A family's moral codes are tested when Ray Tierney investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
A thriller about an IRA gunman who draws an American family into the crossfire of terrorism. Frankie McGuire is one of the IRA's deadliest assassins. But when he is sent to the U.S. to buy weapons, Frankie is housed with the family of Tom O'Meara, a New York cop who knows nothing about Frankie's real identity. Their surprising friendship, and Tom's growing suspicions, force Frankie to choose between the promise of peace or a lifetime of murder. Written by
Robert Lynch <email@example.com>
Amongst other script problems, an renewed outbreak of violence in Northern Ireland in 1990 forced large revisions. Ironically, the film's release date in 1997 came as peace negotiations had moved forward to such an extent, that the Belfast Agreement (Good Friday Accords) were signed in April 1998. See more »
In the pool game scene Frankie sinks the orange stripe ball (the thirteen ball) three times on his run to sinking the eight ball. Of course this might be the rules of this one particular bar, but that's a stretch. See more »
I understand why he's doin' what he's doin'. If I had to endure what he's endured - -if I was eight years old and saw my father gunned down in front of my family - -I'd be carryin' a gun too, and I wouldn't be wearin' a badge.
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This film is just a second-rate thriller which uses Northern Ireland as a convenient backdrop to add colour. Unfortunately, the portrayal of Belfast and the terrorists and intelligence community is stereotypical, romanticised and hugely inaccurate. The gun battle at the beginning is just ludicrous and from then on the film becomes a showcase for nauseating Irish-American 'culture,' all blarney and dreaming of the 'oul country. The acting doesn't help as Ford sleepwalks and Pitt can't maintain the accent. It is possible to make good thrillers set in Northern Ireland which do not dodge the politics and have sensitivity, but none of them have been made by US production companies. 'Harry's Game' is by far the best example, devastatingly accurate closely followed by 'The Children of The North' and the black comedy 'Divorcing Jack' more recently. See these and give this Hollywood rubbish a miss.
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