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The performances, this is it, folks. We have two of the finest and very popular actors: John Travolta and Nicholas Cage. These two are amazing, to transfer back and forth. John had to go from this kind, loving, and very sensitive man to a looney, cold-blooded, heartless maniac. Nicholas went from being the scary and perverted psycho to a helpless and struggling man trapped in this killer's body. My kudos to Nicholas, that was a tough performance to capture. I felt his pain, no one would believe that he was Sean Archer, who would after all? His body has been kidnapped from Castor Troy who is now playing around with his job, his daughter, and his wife. I felt so scarred for him, because I cannot imagine in a million years what that must feel like, the isolation, the abuse, and the feeling of utter helplessness. In my opinion, these are one of the best performances in 1997. The supporting cast of: Joan Allen, Gina Gershon, and Alessandro Nivola add so much, you get into the film entirely.
This is a very scary movie. This is identity theft gone terribly wrong and beyond any borders. I loved this movie and any other film fanatic will definitely enjoy it as well. It has great action, drama, romance, and dark comedy that bring together a terrific film.
Nicholas Cage is one of my favorite actors and this was coming on TV last night and I decided to see it as it had been close to a decade the last time I saw it and I didn't remember anything. Some of my friends told me that Cage could have played the Joker in Batman, if this performance was anything to go by and provided he still looked like it (he is not this good looking now). I completely agree with them on this. The level of insanity and brilliance produced by Nicholas Cage in this movie is simply mind-blowing for its time. I mean, the Joker was not the standard bar for maniac characters on screen at the time this movie was made and Cage made Troy such a chilling presence. Even as Shaun, Cage was perfect. John Travolta (this is my second Travolta movie after 'The Taking Of Pelham 123' last year) couldn't carry out Troy's maniac part very convincingly (or I should say, as convincingly as Cage), except in the climax with Shaun's daughter. But, he was perfect as Shaun. I thought that Troy was beginning to have good feelings for the daughter, while he was teaching her how to defend herself and was trying to look at life from a fresh perspective. But, that was blown out of the window and I found out that he never had any sort of feelings for anybody but himself and his brother. Joan Allen as Shaun's wife, Eve was fine in her short role. Pollux Troy also was very convincing as the nerdy and somewhat maniac brother of Castor Troy.
Though the premise of the story is too far-fetched and the shoot-out between the main protagonists, whenever they meet, is insanely non-stop throughout the movie, it still entertains because of the powerhouse performance by Nicholas Cage and very credible acting from John Travolta. I hated the fact that most of the action scenes were made just to satisfy the fans, the climax was half an hour for god's sake. With this concept and these incredible actors, Face/Off's acting and dramatic scenes were so good that it would still be a great film without the shoot outs.
Aspect ratio: 2.39:1 (Panavision)
Sound formats: Dolby Digital / DTS
This magnificent thriller represents director John Woo's triumphant return to the kind of hyperkinetic, emotionally charged film-making which made him such a hot property in the first place. Following the artistic bankruptcy of his first two Hollywood projects, this one is a marriage of high-octane movie-making and mind-twisting narrative complexities. It's also one of the few American action movies which manages to strike a balance between crowd-pleasing set-pieces and domestic interludes, and renders them equally important. John Travolta and Nicolas Cage are perfectly matched as hero/villain (and vice versa!), whilst heavyweight theatre actress Joan Allen provides the narrative with much of its dramatic backbone in the role of Travolta's wife (the scene in which she is first confronted with her husband in Cage's body is almost identical to a similar scene in Terence Fisher's FRANKENSTEIN MUST BE DESTROYED ).
Technically, the film is a blast, and Woo stages the action highlights with a visual grace and dexterity that is often breathtaking to behold. The climactic speedboat battle is probably the finest set-piece of Woo's career to date, and the script is overflowing with visual and thematic ironies that underscore the action highlights. In fact, the production has arguably more dramatic resonance than any other Hollywood blockbuster of the 1990s, but the dictates of American commercialism mean that Woo is only able to skate over the emotional surface of his characters and their moral dilemmas. The two main protagonists are much too cold and heartless to fully engage the audience's sympathies, and there's nothing here that matches the scorching human drama of, say, BULLET IN THE HEAD (1990). But for all that, FACE/OFF dares to go deeper than your average Hollywood action picture. It's clever, witty and thrilling, and it manages to accomplish the difficult task of feeding the brain whilst entertaining the eye.
Nicolas Cage and John Travolta are phenomenal in their dual roles each. The rest of the cast isn't very deep and is more filler than anything else. The editing job feels underdone, particularly when the action sequences get to the "overcooked" staged. Still, how many speedboat chases or airplane crashes are you going to see in a slow-motion?
Overall, a summer action movie that delivers in acting, directing, and most other departments. 4 out of 5 stars.
Then there's the action. There are like three scenes where bad-John Travolta is in a 20 x 20 room with good-Nicholas Cage and both fail to shoot the other even with automatic weapons, yet John can kill 4 cops while simultaneously driving a high-speed boat. I understand that the good guy has to make it to the end, but the shootouts are so poorly coordinated that it's hard to believe a cross-eyed kid in a wheelchair could have fired as much as our two stars and failed to hit someone, especially when the squibs go off directly behind the person being shot at. The end seals the ridiculous deal: after missing with about 1000 gun shots, good-Cage finally finishes off his foe with the second of 2 harpoon guns that happened to be on a private leisure boat(why?), but only after John exerts about 500lbs of force with his hand on the gun's springs and staves off death for another few seconds. In conclusion, this movie is a bunch of cliché action that is too ludicrous to be entertaining. Don't waste your time with this or any other John Woo movie unless you enjoy seeing people not get shot and plenty of doves flying.