacremento and find their drunk, lovestruck son. Soon after they bring him back to their hotel room, their son escapes and Jack and Dale must use teamwork to find him again, bring him home, and find out which one of them is the real father. Written by
Dylan Self <Robocoptng986127@aol.com>
Towards the end, when Jack and Dale are looking through the album of baby pictures, Dale says, "I want that one," and begins removing the plastic sheet covering a 5x7-ish portrait with a blue background. Jack slaps his hand and says, "You can't do that." When they turn the page, the photo has changed to a mostly red, full-page sized image. See more »
Sure it could've been better, but it's still an enjoyable film
When you put together the talents of Robin Williams and Billy Crystal, you bet your life people are gonna expect big things. I myself expected big things. The movie doesn't deliver on all levels. There are some badly written gags and lame dialogue ("He's having some problems with his testicles"). But throughout 80 % of the movie I was entertained and got a fair share of laughs. Naturally, Billy and Robin have incredible chemistry and I'm sure a lot of their stuff was ad-libbed. They just could've used a better script. Lowell Ganz and Babaloo Mandel wrote the great comedy "Mr. Saturday Night," so I did expect better from them. The two guys don't always seem secure with the material, and rightfully so, like with that lame running gag about "the whirl."
Nevertheless, "Fathers' Day" is a delightful comedy and it definitely has its moments. Some won't be as satisfied as others, but I myself was satisfied.
My score: 7 (out of 10)
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