A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
A family's moral codes are tested when Ray Tierney investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
A thriller about an IRA gunman who draws an American family into the crossfire of terrorism. Frankie McGuire is one of the IRA's deadliest assassins. But when he is sent to the U.S. to buy weapons, Frankie is housed with the family of Tom O'Meara, a New York cop who knows nothing about Frankie's real identity. Their surprising friendship, and Tom's growing suspicions, force Frankie to choose between the promise of peace or a lifetime of murder. Written by
Robert Lynch <email@example.com>
The trailer shows many scenes that are not present in the final released version - including a love scene between Frankie and Megan. See more »
During the first shoot out Frankie yells to Ronnie and points to him. We see Ronnie turn the corner and start to shoot. However if you look closely debris is falling "upward". Obviously the shot is in reverse. The same shot is repeated moments later but correctly. See more »
Hey Rory. You might wanna tell Sean about this.
Maybe I'll give him a call.
You could if he was home. But he's not home. You wanna see him? I know he wants to see you.
See more »
Alan J. Pakula's last film is incredibly disappointing...
This is a very mediocre movie, and a bad sign-off for Alan J. Pakula (who died a year later in 1998 from a car crash). Listen to Brad Pitt's awful accent for a few moments and you'll get a clear idea that this film is going nowhere.
It caused some controversy on release because of its simplified view of the IRA/Britain terrorism and some people (particularly Europeans I suppose) took offense to the fact that Brad Pitt's character is given a "motive" for what he does... and the film seems to sympathy with him.
Brad Pitt hated the film and Harrison Ford and him battled on set over who would become the focus of the film itself (apparently Pitt became upset because the script was re-written and his character was given less screen time).
I only recommend it to people who haven't seen many movies. Why? Because then the recycled dialogue, characters, plot, and performances may seem fresh.
But as it stands, "The Devil's Own" is a poor example of mediocre film-making. Or is that a "good" example of mediocre film-making? Whatever it is, the film is not anything special, and certainly not anything that hasn't been done before.
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