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Face/Off (1997)

R  |   |  Action, Crime, Sci-Fi  |  27 June 1997 (USA)
7.3
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Ratings: 7.3/10 from 259,462 users   Metascore: 82/100
Reviews: 525 user | 154 critic | 25 from Metacritic.com

To foil an extortion plot, an FBI agent undergoes a face-transplant surgery and assumes the identity of a ruthless terrorist. But the plan backfires when the same criminal impersonates the cop with the same method.

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Title: Face/Off (1997)

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Nominated for 1 Oscar. Another 11 wins & 21 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Victor Lazarro
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Prison Guard Walton
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Hollis Miller
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Buzz (as Jamie Denton)
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Loomis
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Storyline

Sean Archer, a very tough, rugged FBI Agent. Who is still grieving for his dead son Michael. Archer believes that his son's killer is his sworn enemy, a very powerful criminal, Castor Troy. One day, Archer has finally cornered Castor, however, their fight has knocked out Troy cold. As Archer finally breathes easy over the capture of his enemy, he finds out that Troy has planted a bomb that will destroy the entire city of Los Angeles and all of its inhabitants. Unfortunately the only other person who knows its location is Castor's brother Pollux, and he refuses to talk. The solution, a special operation doctor that can cut off people's faces, and can place a person's face onto another person. Archer undergoes one of those surgeries to talk to Pollux. However, Castor Troy somehow regains consciousness and now wants revenge on Archer for taking his face. Not only is Troy ruining Archer's mission, but his personal life as well. Archer must stop Troy again. This time, it's personal. Written by John Wiggins

Plot Summary | Plot Synopsis

Taglines:

In order to trap him, he must become him. [DVD] See more »


Motion Picture Rating (MPAA)

Rated R for intense sequences of strong violence, and for strong language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

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Release Date:

27 June 1997 (USA)  »

Also Known As:

Face Off  »

Box Office

Budget:

$80,000,000 (estimated)

Opening Weekend:

$23,387,530 (USA) (27 June 1997)

Gross:

£6,163,073 (UK) (2 January 1998)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Mark Wahlberg turned down the role of Pollux Troy. See more »

Goofs

(at around 44 mins) When Archer (as Troy) is fighting with Dubov in prison, he hits him several times with the metal tray. Before Archer hits Dubov, he is hitting him like a left-handed baseball player, but after impact the camera switches angles and he continues through the hit as a right-handed baseball player. See more »

Quotes

Castor Troy: Sasha, what the *fuck*... are you doing here?
See more »

Connections

Referenced in Nip/Tuck: Hannah Tedesco (2005) See more »

Soundtracks

Christiansands
By Adrian Thaws, Douglas L. Davis & Richard M. Walters
Performed by Tricky
Courtesy of Island Records Limited
By Arrangement with PolyGram Film & TV Licensing
Contains sample of "La Di Da Di"
By Douglas L. Davis & Richard M. Walters
Performed by Doug E. Fresh & The Get Fresh Crew
Courtesy of Danya Records Ltd.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Woo's US breakthrough: A triumph!
26 January 2000 | by See all my reviews

FACE/OFF

Aspect ratio: 2.39:1 (Panavision)

Sound formats: Dolby Digital / DTS

This magnificent thriller represents director John Woo's triumphant return to the kind of hyperkinetic, emotionally charged film-making which made him such a hot property in the first place. Following the artistic bankruptcy of his first two Hollywood projects, this one is a marriage of high-octane movie-making and mind-twisting narrative complexities. It's also one of the few American action movies which manages to strike a balance between crowd-pleasing set-pieces and domestic interludes, and renders them equally important. John Travolta and Nicolas Cage are perfectly matched as hero/villain (and vice versa!), whilst heavyweight theatre actress Joan Allen provides the narrative with much of its dramatic backbone in the role of Travolta's wife (the scene in which she is first confronted with her husband in Cage's body is almost identical to a similar scene in Terence Fisher's FRANKENSTEIN MUST BE DESTROYED [1969]).

Technically, the film is a blast, and Woo stages the action highlights with a visual grace and dexterity that is often breathtaking to behold. The climactic speedboat battle is probably the finest set-piece of Woo's career to date, and the script is overflowing with visual and thematic ironies that underscore the action highlights. In fact, the production has arguably more dramatic resonance than any other Hollywood blockbuster of the 1990s, but the dictates of American commercialism mean that Woo is only able to skate over the emotional surface of his characters and their moral dilemmas. The two main protagonists are much too cold and heartless to fully engage the audience's sympathies, and there's nothing here that matches the scorching human drama of, say, BULLET IN THE HEAD (1990). But for all that, FACE/OFF dares to go deeper than your average Hollywood action picture. It's clever, witty and thrilling, and it manages to accomplish the difficult task of feeding the brain whilst entertaining the eye.


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Castor Troy, the ultimate liberal freedom fighter cavitycaulk
THEY SHOULD TOTALLY MAKE A SEQUEL TO THIS!!! lalPOOO
The thing(s) that bothered me most... IamBustakap
Similar movies? piggoli-imdb
So Sean Archer win Time Magazine's Man of the Year? Seagalogist
"Or your body"??? richo-rosai
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