Kathy is married to Peter. Now she can't help but wonder how things could have been if she got together with her old boyfriend, Tom. Being married prevents from doing that so she asks her ... See full summary »
Harley Jane Kozak,
A thriller about an IRA gunman who draws an American family into the crossfire of terrorism. Frankie McGuire is one of the IRA's deadliest assassins. But when he is sent to the U.S. to buy weapons, Frankie is housed with the family of Tom O'Meara, a New York cop who knows nothing about Frankie's real identity. Their surprising friendship, and Tom's growing suspicions, force Frankie to choose between the promise of peace or a lifetime of murder. Written by
Robert Lynch <firstname.lastname@example.org>
This film is just a second-rate thriller which uses Northern Ireland as a convenient backdrop to add colour. Unfortunately, the portrayal of Belfast and the terrorists and intelligence community is stereotypical, romanticised and hugely inaccurate. The gun battle at the beginning is just ludicrous and from then on the film becomes a showcase for nauseating Irish-American 'culture,' all blarney and dreaming of the 'oul country. The acting doesn't help as Ford sleepwalks and Pitt can't maintain the accent. It is possible to make good thrillers set in Northern Ireland which do not dodge the politics and have sensitivity, but none of them have been made by US production companies. 'Harry's Game' is by far the best example, devastatingly accurate closely followed by 'The Children of The North' and the black comedy 'Divorcing Jack' more recently. See these and give this Hollywood rubbish a miss.
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