Henry Roth is a man afraid of commitment up until he meets the beautiful Lucy. They hit it off and Henry think he's finally found the girl of his dreams, until he discovers she has short-term memory loss and forgets him the very next day.
After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile the point-of-view of the newborn boy is narrated through voice over.
Jack Lawrence is a smart aleck lawyer who is one day visited by an ex-girlfriend who tells him her kid was his. Enter Dale Putley, a depressed goofball who is also a writer, meets with the same ex-girlfriend who tells him her kid is his. One day Jack and Dale meet and discover what had happened: they've been told the same story and now there's a question of who the real father is. They learn their son is following a rock band called Sugar Ray around. So Jack and Dale hit the road to Sacramento and find their drunk, love-struck son. Soon after they bring him back to their hotel room, their son escapes and Jack and Dale must use teamwork to find him again, bring him home, and find out which one of them is the real father. Written by
Dylan Self <Robocoptng986127@aol.com>
For a movie that stars Robin Williams and Billy Crystal, you'd automatically expect this film to be laugh out loud funny, but instead, what you get is a contrived cliche after cliche film that never actually goes anywhere. The jokes really don't add up anywhere because the humor is stale. Ivan Reitman's a good director but it seems he's got to pick up better scripts. "Father's Day" suffers unnecessary length and a script that seems to dwell a little too much on dull.
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