Ray is an aging ex-socialist who has become a bankrobber after seeing the demise of socialism in 1980s Britain. Teaming up with a gang of other has-beenish crims, he commits one bank job ... See full summary »

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Cast

Cast overview, first billed only:
...
Ray
...
Dave
Steve Sweeney ...
Weasel
Gerry Conlon ...
Vince
Leon Black ...
Robbie
David Boateng ...
Lionel
...
Connie
Eddie Nestor ...
Pearse
...
Stevie
Christine Tremarco ...
Sarah
...
Chris
...
Alice
...
Jason
...
Julian (as Philip Davis)
Hazel Douglas ...
Linda
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Storyline

Ray is an aging ex-socialist who has become a bankrobber after seeing the demise of socialism in 1980s Britain. Teaming up with a gang of other has-beenish crims, he commits one bank job too many. The gang dissolves in a murderous flurry of recriminations. Written by <sethj@johnbrown.co.uk>

Plot Summary | Add Synopsis

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The blag to kill for. Only one of them meant it for real.

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong violence and language | See all certifications »

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Release Date:

26 September 1997 (UK)  »

Also Known As:

Caras conocidas  »

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1.85 : 1
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Did You Know?

Trivia

The character Vince, who at the start of the film is the drug dealer robbed by Ray and Dave, is played by Gerry Conlon (b 1 March 1954; d 21 June 2014) who - in real life - was one of the 'Guildford Four' wrongly convicted of the 1974 IRA bombing of two pubs in the English town of Guildford.

Gerry Conlon spent more than a decade in prison before the convictions of all of the four were overturned and they were released. His experience is portrayed in the film 'In the Name of the Father', where he himself was played by Daniel Day-Lewis. See more »

Connections

Featured in Venice Report (1997) See more »

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User Reviews

 
great acting, not convinced of other elements
25 August 2000 | by (San Jose, CA) – See all my reviews

This is one of those unusual films where the actors all did their parts quite well and convincingly, however, the film itself seemed to be lacking something. I am sorry to say that part of the issue is with the editing.

I don't mind edits that tend to jump between past and present, but there just wasn't enough to demonstrate why Ray the alleged former socilist had turned to a life of crime. Therefore the jump-cut references fail to make the connection between his memory of a fateful protest in his youth and the man he was today.

The acting was brilliant, and each artist did a superb job, which is why I give it a 7. You could see that perhaps the writer had intended a more meaningful story, but some of it must have ended up on the cutting room floor.


5 of 9 people found this review helpful.  Was this review helpful to you?

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