Mike Max is a Hollywood producer who became powerful and rich thanks to brutal and bloody action films. His ignored wife Paige is close to leaving him. Suddenly Mike is kidnapped by two ... See full summary »
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A mentally unstable Vietnam war veteran works as a nighttime taxi driver in New York City where the perceived decadence and sleaze feeds his urge to violently lash out, attempting to save a teenage prostitute in the process.
Director:
Martin Scorsese
Stars:
Albert Brooks,
Robert De Niro,
Jodie Foster
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
A horrific car accident connects three stories, each involving characters dealing with loss, regret, and life's harsh realities, all in the name of love.
Director:
Alejandro González Iñárritu
Stars:
Emilio EchevarrĂa,
Gael GarcĂa Bernal,
Goya Toledo
In 1984 East Berlin, an agent of the secret police, conducting surveillance on a writer and his lover, finds himself becoming increasingly absorbed by their lives.
Director:
Florian Henckel von Donnersmarck
Stars:
Martina Gedeck,
Ulrich MĂĽhe,
Sebastian Koch
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.
Mike Max is a Hollywood producer who became powerful and rich thanks to brutal and bloody action films. His ignored wife Paige is close to leaving him. Suddenly Mike is kidnapped by two bandits, but escapes and hides out with his Mexican gardener's family for a while. At the same time, surveillance expert Ray Bering is looking for what happens in the city, but it is not clear what he wants. The police investigation for Max's disappearance is led by detective Doc Block, who falls in love with actress Cat who is playing in ongoing Max's production. Written by
Anonymous
There is a scene in the film where we see a live recreation of the painting "Nighthawks" by Edward Hopper. See more »
Goofs
When Page is holding Mike at gunpoint she holds the gun upward with the bottom of the handle facing outward and the ammo clip is clearly missing. Yet when Mike exits through the patio door she fires the gun and shatters the glass. See more »
Quotes
Ray Bering:
I'm a computer scientist. This is Hollywood. What's not strange?
See more »
"Me Estas Matando"
Written by Cesar Rosas
Performed and Produced by Los Lobos
Courtesy of Warner Bros. Records, by arrangement with Warner
Special Products See more »
I'm not surprised that a child would not understand this movie. To me it was very meaningful, but only in terms of lived experience in jobs and politics. It's really "Brave New World," where authority figures keep order by putting up cameras everywhere and intervening to eliminate anyone who is disorderly or criminal. Violence is a huge preoccupation, but only tolerated as make-believe -- but the make-believe gets confused with real violence. Control, transgression, power are the pivots of the well-to-do. Ashcroft stuff.
But the Mexican and immigrant families offer a warmer, truer alternative. In the end, they are more powerful because they are free and can think. The Kinko's episode, in which the police are defeated from taking control by their own preconceptions, is a good example. As underlings, laborers, the Mexicans understand what's at stake and they are everywhere, invisible to their employers.
The intellectual technician doesn't catch on until it's too late.
I'm told that what I saw was a re-cut and that the early version was indeed chaotic with a lot of loose ends. All I can say is that now this is one of the videos I rewatch and ponder.
19 of 24 people found this review helpful.
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I'm not surprised that a child would not understand this movie. To me it was very meaningful, but only in terms of lived experience in jobs and politics. It's really "Brave New World," where authority figures keep order by putting up cameras everywhere and intervening to eliminate anyone who is disorderly or criminal. Violence is a huge preoccupation, but only tolerated as make-believe -- but the make-believe gets confused with real violence. Control, transgression, power are the pivots of the well-to-do. Ashcroft stuff.
But the Mexican and immigrant families offer a warmer, truer alternative. In the end, they are more powerful because they are free and can think. The Kinko's episode, in which the police are defeated from taking control by their own preconceptions, is a good example. As underlings, laborers, the Mexicans understand what's at stake and they are everywhere, invisible to their employers.
The intellectual technician doesn't catch on until it's too late.
I'm told that what I saw was a re-cut and that the early version was indeed chaotic with a lot of loose ends. All I can say is that now this is one of the videos I rewatch and ponder.