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Onegin (1999)

 -  Drama | Romance  -  19 November 1999 (UK)
6.8
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Ratings: 6.8/10 from 5,485 users   Metascore: 59/100
Reviews: 66 user | 30 critic | 21 from Metacritic.com

In the opulent St. Petersburg of the Empire period, Eugene Onegin is a jaded but dashing aristocrat - a man often lacking in empathy, who suffers from restlessness, melancholy and, finally,... See full summary »

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Title: Onegin (1999)

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Cast

Cast overview, first billed only:
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Irene Worth ...
Gwenllian Davies ...
Margery Withers ...
Geoffrey McGivern ...
Andrey Petrovitch (as Geoff McGivern)
Tim McMullan ...
Dandy 1
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Dandy 2
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Storyline

In the opulent St. Petersburg of the Empire period, Eugene Onegin is a jaded but dashing aristocrat - a man often lacking in empathy, who suffers from restlessness, melancholy and, finally, regret. Through his best friend Lensky, Onegin is introduced to the young Tatiana. A passionate and virtuous girl, she soon falls hopelessly under the spell of the aloof newcomer and professes her love for him. Written by Dawn M. Barclift

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for brief violence and a sexual image | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

19 November 1999 (UK)  »

Also Known As:

Anyegin  »

Box Office

Budget:

$14,000,000 (estimated)

Opening Weekend:

$8,855 (USA) (17 December 1999)

Gross:

$183,821 (USA) (31 March 2000)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Martha Fiennes, the director, Ralph Fiennes, the star and executive director, and Magnus Fiennes, the composer, are all siblings. Additionally, another sister, Sophie Fiennes, Martha's husband, George Tiffin, Ralph's partner, Francesca Annis, and Magnus' wife Maya Fiennes, were all involved in the film. See more »

Goofs

Ortodox Tatiana's Naming Day is January 26, but it is summertime in the movie. See more »

Quotes

Tatyana Larina: [writing letter] Dearest Evgeny, I write to you, it is all I can do. And now I know it is in your power to punish my presuming heart. Yet if you have one drop of pity, you'll not abandon me to my unhappy fate. I am in love with you and I must tell you this or my heart, my heart which belongs to you, will surely break. I would never have revealed my shame to you, if just once a week I might see you. Exchange a word or two and then think day and night of one thing alone til our next meeting. But ...
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Soundtracks

Mir ist so wunderbar
from the opera "Fidelio"
Composed by Ludwig van Beethoven
Performed by Ingeborg Hallstein, Christa Ludwig, Gerard Unger, Gottlob Frick
The Philharmonia Orchestra
Conducted by Otto Klemperer
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User Reviews

 
Lyrical and passionate
24 October 2000 | by See all my reviews

I have to say that I was a bit hesitant about seeing this film for several reasons. I had read Onegin in the original Russian, and frankly I mistrusted the abilities of a film-maker to convey a true sense of the story and the life and mood of Imperial Russia while also catering to the tastes of modern film audiences. But as a fan of the work of Ralph Fiennes and Toby Stephens, I took the chance on this film, and I am glad that I did. Onegin was fantastic. I have to agree that this film is not for action fans, but everything came together spectacularly in Onegin: the acting, the dialogue, the haunting music, the beautiful cinematography, the subtle timing and angle of each shot in the film. I was, moreover, surprised by the superb acting of Liv Tyler. The high point of the film, with the unveiling of Tatiana's letter and Onegin's growing passion, is well worth the anticipation. Fienne's portrayal of Onegin is realistic, absolutely riveting... He is a man jaded by opulence and overindulgence, trapped in his indolence and boredom, cool and reasoning and underneath it all, absolutely miserable, a man who comes to realize too late what flames of passion burn within him, which he attempts to "beat down with his reason"... His torment creates the most compelling kind of tragedy: the tragedy that compels us to consider what might have been. My rating: 9/10


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