In the opulent St. Petersburg of the Empire period, Eugene Onegin is a jaded but dashing aristocrat - a man often lacking in empathy, who suffers from restlessness, melancholy and, finally,... See full summary »
In mid-1800's England, Oscar is a young Anglican priest, a misfit and an outcast, but with the soul of an angel. As a boy, even though from a strict Pentecostal family, he felt God told him... See full summary »
Set in 1930s Shanghai, where a blind American diplomat develops a curious relationship with a young Russian refugee who works odd -- and sometimes illicit -- jobs to support members of her dead husband's aristocratic family.
On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. ... See full summary »
Will Plunkett and Captain James Macleane, two men from different ends of the social spectrum in 18th-century England, enter a gentlemen's agreement: They decide to rid the aristocrats of ... See full summary »
Jonny Lee Miller,
In the opulent St. Petersburg of the Empire period, Eugene Onegin is a jaded but dashing aristocrat - a man often lacking in empathy, who suffers from restlessness, melancholy and, finally, regret. Through his best friend Lensky, Onegin is introduced to the young Tatiana. A passionate and virtuous girl, she soon falls hopelessly under the spell of the aloof newcomer and professes her love for him. Written by
Dawn M. Barclift
The song played at Tatiana's Naming Day feast is "On the Hills of Manchuria". It is not a folk song. It was written in 1906 by Ilya Shatrov, bandmaster of 214 Mokshansky infantry regiment, after tragical events of Russian-Japanese war. See more »
The song played at Tatiana's Naming Day feast - "On the Hills of Manchuria" - could not be played there, as the movie is set in the first half of the 19th century, and the song was written only in 1906 (and named after tragic events of the Russian-Japanese war of 1904-1905 years). See more »
Dearest Evgeny, I write to you, it is all I can do. And now I know it is in your power to punish my presuming heart. Yet if you have one drop of pity, you'll not abandon me to my unhappy fate. I am in love with you and I must tell you this or my heart, my heart which belongs to you, will surely break. I would never have revealed my shame to you, if just once a week I might see you. Exchange a word or two and then think day and night of one thing alone til our next meeting. But ...
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I have to say that I was a bit hesitant about seeing this film for several reasons. I had read Onegin in the original Russian, and frankly I mistrusted the abilities of a film-maker to convey a true sense of the story and the life and mood of Imperial Russia while also catering to the tastes of modern film audiences. But as a fan of the work of Ralph Fiennes and Toby Stephens, I took the chance on this film, and I am glad that I did. Onegin was fantastic. I have to agree that this film is not for action fans, but everything came together spectacularly in Onegin: the acting, the dialogue, the haunting music, the beautiful cinematography, the subtle timing and angle of each shot in the film. I was, moreover, surprised by the superb acting of Liv Tyler. The high point of the film, with the unveiling of Tatiana's letter and Onegin's growing passion, is well worth the anticipation. Fienne's portrayal of Onegin is realistic, absolutely riveting... He is a man jaded by opulence and overindulgence, trapped in his indolence and boredom, cool and reasoning and underneath it all, absolutely miserable, a man who comes to realize too late what flames of passion burn within him, which he attempts to "beat down with his reason"... His torment creates the most compelling kind of tragedy: the tragedy that compels us to consider what might have been. My rating: 9/10
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