When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
This true story follows FBI agent Joe Pistone as he infiltrates the mafia of New York. Befriending Lefty Ruggiero, Pistone (under the name Donnie Brasco) is able to embed himself in a mafia faction lead by Sonny Black. Ruggiero and Pistone become tight as the group goes about collecting money for 'the bosses'. Eventually, the group become big time when Black himself becomes a boss, all the while Pistone collects evidence. However, the trials and tribulations of the undercover work become more than Pistone can bear. His marriage falls apart and to top it off, the mafia suspect a mole in the organization. The real dilemma is afforded to Pistone, who knows if he walks away from the mafia, Ruggiero will be the one punished. Written by
P. Wong <firstname.lastname@example.org>
Lefty's real name is Benjamin, which means "son of the right hand" in Hebrew. See more »
In the car, Lefty shows Donnie a newspaper photo of the Carmine Galante crime scene. In the next scene, they pull up to Sonny's club, and small piles of snow are on the sidewalk. Galante was killed in July 1979, so there should be no snow on the ground. See more »
When they send for you, you go in alive, you come out dead, and it's your best friend that does it.
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Superb mafia drama. Deeper, and rings truer than most.
First rate mafia drama connects on a deeper level than most. Its cinematography may not have the moody, noirish atmosphere that makes The Godfather so appealing, but despite its slick Hollywood look, it seems to attain such penetrating truth (this, perhaps, has a little to do with its being based on a book by the real life main character). The central situation of the aging mafia man taking under his confidence and vouching for an undercover FBI agent, and that a bond forms between the two men is a great one. The performances are absolutely superb. Particularly the two men who the story centres on, Joe Pistone, a.k.a Donnie Brasco (Johnny Depp, going for realism in this role, is incredible. It begins and ends with a closeup of his eyes - this movie would be nothing without him) and mafia man "Lefty" (Pacino, who gives us one of his finest characterisations - best bit, his close-up after Donnie is asked to shake hands by a certain character on a certain boat). The vividness of the characters in this movie seems to owe a great deal to the superb screenplay (again, credit to the real-life source material). Recurring catch-phrases make it easy for us to get to know characters, and wonderful little touches give the story such a resonance, and make it ring true: like Lefty's smoking inside the car when driving with Brasco and accusing Brasco of trying to kill him with the draft when he opens a window to let some smoke out, and the portrait of Lefty, the opposite of how we imagine a mafia veteran, as a vulnerable, often emotional man.
Deserves at least four stars. Recommended to anyone (except, obviously kids, for a few scenes unsuitable to them).
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