A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
When the daughter of a psychiatrist is kidnapped, he's horrified to discover that the abductors' demand is that he break through to a post traumatic stress disorder suffering young woman who knows a secret...
A family's moral codes are tested when Ray Tierney investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
A thriller about an IRA gunman who draws an American family into the crossfire of terrorism. Frankie McGuire is one of the IRA's deadliest assassins. But when he is sent to the U.S. to buy weapons, Frankie is housed with the family of Tom O'Meara, a New York cop who knows nothing about Frankie's real identity. Their surprising friendship, and Tom's growing suspicions, force Frankie to choose between the promise of peace or a lifetime of murder. Written by
Robert Lynch <firstname.lastname@example.org>
The original script for the film was much darker than the version used for the final film. Amongst other elements: Pitt's Frankie the Angel character alternated between slaughtering all of the inhabitants of a crack house and crooning Irish music at a local pub; Ford's Tom O'Meara was a "hair bag cop" who got that unflattering nickname because he's been a uniformed officer for so long; and an entire scene consisted of O'Meara and his partner throwing vile insults at each other. This draft was the one that Brad Pitt read before deciding to sign onto the project. See more »
During the first shoot out Frankie yells to Ronnie and points to him. We see Ronnie turn the corner and start to shoot. However if you look closely debris is falling "upward". Obviously the shot is in reverse. The same shot is repeated moments later but correctly. See more »
[Looking at a dilapidated boat]
Here it is: the Irish Republican Navy.
See more »
This film is just a second-rate thriller which uses Northern Ireland as a convenient backdrop to add colour. Unfortunately, the portrayal of Belfast and the terrorists and intelligence community is stereotypical, romanticised and hugely inaccurate. The gun battle at the beginning is just ludicrous and from then on the film becomes a showcase for nauseating Irish-American 'culture,' all blarney and dreaming of the 'oul country. The acting doesn't help as Ford sleepwalks and Pitt can't maintain the accent. It is possible to make good thrillers set in Northern Ireland which do not dodge the politics and have sensitivity, but none of them have been made by US production companies. 'Harry's Game' is by far the best example, devastatingly accurate closely followed by 'The Children of The North' and the black comedy 'Divorcing Jack' more recently. See these and give this Hollywood rubbish a miss.
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