| Photos (See all 21 | slideshow) |
| James Cromwell | ... | Granpa | |
| Tantoo Cardinal | ... | Granma | |
| Joseph Ashton | ... | Little Tree / Joshua | |
| Mika Boorem | ... | Little Girl | |
| Christopher Heyerdahl | ... | Pine Billy | |
| Christopher Fennell | ... | Wilburn (as Chris Fennell) | |
| Graham Greene | ... | Willow John | |
| Leni Parker | ... | Martha | |
| Rebecca Dewey | ... | Dolly | |
| Bill Rowat | ... | Henry | |
| Robert Daviau | ... | Ralph | |
| Norris Domingue | ... | Mr. Jenkins | |
| Mark Jeffrey Miller | ... | Preacher | |
| Gordon Masten | ... | Politician | |
| Howard Rosenstein | ... | Calf's Owner | |
| Teddy Lee Dillon | ... | Revenuer #1 | |
| James Rae | ... | Revenuer #2 | |
| Alain Goulem | ... | Revenuer #3 | |
| Griffith Brewer | ... | Church Man | |
| Dawn Ford | ... | Church Woman | |
| Lisa Bronwyn Moore | ... | Elisabeth | |
| Larry Day | ... | Mr. Lane | |
| Dean Hagopian | ... | Joe Taylor | |
| Jonathan Stark | ... | Girl's Father | |
| Pauline Little | ... | Mrs. Higginbotham | |
| Peter Colvey | ... | Proctor #1 | |
| Michel Perron | ... | Headmaster | |
| Victoria Barkoff | ... | Abusive Teacher | |
| Karentiio Phillips | ... | Older Boy | |
| Pierre Boudreau | ... | Pilgrim | |
| Richard Jutras | ... | Indian | |
| Jeff Jeffcoat | ... | Older Little Tree (voice) | |
| rest of cast listed alphabetically: | |||
| Rob Carpenter | ... | Coal miner worker (uncredited) | |
Directed by | |||
| Richard Friedenberg | |||
Writing credits(WGA) | ||
| Forrest Carter | (novel) | |
| Earl Hamner Jr. | (teleplay) (as Earl Hamner) & | |
| Don Sipes | (teleplay) | |
| Richard Friedenberg | (screenplay) | |
Produced by | |||
| Jake Eberts | .... | producer | |
| Louise Gendron | .... | co-producer | |
| Laurie Marie Parker | .... | associate producer | |
| Lenny Young | .... | co-producer | |
Original Music by | |||
| Mark Isham | |||
Cinematography by | |||
| Anastas N. Michos | (director of photography) (as Anastas Michos) | ||
Film Editing by | |||
| Jere Huggins | |||
| Wayne Wahrman | |||
Casting by | |||
| Rene Haynes | (as René Haynes) | ||
| Vera Miller | |||
Production Design by | |||
| Dan Bishop | |||
Art Direction by | |||
| Peter Stratford | |||
Set Decoration by | |||
| Eve Boulonne | (decorator) | ||
Costume Design by | |||
| Renée April | |||
Makeup Department | |||
| Damian Fisher | .... | special makeup effects artist | |
| Johanne Hansen | .... | hair stylist | |
| Richard Hansen | .... | key hair stylist | |
| Adrien Morot | .... | special makeup effects artist | |
| Ryan Nicholson | .... | special makeup effects artist: Maestro Studios | |
| Marie Régimbald | .... | makeup artist | |
| Diane Simard | .... | key makeup artist | |
| Patrick Tenascon | .... | special makeup effects artist | |
Production Management | |||
| Ginette Hoyse | .... | unit manager | |
| Danièle Rohrbach | .... | production manager | |
Art Department | |||
| Claire Alary | .... | props buyer | |
| Alain Brochu | .... | construction crew | |
| Rejean Brochu | .... | construction coordinator | |
| Marie-Noel Bréard | .... | assistant scenic painter | |
| Nathalie Cabot | .... | assistant greensman | |
| Marie Cailhier-Chartrand | .... | assistant property master | |
| Robert Carpentier | .... | swing gang | |
| Jocelyn Clouatre | .... | swing gang | |
| Nadine Ferenczy | .... | art department trainee | |
| Serge Gagne | .... | construction crew (as Serge Gagné) | |
| Bernard Gagnon | .... | construction crew | |
| Martin Gendron | .... | set designer | |
| Alain Giguère | .... | key scenic artist | |
| Steve Glasson | .... | construction crew | |
| Denis Hamel | .... | property master | |
| Gilles L'Heureux | .... | swing gang | |
| Pierre L'Heureux | .... | head greensman | |
| Paul Lacerte | .... | painter | |
| Eric Lafrance | .... | carpenter | |
| Richard Lebon | .... | swing gang | |
| Ray Légaré | .... | greensman | |
| Véronique Pagnoux | .... | scenic painter | |
| Jean-Pierre Paquet | .... | assistant decorator | |
| Katia Quijano | .... | art department coordinator | |
| Michel Robichaud | .... | scenic painter | |
| Mario Santini | .... | painter | |
| Doris Simard | .... | art department coordinator | |
| Francine Simpson | .... | painter | |
| Steve Ward | .... | painter | |
Sound Department | |||
| Christopher Assells | .... | foley editor (as Chris Assells) | |
| Lon Bender | .... | supervising sound designer | |
| Mark Berger | .... | supervising re-recording mixer | |
| Leslie Bloom | .... | foley walker (as Les Bloom) | |
| Kelly Cabral | .... | adr editor | |
| Kelly Cabral | .... | supervising sound editor | |
| Frank Canonica | .... | supervising sound recordist: mix stage | |
| Dino Dimuro | .... | foley editor | |
| Brian Dixon | .... | adr stage assistant | |
| Richard Dwan Jr. | .... | sound editor | |
| Paul Flinchbaugh | .... | digital assistant sound editor | |
| Claude Hazanavicius | .... | sound mixer | |
| Rick Kline | .... | sound re-recording mixer | |
| Jennifer L. Mann | .... | sound effects editor | |
| Earl Martin | .... | foley stage | |
| Thierry Morlaas-Lurbe | .... | boom operator | |
| Michael Semanick | .... | sound re-recording mixer | |
| Lauren Stephens | .... | dialogue editor | |
| Lauren Stephens | .... | sound editor | |
| Rich Weingart | .... | adr mixer: Los Angeles | |
| Gayle Wesley | .... | first assistant sound editor | |
Special Effects by | |||
| Antonio Vidosa | .... | special effects technician | |
Camera and Electrical Department | |||
| Robert Auclair | .... | electrician | |
| Chris Bramford | .... | grip | |
| Alain Brouillette | .... | key grip | |
| Sandrine Béchade | .... | second second assistant camera | |
| Jean Courteau | .... | chief lighting technician | |
| Gilles Fortier | .... | best boy electric | |
| Daniel Gagnon | .... | grip | |
| Nathalie Lasselin | .... | focus puller: second unit | |
| Michael J. Latino | .... | focus puller: second unit (as Michael Latino) | |
| Stéphane Leblanc | .... | electrician | |
| Jacques Leduc | .... | camera operator: second unit | |
| Christian Lemay | .... | second assistant camera | |
| Jean Levasseur | .... | electrician | |
| Nicolas Marion | .... | assistant camera: "a" camera | |
| Jeff Nichol | .... | best boy grip | |
| Yves Ouimet | .... | generator operator | |
| Paul Ryan | .... | director of photography: second unit | |
| Mike Sallustio | .... | electrician: second unit | |
| Jan Thijs | .... | still photographer | |
| Jacques Tremblay | .... | grip | |
Casting Department | |||
| Rosina Bucci | .... | additional casting: Montreal | |
| Craig Fincannon | .... | casting: North Carolina | |
| Robin Gurland | .... | casting: San Francisco | |
| Michelle Lang | .... | additional casting | |
| Michelle Lange | .... | casting: Los Angeles | |
| Nadia Rona | .... | additional casting: Montreal | |
Editorial Department | |||
| Karen Dimmig | .... | assistant editor | |
| Mike Milliken | .... | color timer (as Michael Milliken) | |
| Theresa Repola Mohammed | .... | negative cutter | |
Music Department | |||
| Thomas A. Carlson | .... | music editor | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Janice Hayen | .... | music preparation | |
| Stephen Krause | .... | score recordist | |
| Stephen Krause | .... | scoring mixer | |
| Ken Kugler | .... | orchestrator | |
| Frank Macchia | .... | music preparation | |
| Cindy O'Connor | .... | music preparation | |
| Adam Reuveni | .... | assistant score recordist | |
| Dann Thompson | .... | assistant score recordist | |
Transportation Department | |||
| Fernand Boudrias | .... | picture car coordinator | |
| Mario Munari | .... | transportation coordinator | |
| François Riendeau | .... | picture car wrangler | |
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| In the Time of the Butterflies | The New World | Rabbit-Proof Fence | The Prime of Miss Jean Brodie | The Indian in the Cupboard |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Canada section |
I didn't even know that this book had been filmed, until I stumbled across it on cable. The movie is hokey, mostly, but the story is so incredibly powerful that it is worthwhile, no matter how it is conveyed. The book is on my all-time top-20 list. The film is not. But it is still worth seeing, for it does represent the social facts of life encountered by Forrest Carter, as described in this autogiography.