A man returns to his sublet apartment to find the previous tenants, three offbeat young women, still in residence, under the mistaken belief that they have the apartment until the end of ... See full summary »
Cannes, 1999. Alice, an actress, wants to direct an indie picture. Kaz, a talkative (and maybe bogus) deal maker, promises $3 million if she'll use Millie, an aging French star. But, Rick, ... See full summary »
A young woman (Hera) believes she has a five year old clone. She kidnaps her and proceeds to drive "home" across a lonely desert. She wants to give the child back to her parents. We find out why as Hera slowly starts losing her mind.
A Hollywood film director assembles a group of friends and strangers for a social gathering on Valentines Day in a deserted movie theater where he interviews each one on their opinions on love and loneliness.
Dana, a young American woman traveling on business in Jerusalem, meets a mysterious older French woman at a café who shares a fascinating story of lost love revolving around the expensive antique ruby pin she's wearing. The woman exits the café abruptly, leaving the pin behind and Dana, who is on her way to meet her fiancé in London, finds herself forced to reschedule her trip - and her life - as an unexpected but expected stranger crosses her path. Or has he already? Written by
In the commentary, director Henry Jaglom mentions the horror anthology film 'Dead of Night (1945)' was one of his inspirations. In that film, an architect has deja vu over meeting a group of people, and they in turn share their own supernatural stories. See more »
To cheat oneself out of love is the most terrible deception, it is an eternal loss for which there is no reparation, neither in time or eternity.
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Love and mystery. Imagination. This is one of Henry's most accessible films, one which should appeal to a wider audience. It is a well rounded story from beginning to end, and quite rewarding. I left the theatre with a smile from ear to ear.
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