Henry Roth is a man afraid of commitment up until he meets the beautiful Lucy. They hit it off and Henry think he's finally found the girl of his dreams, until he discovers she has short-term memory loss and forgets him the very next day.
After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile the point-of-view of the newborn boy is narrated through voice over.
Jack Lawrence is a smart aleck lawyer who is one day visited by an ex-girlfriend who tells him her kid was his. Enter Dale Putley, a depressed goofball who is also a writer, meets with the same ex-girlfriend who tells him her kid is his. One day Jack and Dale meet and discover what had happened: they've been told the same story and now there's a question of who the real father is. They learn their son is following a rock band called Sugar Ray around. So Jack and Dale hit the road to Sacramento and find their drunk, love-struck son. Soon after they bring him back to their hotel room, their son escapes and Jack and Dale must use teamwork to find him again, bring him home, and find out which one of them is the real father. Written by
Dylan Self <Robocoptng986127@aol.com>
Some of Crystal and Williams' character dynamics were inspired by their HBO Comic Relief performances (with Whoopi Goldberg) of the late 1980s. See more »
Characters are shown supposedly leaving San Francisco for Tiburon, driving on the upper deck of the Bay Bridge - which only leads towards San Francisco. Additionally, the logical path to take to Tiburon would involve the Golden Gate, not the Bay Bridge. See more »
Very flat and predictable story. Robin and Crystal do make an ideal on-screen duo. Too bad they chose this script to do it. They can't save this mess. There are some very funny parts, but it's overshadowed by a poor story. It seems like those two and Julia Dreyfuss are the only ones making an effort. Charlie Hofheimer was very annoying and the rest of the characters looked liked they'd rather be in another film.
A supposed big laugh was intended when Bruce Greenwood's character stepped into a Port-o-san, a truck backs into it, and it falls over into a ditch, implying that the interior is now flooded with human excrement, with him stuck inside. I have no aversion to gross-out toilet humor, but that is just not funny. From there the movie goes from going downhill (no pun intended) to a flat-out nosedive. I don't think I even lasted to the end.
I can only hope that these two immensely talented actors will try to work another film together, but please choose something a little less insulting. Normally this would score a four, but Crystal and Williams bump it up to a 5/10.
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