A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
This true story follows FBI agent Joe Pistone as he infiltrates the mafia of New York. Befriending Lefty Ruggiero, Pistone (under the name Donnie Brasco) is able to embed himself in a mafia faction lead by Sonny Black. Ruggiero and Pistone become tight as the group goes about collecting money for 'the bosses'. Eventually, the group become big time when Black himself becomes a boss, all the while Pistone collects evidence. However, the trials and tribulations of the undercover work become more than Pistone can bear. His marriage falls apart and to top it off, the mafia suspect a mole in the organization. The real dilemma is afforded to Pistone, who knows if he walks away from the mafia, Ruggiero will be the one punished. Written by
P. Wong <email@example.com>
Michael Madsen impulsively proposed to, and married, DeAnna Madsen during a two-day break in filming. According to Michael Madsen, Al Pacino was disgusted by his impulsiveness. The Madsens remain happily married. See more »
In one scene Donnie answers the telephone, and the caller asks where he is. He is using a land line telephone. Where else could he be except where the caller called? See more »
Mike Newell is the weirdest choice for director of a Mafia drama, but he actually makes a terrific fist of it, delivering one of the very best gangster movies ever made. Johnny Depp, Al Pacino, Anne Heche and Michael Madsen are all in top form in front of the camera, too.
Depp plays undercover FBI agent Joseph Pistone in this intriguing true story. Pistone is trying to infiltrate his way into a mob family in order to gather evidence against them. He assumes the identity of "Donnie Brasco" and slowly but surely earns the love and trust of an old-pro hit-man named Lefty Ruggiero (Pacino). As the months go by, Pistone's marriage begins to fall apart as he is away from his wife (Heche) pretty much all the time. The line between his real life and his undercover life blurs together and he finds himself dangerously close to being seduced by the violent Mob lifestyle.
Donnie Brasco is an extraordinary film in many ways. As already mentioned, the performances are note-perfect. But there's so much more to it than that. The late 70s period details are impeccably captured; the dialogue is extraordinarily raw and realistic; the moral dilemma facing Depp is achingly, agonisingly conveyed. It's such a powerful picture, completely involving, that by the end you find yourself wrapped up in Pistone's predicament, asking yourself what decisions you would make in the same circumstances. Very few movies genuinely inspire you to debate the whats, whys and wherefores of the main character and his actions... but with Donnie Brasco, that's just what you'll find yourself doing.
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