In the opulent St. Petersburg of the Empire period, Eugene Onegin is a jaded but dashing aristocrat - a man often lacking in empathy, who suffers from restlessness, melancholy and, finally,... See full summary »
In mid-1800's England, Oscar is a young Anglican priest, a misfit and an outcast, but with the soul of an angel. As a boy, even though from a strict Pentecostal family, he felt God told him... See full summary »
Set in 1930s Shanghai, where a blind American diplomat develops a curious relationship with a young Russian refugee who works odd -- and sometimes illicit -- jobs to support members of her dead husband's aristocratic family.
On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. ... See full summary »
Martha Fiennes screenplay "Mata Hari" represents the factual story not the mythological version of many inadequate and fabled stories about her life. Mata Hari, the ultimate femme fatal, was shot and killed by a firing squad October 1917.
In the opulent St. Petersburg of the Empire period, Eugene Onegin is a jaded but dashing aristocrat - a man often lacking in empathy, who suffers from restlessness, melancholy and, finally, regret. Through his best friend Lensky, Onegin is introduced to the young Tatiana. A passionate and virtuous girl, she soon falls hopelessly under the spell of the aloof newcomer and professes her love for him. Written by
Dawn M. Barclift
The song played at Tatiana's Naming Day feast - "On the Hills of Manchuria" - could not be played there, as the movie is set in the first half of the 19th century, and the song was written only in 1906 (and named after tragic events of the Russian-Japanese war of 1904-1905 years). See more »
Any film that opens with a carriage on runners being pulled through the snow has got to try really hard to fail. My wife and I spent the whole of this film entranced by the scenery, the exquisitely detailed sets and costumes, superb performances by all of the cast with a refreshingly thoughtful and adult dialogue and several surprising twists in the story. Liv Tyler delivered the most sensual performance I have seen in a film for quite a few years proving that you don't have to be naked and sweaty to stimulate an audience! I have not read the original story but I think this film may do for russian novelists what the recent spate of period dramas have done for Shakespeare and Jane Austen. The pacing of the film is slow and salubrious but definitely not plodding (sic. Angela's Ashes) You will be left wanting more but any more would spoil the plot. Don't miss it. Full marks.
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