Former police psychologist Rob helps to save young Chrissy when she is about to commit suicide by jumping of 21st-story balcony with her 4-year-old son Jake. When he persuades her to go on ... See full summary »



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Credited cast:
Tom Georgeson ...
David Roper ...
Denise Bryson ...
Adam Johnston ...
David Horsefield ...
Paul Johnson ...
Rest of cast listed alphabetically:
Neil Armstrong ...
Hywel Berry ...
David Case ...
Daniel Lake ...


Former police psychologist Rob helps to save young Chrissy when she is about to commit suicide by jumping of 21st-story balcony with her 4-year-old son Jake. When he persuades her to go on a date, they are trapped with Jake and old Pat in an elevator because a drunken gang crashed into the elevator's engine room. Written by Anonymous

Plot Summary | Add Synopsis


Next time, take the stairs


Romance | Thriller


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Release Date:

13 February 1998 (UK)  »

Also Known As:

To asanser tou tromou  »

Company Credits

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Aspect Ratio:

1.85 : 1
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Did You Know?


The film was set in a tower block in Newcastle upon Tyne and was scheduled to be filmed there but a finance deal and full assistance caused the unit to move filming to Liverpool. See more »

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User Reviews

Quite good until the end, when it simply falls apart.
10 February 2003 | by (Todmorden, England) – See all my reviews

Downtime is not for anyone who is afraid of lifts. The claustrophobic atmosphere in this film is the best thing about it. In fact, I've used lifts all my life without giving them a second thought, but even I found myself taking the stairs for a month or two after watching this.

The story features an educated police negotiator and a foul-mouthed working class mother on the brink of suicide. They have virtually nothing in common, but one evening they find themselves trapped in an elevator. To complicate matters further, some troublesome kids start a fire in the same tower block which rapidly gets out of control.

There is an unconvincing love element to the story which makes parts of it hard to swallow. However, I was prepared to forgive the film for this unlikely plot development because as mentioned before the closed-in atmosphere is brilliantly captured. However, near the end the film does something truly unforgivable. For no reason at all, it suddenly brings in a half-hearted revenge subplot which belongs in another movie and uses it to end a film which has already reached a satisfying conclusion. The sheer stupidity of having a film set almost entirely in a lift suddenly switch location to a hospital room, with an angry father waving a rifle around, utterly undermines the good work that has gone before. Such a shame! Surely the two protagonists should have escaped from the lift and that should have been that.

Worth seeing, then, but it's best if you switch it off about ten minutes from the end.

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