The charismatic criminal Dobermann, who got his first gun when he was christened, leads a gang of brutal robbers. After a complex and brutal bank robbery, they are being hunted by the Paris... See full summary »

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Cast

Cast overview, first billed only:
...
Yann Lepentrec dit Le Dob
...
Commissaire Sauveur Cristini
...
Nathalie dit Nat la Gitane
Antoine Basler ...
Jean-Claude Ayache dit Moustique
Dominique Bettenfeld ...
Elie Frossard dit l'Abbé
Pascal Demolon ...
Inspecteur Lefèvre
Marc Duret ...
Inspecteur Baumann
...
Manu
François Levantal ...
Léo
Ivan Merat-Barboff ...
Inspecteur David Silverberg
Stéphane Metzger ...
Olivier Brachet dit Sonia
Chick Ortega ...
Jacky Sueur dit Pitbull
Patrick Rocca ...
Commissaire Clodarec
Florence Thomassin ...
Florence
Roland Amstutz ...
Oncle Joe, vieux
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Storyline

The charismatic criminal Dobermann, who got his first gun when he was christened, leads a gang of brutal robbers. After a complex and brutal bank robbery, they are being hunted by the Paris police. The hunt is led by the sadistic cop Christini, who only has one goal: to catch Dobermann at any cost. Written by Michael Soderberg <fawlty@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Action | Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for pervasive strong violence and language, and for drug use and sexuality | See all certifications »
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Details

Country:

Language:

| |

Release Date:

18 June 1997 (France)  »

Also Known As:

Доберман  »

Box Office

Budget:

FRF 33,000,000 (estimated)

Opening Weekend:

DEM 226,487 (Germany) (8 May 1998)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Gaspar Noé: man making a doner kebab for Cristini See more »

Quotes

Manu: They shot me in the prick
See more »

Connections

Spoofed in Ocean's Twelve (2004) See more »

Soundtracks

Dobermann (Bienvenue dans le chaos)
Written by Schyzomaniac
Performed by Brune and Gaze
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User Reviews

 
Best 'live action comic book' ever made
17 March 2002 | by (UK) – See all my reviews

Dobermann is one of the best 'live action comic books' ever made, IMO. The characters, the cinematography, the dialogue and the violence all have the comic book 'feel' - ultra-stylised and larger than life, and full of very black humour.

The movie is basically a heist movie, with Dobermann himself (Vince Cassell) and his band of unlikely partners plotting a robbery, and pulling it off... but getting bad-ass cop Cristini (Tcheky Karyo) on their tale for their troubles.

The movie is exceptionally well done - clearly a lot of love went into it from director Jan Kounen and from the cast. Some of the camera work is utterly unique and stunning, and the performances all round are excellent. Tcheky Karyo is particularly memorable - his role in KISS OF THE DRAGON was basically his DOBERMANN character watered down to about 1%. Dobermann himself is perhaps the least well developed character, remaining pretty detached and enigmatic throughout.

There's lots of sharp dialogue and bits of absurdity that will obviously draw comparisons to Tarantino. This all leads to some action setpieces that are very very nicely done, including a stunning and extended climax.

This is the 3rd time I've watched the movie, and I enjoy it more each time. Watched it at work last night with a pretty large group, and couldn't help wondering if it was a movie that showed cultural differences between the US and Europe. The Europeans & even a Canadian in the room were sat grinning from ear to ear from start to finish, all loving it... but the Americans in the room just didn't seem to 'get it' at all. They all seemed to be taking it much too seriously, and struggling terribly with the idea of an "anti-hero". The fact that Dobermann has killed an innocent man before he speaks his first line of dialogue seemed to give them trouble. Perhaps this is a European thing, along with the black humour. The difference in response between the Americans and the rest really was noticable.

But, perhaps it's just a coincidence - and some people from any country are always going to miss the point on these things. If you like your heroes dirty, your characters about 3 times larger than life, your camera restless, your dialogue cynical and vicious and your violence explosive... then Dobermann is a wonderful movie you should definitely track down.


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