Dream with the Fishes (1997) 6.5
Terry is a suicidal voyeur who treats a dying addict to a final binge, but Terry will only do this if he promises to kill him. Director:Finn Taylor |
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Dream with the Fishes (1997) 6.5
Terry is a suicidal voyeur who treats a dying addict to a final binge, but Terry will only do this if he promises to kill him. Director:Finn Taylor |
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| Cast overview, first billed only: | |||
| David Arquette | ... |
Terry
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| Brad Hunt | ... |
Nick
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| Cathy Moriarty | ... |
Aunt Elise
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| Kathryn Erbe | ... |
Liz
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| Patrick McGaw | ... |
Don
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| J.E. Freeman | ... |
Joe, Nick's Father
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| Timi Prulhiere | ... |
Michelle
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| Anita Barone | ... |
Mary
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| Allyce Beasley | ... |
Sophia
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| Peter Gregory | ... |
Pharmacist
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Richmond Arquette | ... |
Sheriff
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| George Maguire | ... |
Funeral Director
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Kristina Robbins | ... |
Terry's Bowling 'Date'
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Katherine Copenhaver | ... |
Nick's Bowling 'Date'
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Gary Brickman | ... |
Drug Dealer
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Terry is a suicidal voyeur who doesn't seem to be able to kill himself. While preparing for jumping off a bridge, he meets Nick who ends up saving his life. Terry discovers that Nick is terminally ill and doesn't have much time left. Scared by the lack of time, Nick offers Terry a deal he can't refuse: Terry will become the beneficiary of Nick's life insurance or, since money doesn't matter to Terry, Nick promises to kill him before he dies. All Nick asks is Terry's help to realize a few fantasies before dying. Written by Hugo Lopes
It's a strange little movie, continually shifting focus, at the end perhaps not amounting to much more than a whimsical playing with odd offbeat lives, but generally quite appealing: some of the ideas - like that of a general malaise trying to elevate itself by identification with a specific loss - are particularly intriguing. The evocative title sums up the generally lilting approach toward dreams and fantasies and self-definitions, although the movie as a whole is in many ways oriented more towards grunginess and weirdness, almost verging on exploitation at times. A major reservation must attach to the marginality of the women - Erbe has some very striking moments, but her agenda and feelings aren't explored much. On the whole, not distinctive enough to stick around particularly in one's memory.