A young British girl born and raised in India loses her neglectful parents in an earthquake. She is returned to England to live at her uncle's estate. Her uncle is very distant due to the ... See full summary »
10-year-old Fiona is sent to live with her grandparents in a small fishing village in Donegal, Ireland. She soon learns the local legend that an ancestor of hers married a Selkie - a seal ... See full summary »
In this adaptation of Hans Christian Andersen's longest story, the beautiful Snow Queen has captured two children and now keeps them apart. She has inserted a sliver of her own special ice ... See full summary »
When a spoiled English girl living in 19th century India loses both parents in a cholera epidemic, she is sent back to England to live in a country mansion. The lord is a strange old man-- ... See full summary »
The first wedding anniversary of Princess Odette and Prince Derek is distracted by field fires set by Knuckles. His master Clavius, wants to conquer the world, and he needs to capture a ... See full summary »
Mickey is looking after the orphans. He tells them the story of Gulliver (with Mickey in that role) in Lilliput, though without the satire and bawdy bits. The story ends with Mickey fighting a giant spider, about twice his size.
Based on factual accounts, this is the story of two young girls that, somehow, have the ability to take pictures of winged beings... which certainly causes quite a stir throughout England during the time of the first World War. Everyone, except the girls who think it's quite normal, are excited about this "photographic proof" that fairies exist... even the great Sir Arthur Conan Doyle and Harry Houdini pay the girls a visit. Written by
BOB STEBBINS <firstname.lastname@example.org>
See the Conquering Hero Comes
from "Judas Maccabeus"
Composed by George Frideric Handel (as Georg Friedrich Händel)
Arranged by Christopher Blood
Performed by the combined brass ensembles of St. Peter's & St. Oliver's Schools, York See more »
Based on a famous "Cottingley fairies" hoax perpetrated by two English girls during World War I in 1917, "FairyTale: A True Story" presents alternate views of reality to suggest that, like the view of Aborigines, dreams are as real as conscious reality. If you take the special effects fairies too literally in this film, you will miss the point. The film plays a trick on you, just as the original incident played a trick on Sir Arthur Conan Doyle in 1917. Houdini, as played by Harvey Keitel, gets the point. Although he's one to debunk mystics who defraud the gullible, he too trades on people's need to believe in magic. The girls' deception is also a sort of benign fraud. As any magician, they should never reveal their "secret." The film invites comparisons to the famous French classic, "Forbidden Games" in which children construct an elaborate fantasy world as a way of coping with the reality of war. Here too, the girls use fairies to fill the void in their lives left by their father, who has gone "missing" on the front in France. "I know what they mean by 'missing,'" says one of the sisters, conscious of reality but hoping to "believe" in the unlikely event of his return. This is not a kiddie film, but a langorous period piece on the nature of belief and faith in the face of empirical skepticism. The film reinforces its theme with beautiful details, as at the end when the father says he smells the perfume which isn't there, or in the ghostly intrusion of a dead brother that changes the mind of a skeptical reporter. Even the final sequence, involving fairies, is so charming it steers clear of cynical manipulation. Although there are moments when the plot seems to become arbitrary or plodding, it's all tied up neatly and beautifully in a magical finale. I'd hesitate to call this a classic, but it is a worthwhile "sleeper." Just bring an open mind and heart.
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