The story is set in 1962 Louisiana. The Batiste family is headed by charming doctor Louis. Though he is married to beautiful Roz, he has a weakness for attractive female patients. One night... See full summary »
Born in St. Louis, Missouri, Josephine Baker was born poor, but achieved fame and fortune through her sizzlingly exotic and erotic performances. Starting life on the American Vaudeville ... See full summary »
Langston Whitfield is a Washington Post journalist. His editor provocatively sends him to South Africa to cover the Truth and Reconciliation Commission hearings, in which the perpetrators ... See full summary »
Samuel L. Jackson,
Fun-loving Bobby is a mail boy in a big firm, but he has a trump card, his best friend Waymon, a "white" African-American who is almost a partner in the firm. They make a deal: Waymon will ... See full summary »
Joseph C. Phillips,
When the champ's promoter, Rev. Sultan, decides something new is needed to boost the marketability of the boxing matches, he searches and finds the only man to ever beat the champ. The ... See full summary »
Samuel L. Jackson,
Michael (or Fresh as he's well known) is a 12-year-old drug pusher who lives in a crowded housing project with his cousins and aunt. His father has become a street bum, but still meets with... See full summary »
Samuel L. Jackson
The story is set in 1962 Louisiana. The Batiste family is headed by charming doctor Louis. Though he is married to beautiful Roz, he has a weakness for attractive female patients. One night Louis trysts with married and sexy Metty Mereaux, not knowing that he is observed by his youngest daughter Eve, who is there by accident. Eve can not forget the traumatic incident and shares a secret with older sister Cisely. Lies start to roll... Written by
According to Kasi Lemmons her cut differed severely from the final cut released in theatres which eliminated an entire major character from final version of the movie. See more »
Julian Grayraven walks out of a heavy rain storm onto Mozelle's porch. As Grayraven removes his hat when Mozelle opens the door, we see a tiny drop of rain fall from the hat. When we next see the hat, it's dripping rain profusely from a hatrack. See more »
Memory is a selection of images, some elusive, others imprinted indelibly on the brain. The summer I killed my father I was 10 years old. My brother Poe was 9, and my sister Cisely has just turned 14.
The town we lived in was named after a slave. It was said that when General John Paul Batiste was stricken with cholera, his life was saved by the powerful medicine of an African slave woman called Eve. In return for his life, he freed her, and gave her this piece of land by the Bayou...
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"MEMORY IS A SELECTION OF IMAGES, SOME ELUSIVE, OTHERS PRINTED INDELIBLY ON THE BRAIN. THE SUMMER I KILLED MY FATHER, I WAS 10 YEARS OLD"
With those shocking opening frames from the movie, 'Eve's Bayou'(1997), I was hooked from start go.
'Eve's Bayou' is an anomaly. It has achieved a rare distinction of excellence in all departments of film making; from the direction to the writing, from the acting to the cinematography.
Here was a film not content with telling a tale of nostalgic retrospection. Instead, it shocked the senses of the unsuspecting viewers with an eerie collage of imagery, underscoring the chilling suspense with an undercurrent of tumultuous emotion (jealousy, loss and sadness; anger, vengeance and guilt) all culminating into the inevitable foreshadowed tragedy.
But of course, this is far too distinguished a film to present an easy resolution. From there spring forth the painful revelation on the very essence of memory and the perception of truth, distilled and faceted with the passage of time. A valuable lesson indeed.
Poetic and shadowy, the dream-like moods sustained throughout this poignant film is its over-riding strength. For here was a film which sights and sound has transcended the mere plot convention of its humble genre origins. Thankfully, the film turned out the better for it. Coupled with the celebrated fact that this was the product of a first time director(Kasi Lemmons), one can't help but feel the divine intervention bestowed upon this film to make it such an magically entrancing experience.
Alongside 'Shawshank Redemption' and 'The Sweet Hereafter', 'Eve's Bayou' certainly ranks as one of the most hauntingly beautiful piece of cinema ever committed to film.
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