| Photos (see all 29 | slideshow) | Videos (see all 2) |
| Anthony Hopkins | ... | Charles Morse | |
| Alec Baldwin | ... | Robert Green | |
| Elle Macpherson | ... | Mickey Morse | |
| Harold Perrineau | ... | Stephen | |
| Bart the Bear | ... | The Bear | |
| L.Q. Jones | ... | Styles | |
| Kathleen Wilhoite | ... | Ginny | |
| David Lindstedt | ... | James | |
| Mark Kiely | ... | Mechanic | |
| Eli Gabay | ... | Jet Pilot | |
| Larry Musser | ... | Amphibian Pilot | |
| Brian Arnold | ... | Reporter | |
| Bob Boyd | ... | Reporter | |
| Kelsa Kinsly | ... | Reporter | |
| Gordon Tootoosis | ... | Jack Hawk | |
| rest of cast listed alphabetically: | |||
| Randy Birch | ... | (uncredited) | |
| Larry Lefebvre | ... | (uncredited) | |
| Brian Steele | ... | Bear, attack sequence (uncredited) | |
Directed by | |||
| Lee Tamahori | |||
Writing credits(WGA) | ||
| David Mamet | (written by) | |
Produced by | |||
| Art Linson | .... | producer | |
| Lloyd Phillips | .... | executive producer | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Donald McAlpine | (as Donald M. McAlpine) | ||
Film Editing by | |||
| Neil Travis | |||
Casting by | |||
| Donna Isaacson | |||
Production Design by | |||
| Wolf Kroeger | |||
Art Direction by | |||
| Richard Harrison | |||
Set Decoration by | |||
| Janice Blackie-Goodine | |||
Costume Design by | |||
| Julie Weiss | |||
Makeup Department | |||
| Christine Beveridge | .... | makeup designer | |
| Iloe Flewelling | .... | key hair stylist | |
| Carl Fullerton | .... | makeup artist: Alec Baldwin | |
| Gail Kennedy | .... | makeup artist | |
| Rick Provenzano | .... | hair stylist: Alec Baldwin | |
| Rob Hinderstein | .... | makeup artist (uncredited) | |
| Elaina P. Schulman | .... | hair stylist (uncredited) | |
Production Management | |||
| Lynne Bespflug | .... | unit manager | |
| Grace Gilroy | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Simon Board | .... | second assistant director | |
| James W. Gavin | .... | second unit director: aerial unit | |
| Janet Holden | .... | second second assistant director | |
| Kevin Leslie | .... | third assistant director | |
| Philip A. Patterson | .... | first assistant director | |
| Michele Williams | .... | trainee assistant director | |
Art Department | |||
| Alfred A. Arndt | .... | construction foreman (as Alf Arndt) | |
| Rob Arndt | .... | head carpenter | |
| Pierre Bartlette | .... | construction foreman | |
| Tara Bartlette | .... | set dresser | |
| Sean Blackie | .... | assistant set decorator | |
| Brent Borrowman | .... | stand-by painter | |
| Scott Cameron | .... | set dresser | |
| Penny A. Chalmers | .... | buyer | |
| John Dambrauskas | .... | scenic carpenter | |
| Laurie Dobbie | .... | second assistant property master | |
| Jason Eskeland | .... | first assistant property master | |
| Ken Friss | .... | property assistant | |
| Gerald Gerlinsky | .... | scenic carpenter | |
| Dean Goodine | .... | property master | |
| Collin Grant | .... | storyboard artist | |
| Greg Kenny | .... | scenic carpenter | |
| Robert LaPrell | .... | construction coordinator | |
| Alan Marks | .... | scenic painter | |
| Bill McMahon | .... | draftsman (as George 'Bill' McMahon) | |
| Justin Onofriechuk | .... | on-set dresser | |
| Quincy Paglaro | .... | art department trainee | |
| Melodi Petrigo | .... | art department coordinator (as Melodi Petrigo-McGill) | |
| Paul S. Power | .... | storyboard artist (as Paul Power) | |
| Gary Clayton Ripley | .... | head scenic painter (as Gary Ripley) | |
| Bruce Shibley | .... | lead dresser | |
| Donovan Stilwell | .... | set dresser | |
| Allan Stinson | .... | sculptor | |
| Nicholas Tattersfield | .... | sculptor | |
| Noeleen Tobin | .... | set dresser | |
| David Trainor | .... | prop builder (uncredited) | |
| James Weeks | .... | carpenter (uncredited) | |
Special Effects by | |||
| John Alexander | .... | animal movement consultant: Animated Engineering Inc. | |
| Chris Atkinson | .... | special effects aerial rigger | |
| Perry Beckham | .... | special effects rigger | |
| A. Robert Capwell | .... | artist: Animated Engineering Inc. (as Rob Capwell) | |
| Tamara Carlson | .... | artist: Animated Engineering Inc. | |
| Mitchell J. Coughlin | .... | artist: Animated Engineering Inc. (as Mitchell Coughlin) | |
| Jill Crosby | .... | artist: Animated Engineering Inc. | |
| Gord Davis | .... | hydraulics designer | |
| Dave Dunaway | .... | special effects aerial rigger (as Dave 'Too Tall' Dunaway) | |
| Deborah Galvez | .... | artist: Animated Engineering Inc. | |
| James Hayes | .... | artist: Animated Engineering Inc. | |
| Mecki Heussen | .... | bear mechanical coordinator: Animated Engineering Inc. | |
| Mark Hull | .... | artist: Animated Engineering Inc. | |
| William Huntley | .... | artist: Animated Engineering Inc. | |
| Karen Lafler | .... | artist: Animated Engineering Inc. | |
| David Lane | .... | special effects aerial rigger | |
| Nick Lawson | .... | special effects shop foreman | |
| Gary Minielly | .... | special effects best boy | |
| Dave Nelson | .... | animatronic bear creator: Animated Engineering Inc. (as David Nelson) | |
| Fiona Nelson | .... | artist: Animated Engineering Inc. | |
| Eve Niemand | .... | artist: Animated Engineering Inc. (as Eve Neimand) | |
| Timothy Ralston | .... | bear hydraulic designer: Animated Engineering Inc. | |
| Scott Stofer | .... | special effects first assistant | |
| Norman Tempia | .... | animatronic bear creator: Animated Engineering Inc. | |
| Mike Vézina | .... | special effects coordinator | |
| Lynne Watson | .... | artist: Animated Engineering Inc. | |
| Amy Whetsel | .... | artist: Animated Engineering Inc. (as Amy Whetzel) | |
Visual Effects by | |||
| Andrea Adams | .... | computer graphics: Peerless Camera Co. Ltd. | |
| Martin Body | .... | effects camera: Peerless Camera Co. Ltd. | |
| Cosmas Paul Bolger Jr. | .... | digital effects supervisor: Digital Filmworks | |
| Jon Campfens | .... | motion control co-supervisor | |
| Steve Cutmore | .... | digital compositing: Peerless Camera Co. Ltd. | |
| Ditch Doy | .... | computer graphics: Peerless Camera Co. Ltd. | |
| Kent Houston | .... | visual effects supervisor | |
| Christopher Leone | .... | compositor: Digital Filmworks | |
| Peter W. Moyer | .... | senior compositor: Digital Filmworks | |
| Tim Ollive | .... | computer graphics: Peerless Camera Co. Ltd. | |
| Susi Roper | .... | visual effects coordinator: Peerless Camera Co. Ltd. | |
| David Smith | .... | optical camera | |
| Kurt E. Soderling | .... | visual effects camera operator (as Kurt Soderling) | |
| John Swinnerton | .... | effects camera: Peerless Camera Co. Ltd. | |
| Kitty Veevers | .... | digital compositing: Peerless Camera Co. Ltd. | |
| Trevor Withers | .... | effects camera: Peerless Camera Co. Ltd. | |
| Dean Yurke | .... | digital artist | |
| Dean Yurke | .... | digital compositing: Peerless Camera Co. Ltd. | |
| John D.B. Cox | .... | motion control operator (uncredited) | |
Stunts | |||
| David Alexander | .... | water safety coordinator | |
| Joe Dodds | .... | stunts (as Joe A. Dodds) | |
| Alex Green | .... | stunts | |
| Gaston Howard | .... | stunts | |
| Ernie Jackson | .... | stunts | |
| Doug Seus | .... | bear stunts | |
| Scott J. Smith | .... | bear stunts | |
| Gary Tacon | .... | stunts | |
| Betty Thomas | .... | stunt coordinator | |
| Clint Youngreen | .... | bear stunts | |
| Alex Green | .... | stunt double: Anthony Hopkins (uncredited) | |
Casting Department | |||
| Stuart Aikins | .... | casting: Vancouver | |
| Gail Goldberg | .... | casting associate | |
| Christian Kaplan | .... | casting associate | |
| Diane Randle | .... | extras casting | |
Costume and Wardrobe Department | |||
| Myron Baker | .... | dresser: Mr. Baldwin | |
| Gail Johns | .... | seamstress | |
| Rose Johnson | .... | costumer | |
| Parker Poole | .... | costumer (as C. Parker Poole) | |
| B.J. Rogers | .... | costume supervisor | |
| Arthur Rowsell | .... | dresser: Mr. Hopkins | |
| Arthur Rowsell | .... | wardrobe master | |
| Vanessa Terino | .... | costumer | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Nicolas De Toth | .... | first assistant film editor (as Nicolas de Toth) | |
| J. Michael Giles | .... | second assistant film editor: Canada | |
| Cary 'C.P.' Levine | .... | post-production assistant | |
| Dennis McNeill | .... | color timer (as Denny McNeill) | |
| Nora O'Brien | .... | post-production coordinator | |
| Dov Samuel | .... | first assistant film editor: Canada | |
| Ken Terry | .... | second assistant film editor | |
| Michael J. Wechsler | .... | assistant film editor | |
| Thor Roos | .... | color timer: dailies (uncredited) | |
Music Department | |||
| Andy Bass | .... | music recordist | |
| Robert Bayless | .... | assistant music editor (as Bob Bayless) | |
| Bruce Botnick | .... | music mixer | |
| Bruce Botnick | .... | music recordist | |
| Alexander Courage | .... | orchestrator | |
| Sandy DeCrescent | .... | music contractor (as Sandy De Crescent) | |
| Chuck Domanico | .... | musician: bass | |
| Marc Gebauer | .... | scoring crew | |
| Jerry Goldsmith | .... | conductor | |
| Jerry Goldsmith | .... | orchestrator | |
| Kenneth Hall | .... | music editor (as Kenny Hall) | |
| Michael Lang | .... | musician: piano (as Mike Lang) | |
| Steve Schaeffer | .... | musician: drums | |
| Jay Selvester | .... | scoring crew | |
Transportation Department | |||
| Jake Callihoo | .... | transportation coordinator | |
| Arnold Holmes | .... | transportation captain | |
| Danny C. Klepper | .... | transportation co-captain | |
| Stan Stefaniuk | .... | transportation co-captain | |
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| Alive | Jurassic Park III | Dreamcatcher | Into the Wild | The English Patient |
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What's so good about this picture? Well, it's actually very well shot and some very nice writing by Mamet.
Many people probably haven't even heard of this picture, the title is uninspiring but the film isn't.
The direction is superb, the widescreen frame is filled with details and characters use the 2.35:1 scope very well. The film is shot with the cinema screen in mind, not pan and scan. The photography is beautiful, the landscape comes alive, sometimes it steals the picture away from the characters.
The acting is fine, but sometimes a bit more meat was required in the middle of the picture. I don't think the actors had enough depth, but overall not bad.
The picture is about survival and that's all I will say.
The final frames are disappointing, should've been handled better.
The director did a terrific job capturing the Alaska terrain.
As usual, please view this picture in widescreen otherwise people you would have only seen 57% of the picture. There is only one way to enjoy the photography, and that's in widescreen.