In the opulent St. Petersburg of the Empire period, Eugene Onegin is a jaded but dashing aristocrat - a man often lacking in empathy, who suffers from restlessness, melancholy and, finally,... See full summary »
In mid-1800's England, Oscar is a young Anglican priest, a misfit and an outcast, but with the soul of an angel. As a boy, even though from a strict Pentecostal family, he felt God told him... See full summary »
Set in 1930s Shanghai, where a blind American diplomat develops a curious relationship with a young Russian refugee who works odd -- and sometimes illicit -- jobs to support members of her dead husband's aristocratic family.
On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. ... See full summary »
Martha Fiennes screenplay "Mata Hari" represents the factual story not the mythological version of many inadequate and fabled stories about her life. Mata Hari, the ultimate femme fatal, was shot and killed by a firing squad October 1917.
In the opulent St. Petersburg of the Empire period, Eugene Onegin is a jaded but dashing aristocrat - a man often lacking in empathy, who suffers from restlessness, melancholy and, finally, regret. Through his best friend Lensky, Onegin is introduced to the young Tatiana. A passionate and virtuous girl, she soon falls hopelessly under the spell of the aloof newcomer and professes her love for him. Written by
Dawn M. Barclift
The song played at Tatiana's Naming Day feast - "On the Hills of Manchuria" - could not be played there, as the movie is set in the first half of the 19th century, and the song was written only in 1906 (and named after tragic events of the Russian-Japanese war of 1904-1905 years). See more »
Although I saw this film several months ago, its images and characters remain vividly with me. Martha Fiennes, as a first time feature director, certainly understands the visual medium she is dealing with. The scenes of snow and mist over water, are a significant contrast to the sumptuous indoor scenes, as though nature itself reflects what lies in the human heart...that all the wealth and lavishness created by man cannot assuage. Ms Fiennes very wisely saw this verse play as a vehicle for her talented brother, Ralph. His ability to portray a brooding, alienated...yet passionate man is extraordinary, in my opinion. Although Liv Tyler is very beautiful and was a knock-out in that red ball dress, I wasn't as convinced by her performance as others who have posted here. I would have preferred an English actress, Polly Walker, perhaps. In any case, I loved this film and have every intention of seeing it again.
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